Dans un monde post-apocalyptique dangereux, un père malade défend son fils alors qu'ils voyagent lentement vers la mer.Dans un monde post-apocalyptique dangereux, un père malade défend son fils alors qu'ils voyagent lentement vers la mer.Dans un monde post-apocalyptique dangereux, un père malade défend son fils alors qu'ils voyagent lentement vers la mer.
- Nominé pour le prix 1 BAFTA Award
- 5 victoires et 34 nominations au total
Jeremy Ambler
- Man In Cellar #1
- (uncredited)
Aaron Bernard
- Militant
- (uncredited)
Histoire
Le saviez-vous
- AnecdotesTo live the role, Viggo Mortensen would sleep in his clothes and deliberately starve himself. At one point, he was thrown out of a shop in Pittsburgh, because they thought he was a homeless man.
- GaffesIt's wasteful to keep humans alive as food since captives still need to eat. Like any animal, butchering immediately and preserving through dehydration is more efficient.
- Générique farfeluOver the end credits, we hear the sounds of children playing. What the world must have been like in happier times.
- ConnexionsFeatured in At the Movies: Venice Film Festival 2009 (2009)
- Bandes originalesSonata for Violin and Harpsichord No. 3 in E Major: Adagio Ma Non Tanto
Written by Johann Sebastian Bach (as J.S. Bach)
Arranged by Ryan Franks
Performed by Ryan Franks & Harry Scorzo
Courtesy of Crucial Music Corporation
Commentaire en vedette
The Road (1:50, R) — Science Fiction, 3rd string, original
Among the first words spoken in The Road (adapted from Cormac McCarthy's novel) are "It's just another earthquake.". That's supposed to be reassuring.
It's a bleak, devastated, post-apocalyptic world leached of everything: color, sounds, names, sunshine, warmth, joy, hope. Thru it trudge The Man (Viggo Mortenson) and The Boy (Kodi Smit-McPhee), slowly and painfully making their way to "the coast", where maybe things will be marginally better. Who can say? But what else is there?
Along the way they encounter The Gang Member (Garret Dillahunt, still as creepy and frightening as he was in The Sarah Connor Chronicles and The Last House on the Left), The Road Gang Leader (Brenna Roth), The Old Man (Robert Duvall), The Thief (Michael K. Williams), and The Veteran (Guy Pearce) and his woman (Molly Parker). In flashbacks to an achingly lost former life, we see The Wife (Charlize Theron).
And really, once you've named the names, you've pretty well covered the movie. The name of the game is Survival, tho none can say what the point of it is. The food is gone, and clearly no more will be growing. Humans are apparently the only animals to survive the unnamed global disaster, so they represent the sole remaining, rapidly dwindling source of protein. The voices you hear approaching are not the Red Cross.
Some choose not to play. The Wife, after some low-energy soul-searching, goes the ancient-Eskimo route. "She was gone," The Man remembers, "and the coldness of it was her final gift."
Others persevere for no cogent reason. "DId you ever wish you would die?", The Man asks. "No," The Old Man replies, "it's foolish to ask for luxuries in times like these."
The Man and The Boy have 1 gun with 2 bullets left; they are not being reserved for potential assailants. In some of the movie's most agonizing scenes, we see The Man explain not only what must be done but why.
I walked into this movie 10 hours after leaving the theater where Avatar splashed the screen with color, motion, activity, purpose, a 3rd dimension, and a superb sound track. It is difficult to imagine 2 more disparate films in terms of tone and atmosphere. But both are extremely effective at making their respective worlds seem completely real.
The movie is unremittingly grim and completely believable. It doesn't pull its punches or sell out. It will haunt you. It's unlikely that anyone else will ever make another movie that treats the end of the world so realistically, so if you want to see the standard against which all others will be compared, this is your chance.
Stay away if you're depressed or prone to it, and avoid razor blades for 12 hours afterward.
Among the first words spoken in The Road (adapted from Cormac McCarthy's novel) are "It's just another earthquake.". That's supposed to be reassuring.
It's a bleak, devastated, post-apocalyptic world leached of everything: color, sounds, names, sunshine, warmth, joy, hope. Thru it trudge The Man (Viggo Mortenson) and The Boy (Kodi Smit-McPhee), slowly and painfully making their way to "the coast", where maybe things will be marginally better. Who can say? But what else is there?
Along the way they encounter The Gang Member (Garret Dillahunt, still as creepy and frightening as he was in The Sarah Connor Chronicles and The Last House on the Left), The Road Gang Leader (Brenna Roth), The Old Man (Robert Duvall), The Thief (Michael K. Williams), and The Veteran (Guy Pearce) and his woman (Molly Parker). In flashbacks to an achingly lost former life, we see The Wife (Charlize Theron).
And really, once you've named the names, you've pretty well covered the movie. The name of the game is Survival, tho none can say what the point of it is. The food is gone, and clearly no more will be growing. Humans are apparently the only animals to survive the unnamed global disaster, so they represent the sole remaining, rapidly dwindling source of protein. The voices you hear approaching are not the Red Cross.
Some choose not to play. The Wife, after some low-energy soul-searching, goes the ancient-Eskimo route. "She was gone," The Man remembers, "and the coldness of it was her final gift."
Others persevere for no cogent reason. "DId you ever wish you would die?", The Man asks. "No," The Old Man replies, "it's foolish to ask for luxuries in times like these."
The Man and The Boy have 1 gun with 2 bullets left; they are not being reserved for potential assailants. In some of the movie's most agonizing scenes, we see The Man explain not only what must be done but why.
I walked into this movie 10 hours after leaving the theater where Avatar splashed the screen with color, motion, activity, purpose, a 3rd dimension, and a superb sound track. It is difficult to imagine 2 more disparate films in terms of tone and atmosphere. But both are extremely effective at making their respective worlds seem completely real.
The movie is unremittingly grim and completely believable. It doesn't pull its punches or sell out. It will haunt you. It's unlikely that anyone else will ever make another movie that treats the end of the world so realistically, so if you want to see the standard against which all others will be compared, this is your chance.
Stay away if you're depressed or prone to it, and avoid razor blades for 12 hours afterward.
- RichardSRussell-1
- 17 déc. 2009
- Lien permanent
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Détails
Box-office
- Budget
- 25 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 8 117 000 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 1 502 231 $ US
- 29 nov. 2009
- Brut – à l'échelle mondiale
- 27 639 579 $ US
- Durée1 heure 51 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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