Chuck Todd interviews me about alternate histories
Showing posts with label Smash. Show all posts
Showing posts with label Smash. Show all posts

Friday, May 6, 2016

Nashville in New York City: Reality Even Better than Fiction


The story in Nashville on ABC-TV is a little worn, but the music's still fresh and fabulous, even though you can't get enough in what seem like shorter and shorter clips.  The perfect remedy is a live concert at the Theater at Madison Square Garden - always the Felt Forum in my 1960s mind -  with some of the best voices and performers on the show, off the screen and on the stage.

There's some kind of magical chemistry when you see in person a performer you've come to know as a character in a television series.  This became clear when the Monkees first began touring, or when "Bombshell" from Smash had a one-night stand on Broadway last year.

When The Triple Xs from Nashville brought down the house with a stellar rendition of "Borrow My Heart" last night, you not only had a great song (written by Lia and Phillip LaRue) and bright ringing harmonies from Sam Palladio, Clare Bowen, and Jonathan Jackson (left to right), but the intertwining back stories of Gunnar, Scarlet, and Avery, as they sing and Sam and Jonathan strum and smile at Clare as she spins around like an enchanting dervish on stage.

The repartee did a fine job of deliberately weaving the live performance into what we've been seeing on the screen.  Jonathan introduced The Triple Xs with an apology for the poor treatment Avery gave Scarlet in the first season.  Charles Esten quipped that he "scraped together" enough money to get out of jail, which is where he landed (ugh!) in the episode of Nashville just this past Wednesday night.   Chris Carmack opened the concert with a spirited performance of Will Lexington's only "hit record".

The talent of these people is multi-faceted.  Esten was reminiscent of Elvis in some of his moves.   Jonathan sounded a little like Dylan at times, and did a tour-de-force performance of "Love Rescue Me" (written by Dylan and Bono) which ended with Jonathan singing like Johnnie Rae (look it up).   Carmack not only sings and plays guitar, but picked up a saxophone, and is a hard blues man to boot. Esten brought out his daughter Taylor to sing "Believing" with him - a real daughter in place of his Nashville daughter Maddie - and the result was wonderful.  As was the finale second-encore number, "A Life That's Good," sung to perfection by everyone.

Viewers of Nashville know there's extraordinary songwriting talent on the show.   At the concert, we were treated to some of the songs written by the stars.  My favorites were by Chris Carmack and Sam Palladio, but all were excellent.

In effect, the two hours on stage were an uncorking of what we've seen just hints and samples of in the television series.   This suggests that whatever happens to the series, we'll be hearing and watching these five for years to come - but ABC, you'd be crazy not to renew Nashville, and the uniquely appealing merging of fiction and reality it now has become.

an earlier performance, but much like last night





Sunday, April 21, 2013

Jersey Boys: Transcending Musical

My wife and I finally got to see Jersey Boys at the August Wilson Theater on Broadway last night, thanks to the tickets daughter Molly gave us as my birthday present.  I say "finally" because The Four Seasons were among my all-time favorite groups.   And a wonderful, one-of-a-kind birthday present it was.

The Four Seasons were a pivotal group in my life - my own group, The Transits, regularly sung "Dawn" and "Rag Doll" in our performances at various spots in the Bronx in the early 1960s, including Poe Park and the corner of Allerton Avenue and White Plains Road under the el.  Their harmony and Franki Valli's falsetto were second to none, and I modeled my own falsetto after his. For a few years, The Four Seasons were right up there with the Beachboys, matching them hit for hit.  But the two groups were soon surpassed by the Beatles, which had easy superiority in lyrics, inventive chord progressions, and even harmony.   And while the Beachboys managed to make their own signal contributions to the psychedelic era, thanks to Brian Wilson, and "Good Vibrations" and "Heroes and Villains," The Four Seasons and Franki Valli veered off into a kind of pop with songs like "Can't Take My Eyes Off You," which sounded more like Andy Williams than the Four Seasons I loved, which is to say, hopelessly old-fashioned to me.   But "Candy Girl," "Dawn," "Rag Doll" (breathtakingly glorious harmonies), "Big Man in Town," "Marlena," "Silence is Golden," and "Tell it to the Rain," and their transcendence of the doo wop genre have never been far from my ears in my brain since then.

Jersey Boys was fabulous, not only because it provided superb renditions of many of these songs, but because it told a story - researched and written by Marshall Brickman - which I hadn't known before.  Frank Valli and two of the other Seasons (Tommy DeVito and Nick Massi) had served a little time in prison - they came from a much grittier culture than their polished harmony suggested.   Each member of the group had a strong personality and set of opinions, which often conflicted.   I'd known that Bob Gaudio was the creative writing genius of the group - and had loved his "Short Shorts" with the Royal Teens when I was kid - but I hadn't known he had to fight so hard at first to get into The Four Seasons.  I would have liked to have seen a little more in Jersey Boys about Bob Crewe's creative input as producer of The Four Seasons - I met Crewe one or two times in the 1960s - but overall the play gave due shrift to all the important players in their success.

And the performances were wonderful - especially of the players of each of The Four Seasons, who spoke and sang powerfully.   Especially noteworthy last night was Russell Fischer, understudy for the Franki Vallie role, who rose to the occasion with a stunning portrayal and a full-voiced and falsetto'd splendid rendition of the songs - it's hard to image that anyone could do better in the singing, dancing, and acting.   Andy Karl as Tommy DeVito, bass-man Matt Bogart (who appears as JFK on "Smash" on NBC) as Nick Massi, and especially Drew Gehling as Bob Gaudi were also superb.

The combination of songs and story - highs and lows, personal and professional - make Jersey Boys a musical masterpiece for the ages.




Tuesday, May 8, 2012

Bones 7.12: The Corpse is Hanson

Yes, the corpse was Hanson on tonight's hilarious Bones 7.12 - not Hart Hanson, the brains behind the real Bones, but Hanson Stephens, fictitious head producer of the fictitious Bone of Contention movie based on Temperance Brennan's characters.  Given that the real Bones is based on Kathy Reichs' characters - that is, a real human being writer's characters, in contrast to Temperance, who of course is fictitious, too - not to mention that Stephen Nathan is a real producer of the real Bones - tonight's episode was one fine meta-meta-show indeed.  Bertrand Russell would have been proud, and it's all the fault of Hart Hanson (also a real person) and Kathy Reichs (also mentioned as the fictitious writer of the episode).

Well,  if that's too heady I probably should stop this here, while I'm ahead, but there's more.  Bones objecting to the shoddy science in the movie, a podiatrist we've seen before on the show now on the set as the technical adviser, a superb Hodgins fictitious character in the movie, and of course a murder victim - Hanson.   The investigation into who killed him - conducted by Bones and Booth - seems to have something to do with Cherie, the seductive blonde playing Kathy (Bones' counterpart) - I thought I was watching Smash for a second - but the real murderer (oops, maybe true murderer would be a better word) has other motives.

Booth has some of the funniest lines and set-ups in the episode.  He enjoys the comparison to Steve McQueen, loves the donuts, and I always like how one thing he never kids around about on a case is the FBI - at least, not to someone not really on the team.

And - as icing on the cake - it turns out Hansen's is not the only dead body on this show.  Cam starred in a vampire movie years ago, fro and all ala Blacula, and she gets a stake through the heart at the end of Invasion of the Mother Suckers, to the delight of all of our real characters back in Washington, DC.

I don't know where to score a copy of that movie, but I'll be first in line for Bone of Contention when it opens in the summer of 2013.

See also Bones 7.1: Almost Home Sweet Home ... Bones 7.2: The New Kid and the Fluke ... Bones 7.3: Lance Bond and Prince Charmington ... Bones 7.4: The Tush on the Xerox ... Bones 7.5: Sexy Vehicle ... Bones 7.6: The Reassembler ... Bones 7.7: Baby! ... Bones 7.8: Parents ... Bones 7.9: Tabitha's Salon ... Bones 7.10: Mobile ... Bones 7.11: Truffles and Max

And see also Bones 6.1: The Linchpin ... Bones 6.2: Hannah and her Prospects ... Bones 6.3 at the Jersey Shore, Yo, and Plymouth Rock ... Bones 6.4 Sans Hannah ... Bones 6.5: Shot and Pretty ... Bones 6.6: Accidental Relations ... Bones 6.7:  Newman and "Death by Chocolate" ... Bones 6.8: Melted Bones ... Bones 6.9: Adelbert Ames, Jr. ... Bones 6.10: Reflections ... Bones 6.11: The End and the Beginning of a Mystery ... Bones 6.12 Meets Big Love ... Bones 6.13: The Marrying Kind ... Bones 6.14: Bones' Acting Ability ... Bones 6.15: "Lunch for the Palin Family" ... Bones 6.16: Stuck in an Elevator, Stuck in Times ... Bones 6.17: The 8th Pair of Feet ... Bones 6.18: The Wile E. Chupacabra ... Bones 6.19 Test Runs The Finder ... Bones 6.20: This Very Statement is a Lie ... Bones 6.21: Sensitive Bones ... Bones 6.22: Phoenix Love ... Bones Season 6 Finale: Beautiful

And see also Bones: Hilarity and Crime and Bones is Back For Season 5: What Is Love? and 5.2: Anonymous Donors and Pipes and 5.3: Bones in Amish Country and 5.4: Bones Meets Peyton Place and Desperate Housewives and Ancient Bones 5.5 and Bones 5.6: A Chicken in Every Viewer's Pot and Psychological Bones 5.7 and Bones 5.8: Booth's "Pops" and Bones 5.9 Meets Avatar and Videogamers ... Bad Santa, Heart-Warming Bones 5.10 ... Bones 5.11: Of UFOs, Bloggers, and Triangles ... Bones 5.12: A Famous Skeleton and Angela's Baby ... Love with Teeth on Bones 5.13 ... Faith vs. Science vs. Psychology in Bones 5.14 ... Page 187 in Bones 5.15 ... Bones 100: Two Deep Kisses and One Wild Relationship ... Bones 5.17: The Deadly Stars ... Bones Under Water in 5.18 ... Bones 5.19: Ergo Together ...  Bones 5.20: Ergo Together ...  Bones 5.21: The Rarity of Happy Endings ... Bones Season 5 Finale: Eye and Evolution




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The Plot to Save Socrates


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