Snowflake Challenge 2026 - Day 8
Jan. 17th, 2026 05:48 pmChallenge #8
Talk about your creative process.
In which I ramble on about how I write...
I know quite a few people who can ONLY write linearly, but that's never been me. I'm not a linear writer, though I can pass as one, and a lot of the time I write in a more or less linear fashion. I'm what my old friend
kaiz long ago called a random access writer - RAW. My brain likes to home in on whatever is clearest. I tend to think of it as being like islands with tall trees or mountains poking out of the mist. The only way to find out about the surrounding area is to go to the bit you can see and explore it. Sometimes those islands are close together and there's no mist, so then I look like a linear writer. But eventually, when I hit a brick wall, it's almost always because I've been writing in a straight line for too long. Once I go RAW, the blockage becomes clear, and I can keep going.
Of course, putting the words on the page is only one part of writing. There's also what happens before that. I think every writer has their own personal point at which the ideas need to leave their head. For me, it's when the ideas start turning into sentences. As soon as I have an opening sentence, I'm right. Sometimes this can happen very quickly, if there's something that's started a fire under me that's making me HAVE to write a story (eg. when Game of Thrones ended and I was so enraged that I started writing within 24 hours.) But those sorts of stories don't happen to me very often. Usually, I like to spend a while mulling an idea and poking at the POV character before I even think about creating a draft document.
Once I start writing, the question I ask myself constantly is: "How does the character feel about this?" If the ideas in my head are the skeleton, then the feelings of the characters are the flesh.
I'm not good at writing formal outlines. I've tried them in the past, and they mostly turn into draft scenes. I do keep a list of bullet points at the bottom of the page on most stories: plot points that need to be included, stray lines that need to find the right place, or just tiny details that I need to keep in mind. If I'm writing a story with a historical setting, I have a separate document with loads of notes about clothing, historical events from that time period, the history of matches and lighting, transport, food - anything and everything.
I usually have a master copy of any story I'm working on and also a reading copy in a google doc for a friend or two to read along and comment as I go. Writing can be a lonely hobby, and it helps to know before I get to the end that the words I'm putting together work for someone other than me.
So yeah, I think that sums up the main aspects of my creative process. It might not work for anyone else, but it works for me.

Talk about your creative process.
In which I ramble on about how I write...
I know quite a few people who can ONLY write linearly, but that's never been me. I'm not a linear writer, though I can pass as one, and a lot of the time I write in a more or less linear fashion. I'm what my old friend
Of course, putting the words on the page is only one part of writing. There's also what happens before that. I think every writer has their own personal point at which the ideas need to leave their head. For me, it's when the ideas start turning into sentences. As soon as I have an opening sentence, I'm right. Sometimes this can happen very quickly, if there's something that's started a fire under me that's making me HAVE to write a story (eg. when Game of Thrones ended and I was so enraged that I started writing within 24 hours.) But those sorts of stories don't happen to me very often. Usually, I like to spend a while mulling an idea and poking at the POV character before I even think about creating a draft document.
Once I start writing, the question I ask myself constantly is: "How does the character feel about this?" If the ideas in my head are the skeleton, then the feelings of the characters are the flesh.
I'm not good at writing formal outlines. I've tried them in the past, and they mostly turn into draft scenes. I do keep a list of bullet points at the bottom of the page on most stories: plot points that need to be included, stray lines that need to find the right place, or just tiny details that I need to keep in mind. If I'm writing a story with a historical setting, I have a separate document with loads of notes about clothing, historical events from that time period, the history of matches and lighting, transport, food - anything and everything.
I usually have a master copy of any story I'm working on and also a reading copy in a google doc for a friend or two to read along and comment as I go. Writing can be a lonely hobby, and it helps to know before I get to the end that the words I'm putting together work for someone other than me.
So yeah, I think that sums up the main aspects of my creative process. It might not work for anyone else, but it works for me.

no subject
Date: 2026-01-17 07:00 am (UTC)no subject
Date: 2026-01-17 08:09 am (UTC)And yeah, it's not easy. You've got to juggle a lot of different things all at once, far beyond what you have to do in any type of non-fiction writing. But once you get going and it comes together... there's nothing like it.
no subject
Date: 2026-01-17 09:16 am (UTC)That is such a good question, I don't always think of that but I will do more in future. I love that we can all learn from each other in how we create things.
One question I try to remember to ask is, not always successfully, is 'what would the character do next?' That helps if I'm stuck. Would they try and solve the problem? Or try and escape it? Or think about it for a while?
Another thing I try and remember is 'reaction'. I've read so many stories where major events happen but the characters just move on to the next scene without reacting. Probably because the author is keen to move on. But in one story, someone told his friends that his mother's cancer had returned. The other characters just said 'oh' and moved to the next scene. This would not happen. His friends would be shocked, comfort him, take a few minutes to react.
no subject
Date: 2026-01-17 12:18 pm (UTC)There always needs to be a 'why'. Why does the character react this way? How do they feel about this?
"This happened and then this happened and then this happened" is where we start with storytelling as children. It's only later that we start to realise that "why" and "who" and "how" are just as important as "what". For me, all roads lead to POV when writing fiction. The perspective informs *everything*. And that's why I keep asking that question: how does the character feel about this?
no subject
Date: 2026-01-17 03:41 pm (UTC)Your ideas for the cancer storyline would make a lot of sense with the context I gave.
The story in question was not like that at all. The guys were friends with the main character, let’s call him Dave, they were concerned about him. Okay they were tough men, so they wouldn’t burst into tears or cuddle Dave, but they would definitely sympathise and support him. The mother was not faking it, she was truly ill; Dave was telling the truth; there was no animosity. So the lack of reaction just didn’t make sense at all. I think the author was just rushing to the next scene because Dave’s mother was barely in the story, her cancer was just the reason Dave wanted to move back home i.e. to be with her. It was like that scene was an afterthought: ‘oh, Dave must have a reason for moving back home’ and just slotted in.
There are two aspects to POV aren’t there? 1. What is going on in the character’s head. 2. What we write on the page in the POV of the character.
It’s funny because I was just thinking about POV. I know exactly how to write it but because I only write fanfiction, I don’t bother staying in one person’s POV. I head hop if I want to, because fanfiction is rebellion for me, a place to break the rules.😜
no subject
Date: 2026-01-18 01:34 am (UTC)I don't mind head hopping if the POV isn't too deep. I've done it a little when writing in a style that's closer to omniscient. As a reader, though, the author has to work to make it work for me. Paired with something like deep third person limited, head hopping usually pulls me out of the story because I have to pause and work out whose head I'm in from paragraph to paragraph - and so then I stop reading.
no subject
Date: 2026-01-18 12:36 pm (UTC)I know what you mean about having to stop and work out who is saying/doing what. It's like when writers either put too many paragraphs in or not enough. EITHER they put character A's speech and actions in the same paragraph as character B's speech and actions so it all sounds like one character. OR character A's speech and actions are all separated out into different paragraphs and they seem to be talking to themselves.
That has the same effect of me constantly stopping to try and work out who is doing what, and then giving up.
I try hard not to do the paragraph thing in my fics but I'm constantly noticing mistakes and re-editing 🫣
no subject
Date: 2026-01-18 06:07 am (UTC)no subject
Date: 2026-01-18 11:27 am (UTC)Yay for RAW!
no subject
Date: 2026-01-19 08:23 pm (UTC)no subject
Date: 2026-01-20 05:03 am (UTC)