Eine junge Frau täuscht ihren eigenen Tod vor, um ihrer albtraumhaften Ehe zu entkommen, stellt aber fest, dass es unmöglich ist, sich ihrem kontrollierenden Ehemann zu entziehen.Eine junge Frau täuscht ihren eigenen Tod vor, um ihrer albtraumhaften Ehe zu entkommen, stellt aber fest, dass es unmöglich ist, sich ihrem kontrollierenden Ehemann zu entziehen.Eine junge Frau täuscht ihren eigenen Tod vor, um ihrer albtraumhaften Ehe zu entkommen, stellt aber fest, dass es unmöglich ist, sich ihrem kontrollierenden Ehemann zu entziehen.
- Auszeichnungen
- 2 Gewinne & 4 Nominierungen insgesamt
Bonnie Johnson
- Mrs. Nepper
- (as Bonnie Cook)
John Ward
- Theater Student
- (as John David Ward)
Patt Noday
- Amusement Park Guy #2
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesJulia Roberts, who was 22 when the film was shot in the spring of 1990, became the youngest actress to earn a seven-figure fee for a single performance.
- PatzerThe cut/bruise on Laura's head comes and goes. After she is hit by Martin leaving a nasty abrasion on the left side of her forehead, he leaves to go to town after telling her they will sail that night. She goes outside to break the lantern, and the wind blows her hair off her forehead - no bruise. Later that night, she has her hair back in a braid, before they get on the boat - no bruise. Then, when she meets Ben a couple days later, she flips her hair off to one side and he sees the bruise. The very next day (or soon after) she has her hair back again with Ben, no bruise.
- Crazy CreditsThe 20th Century Fox logo plays without the fanfare.
- Alternative VersionenWhen Laura first goes to Ben's house for dinner and the pot roast is on fire she knocks and says "Fire Department." In an alternate cut she knocks and asks "Is this what they mean by warm welcome?".
- SoundtracksRunaround Sue
Written by Dion DiMucci and Ernie Maresca
Performed by Dion DiMucci (as Dion)
Courtesy of Laurie Records
Ausgewählte Rezension
I found this movie, if not terribly believable, very moving and emotional when I saw it some years back. Julia Roberts brings a real vulnerability to all her roles, and is perfect here as the affluent but both mentally and physically abused wife.
The sad tale revolves around an apparently perfect upper middle class couple who share a beach home...the beautiful young Laura (who has every material comfort) and her obsessive and abusive husband, Martin. Laura lives in terror of her abuser, finally seizing a chance to escape by faking her own death and and fleeing to another town, where she assumes an entirely new identity. Meanwhile, Martin becomes ballistic when he discovers that his wife is not really dead and goes after her...
I admit it, the plot is pretty far fetched, a lot of holes in the story, some events depicted not very believable. Leave your logic behind. Still, I was able to overlook all this and focus my attention on Laura's plight, hoping she could evade (or eliminate) this intellectual brute, and build a new life for herself with a new love.
The portrayal of Laura's terror is vivid as she tries to appease her obsessive husband, who becomes violent if she fails to keep the pantry shelf items in perfect alignment. The most chilling scene of all is the rape, with its accompaniment of Martin's favorite classical music, a piece which thereafter haunts his young wife. No sympathy here for the husband, whose unfolding actions simply go from unspeakable to unthinkable.
Not a particularly believable plot but engrossing, nevertheless, and a pair of vividly drawn characters who elicit strong emotions. However, the best part of this movie is definitely its message. Contrary to the typical image, spousal abuse is no respecter of social class. It would have been much more difficult for me before this film than it is now to picture an affluent, educated, sophisticated abuser.
The sad tale revolves around an apparently perfect upper middle class couple who share a beach home...the beautiful young Laura (who has every material comfort) and her obsessive and abusive husband, Martin. Laura lives in terror of her abuser, finally seizing a chance to escape by faking her own death and and fleeing to another town, where she assumes an entirely new identity. Meanwhile, Martin becomes ballistic when he discovers that his wife is not really dead and goes after her...
I admit it, the plot is pretty far fetched, a lot of holes in the story, some events depicted not very believable. Leave your logic behind. Still, I was able to overlook all this and focus my attention on Laura's plight, hoping she could evade (or eliminate) this intellectual brute, and build a new life for herself with a new love.
The portrayal of Laura's terror is vivid as she tries to appease her obsessive husband, who becomes violent if she fails to keep the pantry shelf items in perfect alignment. The most chilling scene of all is the rape, with its accompaniment of Martin's favorite classical music, a piece which thereafter haunts his young wife. No sympathy here for the husband, whose unfolding actions simply go from unspeakable to unthinkable.
Not a particularly believable plot but engrossing, nevertheless, and a pair of vividly drawn characters who elicit strong emotions. However, the best part of this movie is definitely its message. Contrary to the typical image, spousal abuse is no respecter of social class. It would have been much more difficult for me before this film than it is now to picture an affluent, educated, sophisticated abuser.
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
Box Office
- Budget
- 19.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 101.599.005 $
- Eröffnungswochenende in den USA und in Kanada
- 13.777.943 $
- 10. Feb. 1991
- Weltweiter Bruttoertrag
- 174.999.005 $
- Laufzeit1 Stunde 39 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen
Oberste Lücke
What is the streaming release date of Der Feind in meinem Bett (1991) in Canada?
Antwort