This brilliant depiction of human relationships and the passage of time stands as one of the great gems of the Spanish audiovisual landscape. Rodrigo Sorogoyen, with his usual mastery, delivers a series that not only reflects the complexities of human connections with realism but does so with a sincerity and sensitivity rarely seen on screen.
The narrative of The New Years, structured around significant calendar dates, is a bold and captivating exercise. Far from becoming repetitive, each episode adds something new, exploring different facets of relationships and life in one's thirties. The series perfectly captures small gestures, silences, and emotions that define these moments, making every scene feel intimate and authentic.
The performances by Iria del Río and Francesco Carril are the heart of the series. Their chemistry and the truth they bring to their roles make their characters mirrors of the audience, drawing us into their joys, doubts, and pains. Both actors convey a humanity that is disarming, elevating every scene they share.
Sorogoyen's direction is flawless, using his talent for collective sequences and long takes with precision, giving the series a unique dynamism. This is complemented by a script with realistic and sharp dialogue that explores universal themes such as love, time, and the inevitability of change, without veering into melodrama.
In conclusion, The New Years is an extraordinary work that feels both intimate and transcendent. A series that doesn't just tell a story but lives and breathes it, leaving the viewer with the feeling of having witnessed something as real as it is unforgettable.
