ÉVALUATION IMDb
5,9/10
7,6 k
MA NOTE
Une actrice alcoolique échouée et sujette aux pannes de courant se réveille à côté d'un homme assassiné. L'a-t-elle tué et, sinon, est-elle en danger?Une actrice alcoolique échouée et sujette aux pannes de courant se réveille à côté d'un homme assassiné. L'a-t-elle tué et, sinon, est-elle en danger?Une actrice alcoolique échouée et sujette aux pannes de courant se réveille à côté d'un homme assassiné. L'a-t-elle tué et, sinon, est-elle en danger?
- Nommé pour 1 oscar
- 1 nomination au total
José Angel Santana
- Driver
- (as José Santana)
Histoire
Le saviez-vous
- AnecdotesThis was the only film that director Sidney Lumet ever made in Hollywood, a place that he disliked.
- GaffesThe taxi driver tells Alex that it is Thursday November 28, 1986. However, November 28, 1986 was a Friday.
- Citations
Alex Sternbergen: [Her first lines] What the fuck?
- Générique farfeluThe credits don't begin until nine minutes into the film.
- ConnexionsFeatured in Siskel & Ebert & the Movies: Platoon/Lady and the Tramp/No Mercy (1986)
- Bandes originalesSolo saxophone
Performed by George Howard
Commentaire en vedette
This movie was much better than I had reason to expect after reading the comments on IMDb. Its biggest flaw must be the way The Morning After is marketed. It is not really a taut whodunit thriller but rather a study of a particular place in a particular era with particular characters a dark comedy and a love drama at the same time. The second biggest flaw is the grating, almost ever present musical score. But for the rest this movie is nearly perfect.
I should call The Morning After an expose of Southern California in the mid 1980s. The sets and the photography (a lot frontal or near frontal wide angle shots of curbside sceneries) are very accomplished Schrader's American Gigolo came to mind. The sun is always shining, the air seems to be absolutely pure, even places that should be dirty (back yards, industrial sites etc.) are painted in gaudy colors and squeaky clean. But the minds of the principal protagonists are desperately foggy and muddled. California appears to be a big, decaying fake idyll. People go there to die, I once read in a novel by Nathanael West (The Day of the Locust also made into a great, underrated California movie, by the way). And that more or less sums up the feel of it.
The cast is kept wonderfully small. Jane Fonda is brilliant and she would have deserved the Oscar for this part. For several long scenes she acts alone in front of the camera and she really conveys the desperation and the natural charm of the character (and she's really attractive, too, despite the boozing). Jeff Bridges is a reliable support here. Also very good is Raul Julia as Fonda's somehow estranged husband. He plays a high end hairdresser with a snazzy salon and at times displays an unexpected but highly welcome gentlemanly charm.
Until now I always thought of Sidney Lumet as an American East Coast director. It is the only one of his movies I know that is set in California. He seems to have his own way of appreciating that place. There is a director's comment on the DVD I purchased and I am looking forward to listening to that.
I should call The Morning After an expose of Southern California in the mid 1980s. The sets and the photography (a lot frontal or near frontal wide angle shots of curbside sceneries) are very accomplished Schrader's American Gigolo came to mind. The sun is always shining, the air seems to be absolutely pure, even places that should be dirty (back yards, industrial sites etc.) are painted in gaudy colors and squeaky clean. But the minds of the principal protagonists are desperately foggy and muddled. California appears to be a big, decaying fake idyll. People go there to die, I once read in a novel by Nathanael West (The Day of the Locust also made into a great, underrated California movie, by the way). And that more or less sums up the feel of it.
The cast is kept wonderfully small. Jane Fonda is brilliant and she would have deserved the Oscar for this part. For several long scenes she acts alone in front of the camera and she really conveys the desperation and the natural charm of the character (and she's really attractive, too, despite the boozing). Jeff Bridges is a reliable support here. Also very good is Raul Julia as Fonda's somehow estranged husband. He plays a high end hairdresser with a snazzy salon and at times displays an unexpected but highly welcome gentlemanly charm.
Until now I always thought of Sidney Lumet as an American East Coast director. It is the only one of his movies I know that is set in California. He seems to have his own way of appreciating that place. There is a director's comment on the DVD I purchased and I am looking forward to listening to that.
- manuel-pestalozzi
- 26 nov. 2008
- Lien permanent
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
- How long is The Morning After?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- The Morning After
- Lieux de tournage
- La Cienega Oil Fields, La Cienega Boulevard, Los Angeles, Californie, États-Unis(Alex & Turner stop next to the oil fields to talk.)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 15 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 25 147 055 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 5 069 926 $ US
- 28 déc. 1986
- Brut – à l'échelle mondiale
- 25 147 055 $ US
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant