Recherche avancée

"This is probably the only moving picture that was ever made of a genuine hanging scene. It was taken in the court yard of the Jacksonville jail, and shows the execution of a man. The man is seen mounting the platform accompanied by several clergymen. The executioner adjusts the black cap and the noose about the prisoner's neck. The trap is touched and the body is seen to shoot through the air, and hang quivering at the end of the rope. A very ghastly, but very interesting subject."

"Company F, 1st Ohio Volunteers, initiating a new man. Nineteen times he bounces in the blanket, and each toss is funnier than the last one."

The battleship Maine is blown up in Havana harbor during the Spanish-American War.

"This view was taken upon Mr. McKinley's lawn at his home in Canton, Ohio. Mr. McKinley appears walking across the lawn in company with his Secretary, who hands him a telegram, which he reads with apparent satisfaction. The characteristic walk and gestures of Mr. McKinley will be noted with interest by his friends."

The seventh of eight short black and white films from director William K.L. Dickson in which he chronicles the story of Rip Van Winkle. In this film, Rip awakes from his slumber, having significantly aged during his sleep.

Strong-man Eugene (Eugen) Sandow poses in a long shot on a bare stage against a black background, wearing only tight trunks and laced sandals. He begins with his arms folded against his chest, looking off screen left, then strikes a variety of poses that accentuate his muscular development. These positions include flexing his right arm with the fist to his head and face to shoulder; turning his back to the camera and flexing his upper arms and shoulder muscles; and, with his back still to the camera, stretching out and up with one arm at a time. Sandow then turns back to face the camera and performs a standing back flip. He closes in the same pose with which he opened From Biograph photo catalog: 24 feet. Still another picture of the great athlete displaying his muscles, and turning a somersault without touching hands to the floor.

The third of eight short black and white films from director William K.L. Dickson in which he chronicles the story of Rip Van Winkle. In this film, Rip helps the dwarf carrying the barrel into the mountains.

A view from the front of a moving train. A tunnel, a few seconds of darkness. Once outside, on the other side of the tunnel, a man crosses the train tracks.

"A company of little darkies showing off their paces to the music of the banjo."

The first moving shot, created by a stationary camera on a gondola in Panorama du Grand Canal vu d'un Bateau, was filmed by Alexandre Promio for Louis Lumiere. Filming Locations: Venice, Veneto, Italy. Release Date: 1896 (France).

"Sir Hiram Maxim, in person, firing at targets with one of his latest type rapid-fire guns. An exceedingly vivid and interesting scene."

The fifth of eight short black and white films from director William K.L. Dickson in which he chronicles the story of Rip Van Winkle. In this film, Rip starts drinking with the mountain-men and gets severely drunk.

Short film in which a woman of color washes a little child in a washing tub, much to the child's annoyance.

The second of eight short black and white films from director William K.L. Dickson in which he chronicles the story of Rip Van Winkle. In this film, a dwarf carrying a barrel appears. Rip friendly takes the barrel from him.

The fourth of eight short black and white films from director William K.L. Dickson in which he chronicles the story of Rip Van Winkle. In this film, Rip encounters several other dwarf-like mountain-dwellers.

The eighth and final of eight short black and white films from director William K.L. Dickson in which he chronicles the story of Rip Van Winkle. In this film, an elderly Rip crosses the mountain.

The first of eight short black and white films from director William K.L. Dickson in which he chronicles the story of Rip Van Winkle. In this film, two men - one of them being Rip himself - toast and enjoy their drinks.

"This is a very remarkable picture, showing Union Square, New York City, during the great March blizzard of 1899. The camera was stationed at the corner of Broadway and Fourteenth Street, and was swept in almost a complete circle, showing the tremendous drifts of snow and the blockade at 'Dead Man's Curve' in Fourteenth Street. This picture was taken during the busiest time of the day, and shows to what extent New York City was tied up by this tremendous fall of snow."

"A charge full of cowboy enthusiasm by troop 'I,' the famous regiment, at Tampa, before its departure for the front."

"This magnificent pageant is every year the mecca of tourists from all over the world. Our picture shows the following floats in the parade of 1899: No. 1, Corn; No. 2, Cherries; No. 3, Coffee; No. 4, Tea."

The sixth of eight short black and white films from director William K.L. Dickson in which he chronicles the story of Rip Van Winkle. In this film, Rip passes out from drinking and falls asleep.

"This well-known regiment of New York City militia as it appeared in fighting trim at Tampa, Fla., awaiting order to go to Cuba. An excellent picture photographically."