Field

 This is a little bit of a cheat post as I am showing you some old photos and mosaics; most of them come from The Persistent Thread group on Flickr.  You may have read before that I have an inspiring view from my little room/studio, overlooking an open field which slopes up from the road below my window. I have often used it in one way or another for images. As I have just done that whilst practising my lino cuts, I thought I would seek out a few of the other images and put them together.

Harvest time and a print making course at City Lit..

Machine embroidery, sketching and photography.

A collagraph print and the prints made using a pasta machine.

A little bit of everything,including used envelopes(click for a clearer view).

Stitching on pulp paper,then photographed.

Photographed with a gauze texture added.

'We Love Your Books'

minute

an exhibition of experimental artists’ books

curated by we love your books|2012

15 November - 17 December 2012 

Avenue Campus Foyer

Avenue Campus, The University of Northampton

St. George’s Avenue, Northampton NN2 6JD

Slide show here.

Purchase  a catalogue or digital download at magcloud.

Selected minute books in exhibition

Selected minute books in exhibition, a photo by rejectamenta on Flickr.

New toys (tools).

Sometimes it is nice to give way to an impulsive buy and that is what I did when I bought myself three catalyst wedges. I feel pretty sure that with a bit of cardboard or a decorating tool that I can get a similar affects, but sometimes it’s good to buy something new and to get that parcel in the post.

For the amount of fun I have had with them, they did not exactly break the bank. Just listen to me, a sure Yorkshire woman, trying to justify spending a bit of money.

 There are a few videos that you can watch to get ideas for their use. I wonder about using them with wax; will the wax come off easily or will the tools have to be dedicated to future use with wax. Let me know if you have the answer.

 I bought mine from here   I think they are easily available in the US..

Lino cut

On Saturday I went to an afternoon workshop on Mark Making with Lino cut . It was run by Susan Yeates of Magenta-Sky. I found the course via Hot Courses following an internet search. I have had a few goes at lino cuts over the years and haven’t really liked it but after doing a repeat print of one of my drawings from a recent art class I thought it would be good to learn more about the process. That print worked on fabric with acrylics(apparently not really the done thing,I don't know why), is now my new apron.

 This workshop was better than previous attempts I think because it focused on learning something about the basic marks and ideas of how a shape can be interpreted in different ways. It was well organized and was well attended with fourteen people in the upstairs room of the Electric Theatre in Guildford. It was also very reasonably priced.

As you can see, I would need a lot of practise to make acceptable prints and I also need to read Susan’s book to find out how to register my prints. It is an enjoyable process, despite being hard work, and is one that can be done at home with minimal equipment and mess. I say hard work because we all pretty much agreed that it is hard on the hands and the back  - the lady next to me kept sighing which I told her made me feel better, as it summed up how I was feeling. There was a lot to do in a short time.

Hand stitch itch.

I can answer my own question now, no, it wasn't finished. Posting a photo on-line helped me to see how ‘flat’ it looked and that combined with an itch to hand stitch meant that I have added areas of hand stitch and worked them into the background by using the embellisher and free machining.

Now I have to decide whether to work further on the light areas which I will probably do.

At the Knit and Stitch Show I particularly enjoyed the work of the Material Space Group in their exhibition 'In Touch'. Take a look at their website and the work of the individual artists. I liked the delicate bark scrolls by Jane Neals and on looking at her piece 'lost language' I am amazed that we had similar ideas, even to the use of red looped thread for  lettering. Nothing is ever truly unique, all we can hope is that we each add a personal touch here and there. I think the sculptural work using old teabags is definitely the definitive use of them. I wonder who first had the ‘aha’ moment when looking at the discarded bags. 
 I was lucky enough to just walk round a corner and come across the work of Fiona Rainford whose felt work I have long admired on Flickr and even better got to chat to her.
 In the 62 Group marquee Louise Baldwin said ‘hello’ and told me that she has shown lots of students what she considers my way of making felt and I told her how I often tell  people of how she persisted ‘like  a  Rottweiler’  to get me to experiment with the Embellisher.

One good buy.

The first embroidery/textile book which I was given in 1988 as a present was ‘The Art of the Needle'    by Jan Beaney.I wouldn't ever want to part with it, even though I am currently trying to declutter – having cleared two houses in a year it makes one aware of all the accumulated stuff that one day someone will have to dispose of. I know I should really ‘get rid’ of some of my City and Guilds pieces which are taking up a lot of space and honestly will hardly ever be looked at again, but it is difficult as I remember all the hours of stitching and' if and butting’ involved at the time. I have actually thrown away a whole basket of samples and acknowledged the fact that I had fun but have now moved on and in fact am accumulating more up-to-date clutter!

The point of this being that I used to pour over  Jan Beaneys' books and they have given me much pleasure; I have also grown to respect Jean Littlejohn as a tutor. When I saw a review of their new DVD I decided I would buy it at the Knit and Stitch Show. I did not expect it to contain any particularly new ideas but I wanted the pleasure of watching them stitch. It was a good buy and it has made me want to start playing with stitches again. I would thoroughly recommend it if you want a whole four hours of pleasure but beware it will make your fingers itch to get out all those piles of thread.

Is it finished?

This is a piece related to the rabbit skeleton that I keep working on and may well be finished now. 

It is really tactile as are most of these embellished pieces. I may well add some more shiny thread to get the idea of light shining on the bones. I know they look like trees too.

 Here is a linkto the post about the drawings and original sketchbook print which I did.

I enjoyed my trip to the Knit and Stitch Show despite a very long journey, due to problems with signalling on the railway and having to stand on the way back. Don’t you sometimes regret the loss of the old fashioned manners; standing in First Class with all the business men sitting I know I did!

I’ll tell you more about my purchases and what I particularly enjoyed next time.

Colour

I thought it might be nice on this overcast misty October day in the UK to have a bit of bright colour here to make a change.

These are some images from a small sample I made to practise when I first bought the Embellisher earlier this year.

I thank you all for your comments and hope I managed to get back to everyone.

Click to see larger images.

Rabbit Bones

Mark making to get myself out of the doldrums led to this little piece, 9.5 inches square, which kept me occupied for most of the week.

 It is initially embellished rusted bandage and silk onto a commercial felt background with a centre of waxed and discharged fabric.

 I did more embellishing, couching and hand stitching and generally just had fun with it. I even used some glitz in the form of a copper metallic thread.

 In order to make the little ‘Os’ I had to go back to my own video for the Stitched Workshops to remind myself how to work them!

I'm looking forward to a trip to The Knit and Stitch Show in the next couple of weeks,  to seeing new work and finding new enthusiasms.
(Click for a closer view).

More September Marks

My posts are becoming more and more wordless. Everything feels a bit blocked at the moment. Today I did some mark making just to work on something, and here are some images produced. Wax and bleach discharge.

 I do have some Jacquard Discharge Paste, but having tried it once again recently, I have decided I just cannot stand the smell. It is one for the rubbish bin. I don't like the smell of bleach either but it is far less unpleasant.

 By the way, and I am sure that as sensible people I don't have to warn you not to try this, but I did; I tried discharge paste on a sketchbook page, completely forgetting that I had previously stuck in an encaustic image -- ironing the page, as you can well imagine, made a terrible mess of the wax on the previous  page. Funny in retrospect.

Pattern from Ethnic Embroideries.

Trying to keep awake today, for some reason I really only feel like sleeping. Despite that I have been practising a bit of pattern making for a U3A course I am running next week.

 We will be developing a design from ethnic embroideries and then going on to do some shisha work.

 What struck me most was the contrast of tufted areas with geometric patterns and neat areas of straight satin type stitch. I made a print block using this idea of contrast.

An Italian online journal has featured some images of my work. The journal is  all about pattern and prints so worth taking a look at the editor’s selections here.