SHANNARA CHRONICLES cancelled

The Paramount Network has cancelled epic fantasy show The Shannara Chronicles after two seasons.

The TV series, based on the fantasy novels by Terry Brooks, debuted on MTV in 2016 before moving to Spike for its second season last year. Spike has been rebranded the Paramount Network, which is inheriting many of Spike's shows but not Shannara. The fantasy show featured extensive visual effects and location shooting in New Zealand, so was on the expensive side. With the second season (which, by looks alone, had already had a significant budget cut) bringing in only 500,000 viewers even after time-shifted and online viewings were factored in, it's unsurprising that Paramount was unwilling to move forwards with a third season.

The producers, Sonar Entertainment, may choose to shop the show to other channels, but the indifferent audience reaction, poor ratings and relatively high price tag make this unlikely.

The first season of The Shannara Chronicles was mediocre, but had flashes of good fun and had some good performances from the likes of Manu Bennett and Ivana Baquero. The second season (I've seen about half of it so far) was unfortunately notably inferior, looking considerably cheaper with much less story focus and spending too much time on the show's wooden lead.

Shannara follows Legend of the Seeker and Camelot into premature retirement and serves as a reminder to networks that if you want to build on Game of Thrones' success, you really need strong source material and writers who know what they're doing, not just deep wallets.

RED MARS TV show put on hold

Spike's Red Mars TV series, based on Kim Stanley Robinson's award-winning Mars Trilogy of novels, has been put on indefinite hold following some high-profile departures.

In particular, it's been confirmed that J. Michael Straczynski's involvement will now be restricted to the pilot script and possibly some additional episodes later on. Spike offered Straczynski the showrunner role, but he has bowed out citing other commitments (presumably including Netflix's Sense8, his collaboration with the Wachowskis which was recently renewed for a second season). Peter Noah stepped in as showrunner, but has now left following "creative differences" with the network. The project is now on hold whilst Spike figures out what to do next.

The "creative differences" has raise concern with fans. The Mars Trilogy is a mostly cerebral, political and scientific story about the realities of colonising Mars. It slow-paced and has very few action sequences. The story also unfolds over some 190 years, with the characters surviving thanks to the introduction of an age rejuvenation therapy. Turning this story into a compelling drama would be a tall order for HBO or Netflix, but Spike TV (which tends more towards action fare and reality shows) always felt like an awkward fit. Fans had been hoping that the success of The Martian, with its emphasis (more or less) on real science, would encourage Spike to stick closer to the tone and pacing of the novels.

RED MARS adaptation greenlit with BABYLON 5 showrunner in charge

Spike TV has given a full season order for Red Mars, a TV series based on Kim Stanley Robinson's classic Mars Trilogy of novels. J. Michael Straczynski, the creator/producer/writer of Babylon 5 and recently the co-creator and writer of Sense8 for Netflix, will be the primary writer and showrunner on the series.

Robinson's trilogy consists of the novels Red Mars (1992), Green Mars (1993) and Blue Mars (1996), along with a companion volume of short stories and essays, The Martians (1999). The trilogy opens in the year 2026 when fifty men and fifty women - the First Hundred - travel to Mars on the colonisation ship Ares. The opening part of the first novel covers the months-long journey out to Mars, with the scientists and engineers getting to know one another and dealing with crises like solar storms which threaten to kill them before they even get to the planet. During the voyage an ideological and philosophical debate begins which eventually comes to dominate the colonisation saga: whether Mars should be left in the state it is found or terraformed to support human life.

The rest of the first novel concerns the building of Underhill, the first town on Mars, and the establishment of an outpost on its moon Phobos. As the years pass more colonists are sent and technology rapidly develops, with canyons and craters being roofed and pressurised to create the first towns and, later, cities. A life-extension drug is developed which allows characters at the start of the story to still be alive and in excellent health forty years later. However, as the population of Mars swells, so does the control of the meta-national megacorporations which have displaced the nation-state as the primary power on Earth. This sparks a desire for independence, and the scene is set for a bloody revolution. The later novels, Green Mars and Blue Mars, cover an additional 200 years of future history.

J. Michael Straczynski's Babylon 5 featured a long-running, series-spanning storyline about the Mars colony's desire for independence and freedom.

It is likely that Straczynski will be changing some things about the books. First off, the timeline will likely be changed (since we are more like thirty years from the establishment of the first colony on Mars rather than eleven). We are also likely to see a lot more action and drama, particularly during the events of the latter two books which are more free of plot incident than the first novel. However, as Babylon 5 and Sense8 both show, Straczynski is a thoughtful writer who can write entertaining television even about controversial issues like religion, immigration and the morality of science, so don't expect these elements to be dumbed down too much. Indeed, Straczynski appears to have been a fan of the novels, with the Mars storyline in Babylon 5 feeling at least very partially inspired by Robinson's books (that were released simultaneously with the show's opening seasons).

Vince Gerardis, who helped shepherd Game of Thrones to the screen, will co-produce alongside Straczynski, who will write and be the primary showrunner. Kim Stanley Robinson will serve as a creative consultant on the project, but it's not yet been confirmed if he will write any episodes.

Spike TV, known for its more young adult male demographic than its thoughtful, hard SF one, appears to be appealing to a new audience with this project. They have also made a significant investment in the new show, ordering a full 10-episode first season instead of a pilot. It is possible that the success of the Ridley Scott film The Martian inspired them to move forward with the project.

According to Straczynski, his work on Red Mars will not interfere with his writing for the second season of Sense8, which was recently commissioned by Netflix.

Joe Straczynski to pen adaptation of Kim Stanley Robinson's MARS TRILOGY

J. Michael Straczynski, the acclaimed creator-writer of Babylon 5 amongst many other projects, has been tapped to write Spike TV's adaptation of Kim Stanley Robinson's Mars Trilogy.

This is an interesting match. The Mars novels came out at the same time Babylon 5 was starting, and it feels like Straczynski may have tapped them for some inspiration, particularly with the subplot about terrorists on Mars fighting for independence. B5 showed that JMS 'got' Mars, even in the brief parts of the series set there, so if he can bring that same touch to this project that should be great for the atmosphere and visuals.

How much of Robinson's incredibly slow-burning narrative will remain intact or be sacrificed at the altar of action and more compressed character development remains to be seen, but Straczynski is a reasonably confident pair of hands to put the project in.

Spike picks up Kim Stanley Robinson's MARS TRILOGY for TV

Spike TV are developing a TV series based on Kim Stanley Robinson's epic Mars Trilogy of novels. The proposed TV series will take the its name from the first novel in the series, Red Mars, with Kim Stanley Robinson serving as a creative consultant.

Consisting of Red Mars (1992), Green Mars (1993) and Blue Mars (1996), the trilogy spans almost two hundred years (between 2027 and 2212) and depicts the colonisation of Mars by the initial First Hundred group and subsequent waves of immigration. As the years pass, socio-economic tensions rise between the original settlers and later arrives, and between Mars and an Earth increasingly desperate to offload its bloated population (threatened by viruses and climate change) on the new world. The rising threat of war, independence and the impact of a new medical science that retards the ageing process are all key storylines in a story that involves dozens of major characters.

James Cameron and Gale Ann Hurd worked on a mini-series idea based on The Mars Trilogy for several years in the late 1990s and early 2000s. This project was not tremendously faithful to the novels - rumours abounded of a 'sexy female android' character when no such entity exists in the books - but it did wind up being developed for several years at AMC. It was not greenlit, but it did introduce Hurd to the team at AMC that eventually ended up making The Walking Dead. Five years ago, AMC resurrected the project with writer-director Jonathan Hensleigh on board (Die Hard with a Vengeance, Welcome to the Jungle, The Punisher, Armageddon), but eventually passed.

Spike TV are best-known for their reality programming, and news that this project was in development with them came as a surprise.If Spike treat the subject seriously (i.e. don't turn it into a revolutionary shoot 'em up) and put some serious money behind it, this could be both a very good TV series and mark a change in direction for the channel. The potential for this going horribly wrong is very high, however.