[guest post by JVW]
This year (technically back in April) marked the fiftieth anniversary of the theatrical release of one of America’s greatest summer movies, The Bad News Bears. One half-century removed from its premier during the Bicentennial year, it still resonates as a truly great look at that troublesome nexus between kids, parents, and sports, and it provides a timeless lesson on the values of courage, friendship, and tenacity.
Hopefully most of you have seen the movie and are generally familiar with it, but here is a quick outline of the plot. Set in the San Fernando Valley, a city councilman has sued the local six-team Little League because his son and some other boys have not been skilled enough to be accepted by any of the teams. Having thus forced the league to add a seventh team, known as the Bears, the councilman hires ex-Minor League Baseball pitcher Morris Buttermaker (Walter Matthau), an alcoholic whose regular job is as a pool-cleaner at ritzy homes, to manage the ragtag squad. The boys are awful and Buttermaker barely gives a damn, until he prevails upon an ex-girlfriend’s daughter, Amanda Wurlitzer (Tatum O’Neal), whom he had taught to pitch years earlier, to join the team. Amanda is in that pre-adolescent phase where she wants to leave behind her tomboy past and become a teenage girl, but she barters with Buttermaker and cuts a deal that she will pitch for the Bears in return for Buttermaker paying for ballet lessons and designer jeans.
Amanda is a good pitcher, but the team behind her is so miserable that the team continues to lose. That changes when local juvenile delinquent, the motorcycle-riding, cigarette-smoking Kelly Leak (Jackie Earle Haley) joins the Bears to stick it to the uptight adults who run the league. Kelly turns out to be a phenomenal athlete, and his addition to the team immediately turns around the Bears’ season. As the Bears begin to move up in the league standings, Buttermaker becomes more intense as a manager, emulating the hyper-competitiveness of the league’s other teams. The Bears advance to the league championship against the league’s dominant team, the Yankees, whose coach Roy Turner (Vic Morrow) is a combination of John McGraw and Bobby Cox. The two teams play a close and spirited game, until Buttermaker suddenly realizes that he has become another Turner, squeezing the joy out of the game and making it about his ego rather than a fun time for the kids. He relents and allows all of his players to play which stakes the Yankees to a strong lead, but the Bears rally in the final inning only to come up short in the end. As the Yankees joylessly accept another championship trophy, Buttermaker reminds the kids that baseball is fun and that it shouldn’t be the focus of their youth.
The writer of the movie, Bill Lancaster, is the son of legendary actor Burt Lancaster. This unconvincing behind-the-scenes video (I don’t recommend you waste your time watching it) claims that Matthau’s character Morris Buttermaker is based upon the writer’s famous father, but I get the sense that Burt Lancaster was closer in personality to Vic Morrow’s character Roy Turner: intense, obsessive, and distant. Matthau was the third choice for the role of Buttermaker, after both Steve McQueen and Warren Beatty passed on the role. It’s hard to see either of them so convincingly playing the world-weary drunk who allows a group of sixth graders to affect his worldview. Matthau’s son Charlie said that his dad, who could be grumpy on set, came to adore the young actors who made up the Bears, and always named this movie as one of his favorite roles.
Tatum O’Neal, like Matthau, was an Academy Award winner when cast in the movie, having won at the remarkably precocious age of ten. She filmed her role as Amanda a few months before her twelfth birthday and apparently learned enough about pitching to be a passable Little Leaguer. Vic Morrow is excellent as the enemy manager, Turner, mixing an old-school drill sergeant mentality with more than a hint of malevolence. Jackie Earle Haley, fourteen at the time of filming, allegedly rode a small motorcycle to his audition (obviously without a license) which all but guaranteed that he would be cast as the miscreant Kelly Leak.
But the heart of the movie isn’t either one of the Oscar winners; it isn’t Morrow, the old pro, father to Jennifer Jason Leigh; it isn’t even Haley who perhaps had the meatiest role of all. The character who leaves the most indelible mark on the viewer (or at least to this one) is the second baseman Tanner Boyle, played by Chris Barnes. Tanner is short and not particularly athletic, but has a hair-trigger temper and is prone to profane and racist outbursts against his teammates, coaches, and opponents. He comes across at first as unlikeable, a little twerp with a Napoleonic complex, but as he plot unfolds he emerges as the most consistently reliable teammate and friend.
My favorite scene is when the team decides to quit en masse, handing their jerseys back to Buttermaker in the dugout a day after an early humiliating loss. Team spokesman Toby Whitewood (David Stambaugh) tells Buttermaker the decision is unanimous. As the coach scans his players in the dugout, he lands upon Tanner, whose face is bruised and nursing a cut lip, having fought “the entire seventh grade” who had picked on Bears players. Buttermaker asks Tanner if he too wants to quit. Tanner’s response is to stare Buttermaker defiantly in the eyes, and reply “Crud no. I want to play ball.” Later on, Tanner intervenes when players from the Yankees begin bullying the Bears seldom-used outfielder Timmy Lupus, having only just moments ago demanded Timmy not sit near him, and fights two larger boys in defense of Timmy and, by extension, the Bears. In the championship game when a Yankee player sides foot up while charging home on a wild pitch and kicks Amanda square in the chest, it’s none other than Tanner who accosts the boy and kicks him squarely in the nuts. As Buttermaker begins tyrannically coaching, it’s Tanner whose plaintive and incredulous gaze snaps the coach back to reality.
But it’s in the final scene where the legend of the movie, and that of Tanner Boyle, is secured. After the Bears come up short on the final out of the game, Buttermaker, seeking redemption from this players, begins handing them celebratory beers (there’s no way this scene would be included today, and indeed, in the 2005 remake the kids are given non-alcoholic beers) and congratulating them on their efforts. As the Bears file back on to the field, beers in hand, to watch the Yankees accept the championship trophy, the Yankees captain delivers a half-hearted and smarmy apology. The captain of the Bears (because I just retroactively appointed him that), Tanner Boyle, responds with one of the great lines in cinematic history.
Everything about this movie is great, from the writing, the casting, the performances, the direction, the use of Bizet’s Carmen as the score. Fifty years later it remains one of the greatest summer movies ever, and is a fine way to bid adieu to summer and move into autumn.
– JVW