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John Drake es un agente especial del M9, especialista en seguridad y en resolver amenazas contra la paz mundial.John Drake es un agente especial del M9, especialista en seguridad y en resolver amenazas contra la paz mundial.John Drake es un agente especial del M9, especialista en seguridad y en resolver amenazas contra la paz mundial.
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- CuriosidadesAfter two seasons of black-and-white episodes, it was decided to switch to color. But after only two episodes were completed, McGoohan quit the series to devote his energies to El prisionero (1967). These two episodes of the third season, Koroshi (1967) and Shinda Shima (1967) were edited together to form the movie Koroshi (1968).
- Créditos adicionalesThe first episode broadcast in the United States ("Battle of the Cameras") actually features two opening credit sequences. The first is a brief, 10-second introduction featuring a few bars of "Secret Agent Man" and a credit for Patrick McGoohan (running roughly the same length as the original UK credits). This is followed by the teaser, and then the regular credits. In all future US broadcasts, the pre-teaser credit sequence was dropped.
- Versiones alternativasTwo color episodes were produced as part of a season that was interrupted when McGoohan quit the series to make "The Prisoner." These two episodes were edited together to form the movie Koroshi (1968). The original unedited episodes were released on video in the UK in the 1980s.
- ConexionesEdited into Koroshi (1968)
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Believe it or not, I did not see any of this programme until 1992-93. It was shown one per night on CBC-Windsor at difficult to establish late hours. In spite of the inconvenience, I made it my business to see as many as possible; my first was when Drake had a car crash, blacking out . . . and you will just have to see it.
It was well cast with well-crafted supporting characters. I had no idea it was the progeny of an earlier show about a NATO operative, a few episodes of which I saw in 1961 (and none since). One notes comment that SECRET AGENT was inspired by the 007 films, which is beyond dispute, but I respectfully disagree that it was as "gadgety" as the Bond films, and furthermore it was devoid of the latent camp. Exception: "Would You Like Some Wine" (if memory serves). Perhaps it was the b.&w. presentation that made it more -- pardon the cliche -- gritty.
Most of the episodes were good. It seems some of the later ones (did the series run into 1967?) were the weakest: Far-fetched and in a few cases ridiculous without being tongue-in-cheek. I cannot say whether SECRET AGENT came to an end because it ran out of petrol or because the more ambitious THE PRISONER was on the drawing boards. All said, I agree that one should make every attempt to see the series, and no, being period piece does not distract for those able to make a mature adjustment to such.
It was well cast with well-crafted supporting characters. I had no idea it was the progeny of an earlier show about a NATO operative, a few episodes of which I saw in 1961 (and none since). One notes comment that SECRET AGENT was inspired by the 007 films, which is beyond dispute, but I respectfully disagree that it was as "gadgety" as the Bond films, and furthermore it was devoid of the latent camp. Exception: "Would You Like Some Wine" (if memory serves). Perhaps it was the b.&w. presentation that made it more -- pardon the cliche -- gritty.
Most of the episodes were good. It seems some of the later ones (did the series run into 1967?) were the weakest: Far-fetched and in a few cases ridiculous without being tongue-in-cheek. I cannot say whether SECRET AGENT came to an end because it ran out of petrol or because the more ambitious THE PRISONER was on the drawing boards. All said, I agree that one should make every attempt to see the series, and no, being period piece does not distract for those able to make a mature adjustment to such.
- gmr-4
- 7 sept 2000
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- How many seasons does Secret Agent have?Con tecnología de Alexa
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- Duración49 minutos
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- 1.33 : 1
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What is the French language plot outline for Cita con la muerte (1964)?
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