The Times of India
Jun 20, 2026, 1:40 PM ISTBy Susmita SameeraKaalaghatta begins with two men, Raja (Shobhraj) and Shivu (Nithil M), meet at a temple and find themselves frustrated by how its atmosphere has changed over time. What was once a place of devotion has gradually become a hangout for young couples, a spot for gambling, and a backdrop for social media attention-seekers. While the younger and impulsive Shivu reacts with anger, chasing people away, the older Raja addresses the same issues with patience and composure. Their conversation reveals that they belong to neighboring villages, leading them to share a scooter ride home and, along the way, their life stories.The film’s first half focuses on Raja’s past, taking the narrative back two decades. Raja (Abhi Das) is introduced as the pampered only son of Bheema (Ramesh Bhat), a man deeply rooted in the Goravana tradition. Bheema dreams of seeing his son carry forward this cultural legacy, but Raja spends his youth relying on his father’s earnings and avoiding responsibility. He is in love with his childhood sweetheart (Gahana Gowda), and both families have long expected the two to marry. However, disappointed by Raja’s lack of maturity and direction, the girl’s father chooses another groom for his daughter. Heartbroken by the turn of events, Raja eventually embraces his father’s wishes and commits himself to preserving the Goravana tradition.This portion of the film offers insight into the culture and history of Goravana while exploring Raja’s personal transformation. Although the storytelling occasionally leans toward melodrama, it succeeds in generating empathy for the character. The performances are grounded and sincere, and the actors effectively bring out the simplicity and emotional weight of this chapter.The second half shifts focus to Shivu’s story. His flashback revolves around a young man who falls in love with a girl (Kushi PS) he regularly sees at the temple, drawn to what he perceives as her kind and helpful nature. Determined to win her affection, he presents her with a rose every day and goes to great lengths to buy her gifts, even secretly pawning his single mother’s jewelry. Frustrated by his family’s financial struggles and increasingly distant from his mother, Shivu places all his emotional investment in this relationship. However, he eventually discovers that the girl is involved with multiple men and lives a lifestyle far removed from the image he had built of her. The revelation forces him to confront reality and recognize the sacrifices and unconditional love of his mother.While the second story carries emotional core, it does not leave the same impact as Raja’s journey. The performances remain competent, but the narrative lacks the depth and emotional resonance that make the first half engaging.Throughout the film, Kaalaghatta repeatedly reflects on the changing nature of society and questions the kind of times people are living in today. Yet beneath its observations about social change. Raja’s story highlights a father’s unwavering love, while Shivu’s journey underscores a mother’s sacrifice and devotion. The film ultimately argues that regardless of how much society evolves, a parent’s love for their child remains constant and deserves recognition and respect.Although the message is heartfelt and meaningful, Kaalaghatta struggles to leave a lasting impression. Its themes are communicated clearly, but the film often feels more like a vehicle for expressing frustration about societal changes than a fully immersive story. As a result, despite its good intentions and sincere emotional foundation, the film comes across as preachy at times, limiting its overall impact.