The Man from Bitter Ridge

It's Not Often that Sheep-Headers are at the Center of the Heroics in a Cow-Boy Movie.

In Fact, Emphasizing the Point, Steve McNally's Head Herder Nicknames' Lex Barker "Cowboy" and Uses it Relentlessly Throughout.

There's Much Going On in this Overpopulated Picture...

Stage-Coach Robberies of Targeted Gold Shipments.

The Town Celebrating, Complete with Marching Bands, Banners and Placards, the Election of the Town Sheriff with One Seriously Corrupt Candidate.

A Love Triangle Between a "Tarzan-Like" Hunk, Lex Barker, a Rough and Ready to Fist-Fight at the Drop of a Hat, Steve McNally, and the Stunningly Beautiful Tom-Boy and Crack-Shot, Mora Corday.

There are Many Battles with Fisticuffs, Dynamite, and Guns-Blazing.

The Climax is so Riddled with Gun-Play in the Middle of Town and Hundreds of Bullets Flying Everywhere, its Difficult to Tell Who's Shooting Who and it Resembles a Circular Firing Squad.

Certainly a Big-Bang for the Buck, with a Big-Budget,

and Direction from a 1950's icon of Pulp Entertainment, Jack Arnold.

Certainly makes this Big Colorful Entertainment...

Worth a Watch.

Jeff Carr, a special investigator, arrives in Tomahawk. His assignment is to discover who has been holding up the local stagecoach and is guilty for a series of killings that terrorize the town. Sheepman Alec Black is suspected by the local population but it is not long before Jeff realizes the man is innocent. Alec even becomes a good friend although he is in love with the same woman as him, Holly. Jeff will manage to arrest the real culprits but not before the latter try to compromise him down.

Lex Barker starred in a few westerns, the Man from the Bitter Ridge is one of his best ones- it's fast-paced, has loads of action, fistfights - the fight in the alleyway between Myron Healy and Barker is well choreographed with some judo locks - and good dialogue and cinematography. Stephen McNally stars as a sheepman, Mara Corday adds some glamour and John Dehner lends some villainy in this colourful oater.

The Man from Bitter Ridge is directed by Jack Arnold and collectively written by Lawrence Roman, Teddi Sherman and William MacLeod Raine. Cinematography is by Russell Metty. It stars Lex Barker, Mara Corday, Stephen McNally and John Dehner.

Jeff Carr (Barker) is a special investigator who arrives in Tomahawk to seek out who has been holding up the local stagecoach with murderous intent.

It's your standard rank and file "B" Oater of the 1950s, but one of worth to the discerning duster fanatic. Beautifully photographed by Metty out of Conejo Valley and Skeleton Canyon - in Eastman Color (check out those blues) - the pic never lacks for action (dynamite play, shoot-ups, rounds of knuckles) and mysterious political intrigue.

Characterisations are boosted by the presence of McNally and Dehner (as usual), and Corday is socko beautiful enough to off-set what is - and was - often a standard Western female role. There's some neat touches in the screenplay, such as a black sheep metaphor, the fact our hero quite often is easily disarmed! And some good old false imprisonment.

It doesn't shake your boots off but it does ruffle them regardless. Good fun. 6.5/10

I found the beginning of The Man from Bitter Ridge quite challenging. It seems you could get shot just for looking at someone the wrong way and face absolutely no consequences whatsoever. Unfortunately, this was oddly the case for too many westerns films from this period. I stuck with it and found myself grow increasingly involved in the story and the individual characters: the head of the sheep herders, the special investigator, the woman they both love, to the point where I can say I really enjoyed The Man from Bitter Ridge more than I thought I would. Definitely check it out if your curious and see what you think.

Tense , amazing and suspenseful Western with a simple , standard story that engages the viewer until the last scene . In Tomahawk, the crooked Jackman brothers control the town, Sheriff Dunham (Trevor Bardette) is up for re-election, and the sheep growers are banned in town . A drifter called Jeff Carr (Lex Barker) arrives in Tomahawk and investigates stagecoach assaults and he attempts to catch the gang that regularly robs the stages . Along the way he is caught in the middle of a violent range war between cattlemen and sheep-men . Meanwhile, the sheep-men are harassed by their contenders led by a nasty land baron , Jackman (John Dehner) , and his brothers Linc Jackman (Warren Stevens) and Clem Jackman (Myron Healey) . Then , Carr helps Alec Black (Stephen McNally) suspected by the local population , although he is in love with the same woman as him, Holly (Mara Corday) . Flaming days of the Great Mountain Wars! The West's Last Lawless Years! ; the great mountain wars blaze with all their violence! The Roar Of Dynamite! The Thunder Of Stampede!

Entertaining Western including action , thrills , fights , shot'em up and a peculiar love story among Lex Barker , Mara Corday and Stephen McNally . And including a stirring final stand-off that results to be thrilling , charged and riveting .The story is plain and simple , a strong confrontation with a intrigue behind , including ordinary confrontation between Sheepmen and and cattlemen and our hero will manage to arrest the real culprits but not before the latter try to compromise him down . An agreeable and slight tale , almost rudimentary , though full of cliches , as the script lines too often settle for crude routine and paced in fits and starts ; however , packing some surprises . Bursting with appealing , charming characters, including decent filmmaking and interpretation .There is a strong feud between settlers and cattlemen all around the movie and our two-fisted private, undercover investigator has to contend with both , farmers and cattlemen . Pretty good and pleasant traditional Western with professional direction and flawlessly acted by Lex Barker , but all the action comes from Stephen McNally who did such yeoman service in countless Universal Pictures Westerns and , in addition , John Dehner as a nasty , powerful owner who steals the show as a treacherous villain . This ¨The man from bitter ridge¨ not the best Western ever,...but pretty darn close . The narration is perfectly adjusted , from the beginning , until the final showdown and being approximately developed in appropriate runtime : 80 min . Lex Barker gives an acceptable acting as a mysterious investigator who attempts to discover who has been holding up the local stagecoach and is guilty for a series of killings that terrorize the town . Lex Barker had a long career and his starts in brief roles .Though later signed by Fox and then Warner, he was too tall for supporting parts and too unknown for leads. Tarzán's magic fountain (1949) (RKO) provided his first starring role. After five Tarzans he went into other adventure films. After 16 non-Tarzan films, mostly westerns, Barker made only five Tarzan films, but he remains one of the actors best known for the role. His stardom as Tarzan led him to a variety of heroic roles in other films, primarily Westerns, and one interesting and quite non-heroic part in a World War II film, Away All Boats (1956). He went to Europe in 1957 , as he spoke various languages . He went on to make more than 50 more films all over the world: Brazil, Germany, Spain, Yugoslavia, Italy, Lebanon, France. In Italy he also had a short but compelling role as Anita Ekberg's fiancé, and in Federico Fellini's La dolce vita .He became very popular in Germany because of his role as "Old Shatterhand," "Kara Ben Nemsi," and "Dr. Karl Sternau" in the movies based on books written by Karl May .

Being colorfully photographed in Spectacular in Eastman color . This well-edited motion picture is compellingly directed by Jack Arnold in his best foray into the Western genre. He reigns supreme as one of the greatest filmmakers of 50s science , achieving an important cult popularity with classics as ¨The Incredible Shrinking Man¨, "The Creature from the Black Lagoon," and its follow-up titled "Revenge of the Creature" that was a nice sequel . "Tarantula" was likewise a lot of amusement . This "The Incredible Shrinking Man" attained his greatest enduring cult popularity , it's a thought-provoking and impressive classic that's lost none of its power throughout the years . Arnold's final two genre entries were the interesting "Monster on the Campus" and the outlandish "The Space Children¨ . Rating : 6/10 . Decent and acceptable Western . Well catching for Westen buffs .