Christine Brown a voulu être promue et, pour faire plaisir au patron, refuse de négocier le crédit d'une femme âgée sur le point de perdre sa maison. En vengeance, elle implore une malédicti... Tout lireChristine Brown a voulu être promue et, pour faire plaisir au patron, refuse de négocier le crédit d'une femme âgée sur le point de perdre sa maison. En vengeance, elle implore une malédiction qui la mènera en enfer.Christine Brown a voulu être promue et, pour faire plaisir au patron, refuse de négocier le crédit d'une femme âgée sur le point de perdre sa maison. En vengeance, elle implore une malédiction qui la mènera en enfer.
- Prix
- 7 victoires et 24 nominations au total
Histoire
Le saviez-vous
- AnecdotesAlison Lohman did almost all of her own stunts.
- GaffesMrs. Ganush's body gushes a large quantity of embalming fluid onto Christine's face, but in the next scene, her hair is completely dry.
- Générique farfeluThe film opens with the 1963 "Van Allen belts" Universal logo.
- Autres versionsThe unrated director's cut DVD adds four notable extended shots/sequences:
- 1. The scene where Christine's nose squirts blood is extended, adding a shot of blood pouring out of her mouth. She covers her mouth, causing the fountain of blood to erupt from her nose.
- 2. The shot of Christine raising the knife above her cat is extended, showing Christine plunging the knife down several times, with some squirting blood.
- 3. We also see the cat's bloodied body fall into the hole in Christine and Clay's yard, just before Christine begins to shovel dirt upon it.
- 4. When Christine drops the anvil on Mrs. Ganush, Christine still gets splattered with Mrs. Ganush's eyeballs and brain matter, but now it's blood red colored.
- ConnexionsFeatured in HBO First Look: Making 'Drag Me to Hell' (2009)
- Bandes originalesRock Ballad (Unused Theme from The Exorcist)
Written and Performed by Lalo Schifrin
Courtesy of Warner Bros. Entertainment
Played in the end credits
Commentaire en vedette
A huge disappointment in my eyes, especially after the high praise it has received from critics. Sam Raimi attempts to return to his B movie roots. Like the Evil Dead movies, it's delightfully cheesy and relentless. Unfortunately, it's also very formulaic and, much of the time, downright obnoxious. This is one film I would almost implore people not to see in theaters. At least not ones that like to turn the volume up. This movie is LOUD. I saw Terminator Salvation at the same theater, and was not nearly as deafened as I was by Drag Me to Hell. The problem: horror stings on the soundtrack. CONSTANTLY. The formula of the film is this: quiet set-up followed by sharp screech and an even louder BOO! It's the same thing over and over. I was cowering, but only because I was afraid I might not be able to hear in the morning. The story isn't bad, but it's been done before. Alison Lohman (awful) plays a loan officer who gets cursed by a gypsy after she turns her down for a loan extension. A goat demon begins to attack Lohman and, well, the rest of its intentions are included in the title of the film. Though I generally didn't like it, it's far from a bad film. In fact, I think it might play better on television (it's definitely the kind of movie that I would have caught on late night TV as a kid and loved). The séance scene near the end of the film is mostly gold. The demon itself is scary as Hell, but Raimi's way of indicating it, with sharp screeches, is what ruined the movie for me.
- zetes
- 30 mai 2009
- Lien permanent
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Drag Me to Hell
- Lieux de tournage
- 1031 Everett St, Los Angeles, Californie, États-Unis(Christine's house)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 30 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 42 100 625 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 15 825 480 $ US
- 31 mai 2009
- Brut – à l'échelle mondiale
- 90 843 550 $ US
- Durée1 heure 39 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant