El cuarto azul

not an ordinary adaptation. the spirit of many contemporary French films. Mathieu Amalric using same tools to build his character. a Simenon in different manner. a cold film about relationship and decisions, about guilty and events who has a strange touching manner to surprise the viewer not for evolution of events but for the attitudes of characters. a film of silence and guilty out of facts. because it preserves the Greek mark of destiny, the poetry of things, the emotions as a kind of fog. nothing clear, each detail as part of a sort of ambiguity and slow rhythm of events. a film with a specific target who could seems be boring for many. but useful with few drops of patience. and with a crumb of interest for Simenon universe.