John Beckwith y Jeremy Grey, un par de mujeriegos empedernidos que se cuelan en las bodas para aprovechar el tinte romántico del ambiente, se encuentran enfrentados cuando John conoce y se e... Leer todoJohn Beckwith y Jeremy Grey, un par de mujeriegos empedernidos que se cuelan en las bodas para aprovechar el tinte romántico del ambiente, se encuentran enfrentados cuando John conoce y se enamora de Claire Cleary.John Beckwith y Jeremy Grey, un par de mujeriegos empedernidos que se cuelan en las bodas para aprovechar el tinte romántico del ambiente, se encuentran enfrentados cuando John conoce y se enamora de Claire Cleary.
- Premios
- 11 premios y 11 nominaciones en total
- Christina Cleary
- (as Jenny Alden)
Argumento
¿Sabías que...?
- CuriosidadesWhen Christopher Walken and Rachel McAdams are dancing at the engagement party, Walken kept saying "fart" to keep McAdams smiling after dancing had become quite repetitive.
- PifiasWhen Sack calls his friend to check up on John and Jeremy, he only knows their fake surname, Ryan. If Sack's friend actually checked up on those two "brothers," he would not learn that they were wedding crashers who go to weddings to meet and seduce women. There is no explanation for how Sack's friend could get the real low-down on these two individuals in such a short period of time.
- Citas
Jeremy Grey: I didn't get a lot of sleep last night.
John Beckwith: Soft mattress?
Jeremy Grey: Yeah, it could have been the soft mattress. Or the midnight rape. Or the nude gay art show that took place in my room. One of those probably added to the lack of sleep.
- Versiones alternativasThe Unrated version for home video is 7:30 minutes longer.
- ConexionesEdited into Wedding Crashers: Deleted Scenes (2006)
- Banda sonoraHorn Concerto No. 4 in E Flat Minor
(1786)
Written by Wolfgang Amadeus Mozart
Arranged by Steve Gray, Herbie Flowers, Tristan Fry, and Kevin Peek
Performed by The Swingles
Courtesy of EMI Classics
Under license from EMI Film & Television Music
This did not appear strong enough to draw me into the cinema on its release but, on an trans-Atlantic flight it looked like being good enough to fill some time which is actually a pretty fair summary of the film's strengths and weaknesses. I say this because it is funny enough to cover the problems that it has and thus will serve up as an enjoyable experience if you're relaxed enough to let this happen. The strengths lie in the lead two characters they banter, they are lively and they are funny. Funny enough to cover up the fact that they are exploitative and sexual predators and funny enough to mean that the scenes where they are doing their thing are generally enjoyable. Of course it helps that Wilson and Vaughn are both doing their thing as usually and have great chemistry together good news if you usually like them but, if you don't, then why bother? The weaknesses come in with the actual story because, every time someone has to fall in love with someone else, the laughs stop, the pace slows and the whole thing takes on a mushy air that doesn't gel that well with the banter scenes. Likewise the plot devices in the second hour tend to feel a little forced where they are just used to provide direction and create a proper ending etc. This doesn't mean it is terrible but it cannot be a good thing when you actively wish the plot would take a backseat in a film. The support cast share the comedy reasonably well; McAdams is cool and appealing, Fisher is a bit OTT but is funny, Seymour plays on her sexy image really well while Walken is reliable as ever as Christopher Walken.
Overall this is an enjoyable if patchy comedy. It trades on the usual delivery and chemistry between Wilson and Vaughn and the two do well to produce the film's best scenes when they are together. The need for a plot, romance and separation does hurt the film a little (because it is not as good as the aimless banter) but not a massive amount. Not a great comedy then but certainly good enough to please anyone who liked Anchorman, Dodgeball and other films of similar styles of humour.
- bob the moo
- 10 dic 2005
- Enlace permanente
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Los cazanovias
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 40.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 209.273.411 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 32.200.000 US$
- 17 jul 2005
- Recaudación en todo el mundo
- 288.485.135 US$
- Duración1 hora 59 minutos
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1