(no subject)
May. 23rd, 2009 09:27 pmSometimes I get so sick of being self-aware. This constant, oppressive knowledge that I am a human, a woman, a "young person" (what on Earth is that really supposed to mean, anyway? It's all relative, innit?)--well, let's just say that I'm a member of Generation Y or Z or Z-and-a-half or whatever's going on now, a member of the _____ generation. Or never mind, that was Mr. Hell, not me.
When I was younger I had no self-awareness for the longest time. I stand now in wonder at the person I was... or rather, the person I most emphatically WASN'T. I moved through life like I was slipping through water on a silent joyous rampage of pure life, like a shark prowling finnily...
)fins to the left(
)fins to the right(
)you're the only bait in town(
And now I know that, thank you very much Jimmy, now I know--but then, I didn't. And it was wonderful, and I'm utterly incapable of achieving it once again.
When Giorgio de Chirico had moved on from his earlier style to something new, everyone else was only just discovering his early style and loving it while at the same time completely ignoring his newer works. So he copied his own previous style--effectively forging his own early works--in order to sell them, please the public and make enough money to keep painting what he really wanted to paint. Was that unethical?
I'm okay with reality and surreality, but there's a certain deep subreality that still makes me do a stilted ancient tauromachic dance of fear and skill and tense anticipation, somewhere between Spanish shadows and a moment of breath––who's breathing––a man, a woman? I can't even tell. It's too close.
When I was younger I had no self-awareness for the longest time. I stand now in wonder at the person I was... or rather, the person I most emphatically WASN'T. I moved through life like I was slipping through water on a silent joyous rampage of pure life, like a shark prowling finnily...
)fins to the left(
)fins to the right(
)you're the only bait in town(
And now I know that, thank you very much Jimmy, now I know--but then, I didn't. And it was wonderful, and I'm utterly incapable of achieving it once again.
When Giorgio de Chirico had moved on from his earlier style to something new, everyone else was only just discovering his early style and loving it while at the same time completely ignoring his newer works. So he copied his own previous style--effectively forging his own early works--in order to sell them, please the public and make enough money to keep painting what he really wanted to paint. Was that unethical?
I'm okay with reality and surreality, but there's a certain deep subreality that still makes me do a stilted ancient tauromachic dance of fear and skill and tense anticipation, somewhere between Spanish shadows and a moment of breath––who's breathing––a man, a woman? I can't even tell. It's too close.