Oh, it's like Christmas all over again, Festivids is here! There were
128 vids this year and I watched nearly all of them; there are so many great ones to check out. I will rec some favorites, beginning with the two wonderful gifts I received:
ASSHOLE (Looney Tunes): A hysterical tribute to Daffy and Bugs and all the mayhem they cause. I love the way Daffy's manic winding up builds with the escalation of the music — and it's possible their asshole-ish qualities are what I love best about these characters. Bugs' insouciant little shrug at the end is the perfect capper.
Looney für Elise (Looney Tunes): This one was a great tribute to the way the original cartoons play with classical music. The cover of Für Elise is perfect — playful, varied, and still beautifully musical — and the clips are so well-timed and funny.
And then here are about 25 more that I really enjoyed:
Slipping Through My Fingers (Are You There God? It's Me Margaret): This song really just gets me in my feels. I loved this movie and I like how this vid shifts the POV to Margaret's mother and grandmother, showing the connections and similarities between them and also the way that Margaret is moving into her own private little world as she enters adolescence.
Hard Knock Life (Canopener Bridge YouTube Channel): This is the kind of source you look forward to every Festivids! I could just watch trucks get stuck under that bridge all day.
Weapon of Choice (Clue): We were spoiled for choice with
Clue vids this FV! I was just particularly tickled by this song choice and the commitment to the bit in the editing.
You've Got Time (Dolores Claiborne): This packs a punch! Love how it incorporates the way the movie moves between past and present.
Everything I Need (Dykes to Watch Out For): Loved
both DtWoF vids, but this one made me just cry uncontrollably. Such a beautiful tribute to queer community and activism — and an incredibly engaging use of still source!
Read My Mind (Elementary): I was so excited that
Elementary was eligible this year! This vid reminded me how much I loved Joan and Sherlock's friendship. I teared up by the final repetition of "I don't shine if you don't shine."
That Escalated Quickly (Game Changer): I'm always here for all of the Dropout vids! This one made me laugh out loud as the wild comic energy built.
Primadonna (Hacks): I have not seen
Hacks, but it was clear that this was both a funny and incisive character study! Gorgeous editing. Also, I don't know who the two people in this vid are at all but
Take a Chance on Me charmed the pants off of me.
Dynamite (The Heroic Trio): I know nothing about this source but I. Am. Sold. This is just an incredibly fun vid for a movie with an amazing '90s aesthetic.
Spaceship and A Sadness Runs Through Him (I Saw the TV Glow): I can't pick one of the IStTG vids. Both just broke my heart open. I loved that both, especially "Spaceship," gave time to Maddy's POV.
The Man I Knew (Jesus Christ Superstar): Stunning multi-source vid from Judas's POV, with a perfect song selection. So many beautiful matching shots — Jesus surrounded by palms, Judas having coins rain down on him. The audience gets to see Jesus' vulnerability in the show through Gethsemane, but Judas is cut out that, and here the man he loves has just become opaque, Jesus-the-public-figure not the man.
Turn Tables (Multifandom): Another vid that captured the power of collective action. The vidder beautifully combines several biopics focused on people who built the Civil Rights movement.
Let's Get This Over With (Murderbot): There were several fantastic
Murderbot vids this year. This one just struck exactly the right tone for me, of humor mixed with anxiety, from the opening lines where you can see Murderbot's overstimulation creeping up: "The drumbeat never changes tempo / It's steady like a rock / And like a rock it crushes you."
The Heart Always Holds Onto Missing Roads (Murderbot): A special shoutout to this
Murderbot vid, as well, for such a moving song choice and for giving such care and attention to Mensah and her relationship with Murderbot.
I Know She Knows (Next to Normal): The perfect vid for this source. I'd never heard this song before and when the title line "A ship could never really love an anchor" came along it just punched the air out of me. I love the montage where you see all the caring touches Diana gives Gabriel that she could never give Natalie (who seems so much more vulnerable in this production than in any I've seen, which just adds to the emotional impact).
The Pitt (Ordinary Day): We can all hope season one doesn't show an
ordinary day at the Pitt, but this vid is lovely and gives every character a chance to shine. I particularly loved the section focusing on Dana!
Now I See (Ripley): A stylish, sharp vid that really makes the most of the source's lush black and white. I need to watch this adaptation!
Let's Get This Over With (Rosencrantz and Guildenstern Are Dead): Like the
Murderbot vid to this song, this was one of my absolute favorite vids of the exchange! I almost didn't notice they were the same song at first because the two vids brought out such different things in them. In this vid, I loved how the lyrics played up the sense of performance and inevitability — that R and G are always inevitably making their way to that absurd and tragic end. Excellent use of multiple sources! (I also really really enjoyed the multi-source
Hamlet vid,
nothing and everything.)
birdsong (The Secret Garden): A beautiful, lush vid that captures how the children all come to life along with the garden.
Ya Ya (Sinners): Everything I could have wanted from a
Sinners vid! A fantastic, expansive song choice, which matched the genre-bending in the film. This was sexy and scary and empowering and really made the most of the film's gorgeous visuals.
A Good Day (Tono to Inu): I was happy to come into this source cold because it meant I could be completely delighted and surprised by every adorable frame watching the vid.