luthien: (RAW)
[personal profile] luthien
Challenge #8

Talk about your creative process.

In which I ramble on about how I write...

I know quite a few people who can ONLY write linearly, but that's never been me. I'm not a linear writer, though I can pass as one, and a lot of the time I write in a more or less linear fashion. I'm what my old friend [personal profile] kaiz long ago called a random access writer - RAW. My brain likes to home in on whatever is clearest. I tend to think of it as being like islands with tall trees or mountains poking out of the mist. The only way to find out about the surrounding area is to go to the bit you can see and explore it. Sometimes those islands are close together and there's no mist, so then I look like a linear writer. But eventually, when I hit a brick wall, it's almost always because I've been writing in a straight line for too long. Once I go RAW, the blockage becomes clear, and I can keep going.

Of course, putting the words on the page is only one part of writing. There's also what happens before that. I think every writer has their own personal point at which the ideas need to leave their head. For me, it's when the ideas start turning into sentences. As soon as I have an opening sentence, I'm right. Sometimes this can happen very quickly, if there's something that's started a fire under me that's making me HAVE to write a story (eg. when Game of Thrones ended and I was so enraged that I started writing within 24 hours.) But those sorts of stories don't happen to me very often. Usually, I like to spend a while mulling an idea and poking at the POV character before I even think about creating a draft document.

Once I start writing, the question I ask myself constantly is: "How does the character feel about this?" If the ideas in my head are the skeleton, then the feelings of the characters are the flesh.

I'm not good at writing formal outlines. I've tried them in the past, and they mostly turn into draft scenes. I do keep a list of bullet points at the bottom of the page on most stories: plot points that need to be included, stray lines that need to find the right place, or just tiny details that I need to keep in mind. If I'm writing a story with a historical setting, I have a separate document with loads of notes about clothing, historical events from that time period, the history of matches and lighting, transport, food - anything and everything.

I usually have a master copy of any story I'm working on and also a reading copy in a google doc for a friend or two to read along and comment as I go. Writing can be a lonely hobby, and it helps to know before I get to the end that the words I'm putting together work for someone other than me.

So yeah, I think that sums up the main aspects of my creative process. It might not work for anyone else, but it works for me.


Snowflake Challenge: A flatlay of a snowflake shaped shortbread cake, a mug with coffee, and a string of holiday lights on top of a rustic napkin.

Date: 2026-01-17 07:00 am (UTC)
pattrose: (Default)
From: [personal profile] pattrose
You make it sound easy. But we all know it’s not easy. This was a really deep dive into who you are as a writer. 😁

Date: 2026-01-17 09:16 am (UTC)
kitarella_imagines: Profile photo (Default)
From: [personal profile] kitarella_imagines
the question I ask myself constantly is: "How does the character feel about this?"

That is such a good question, I don't always think of that but I will do more in future. I love that we can all learn from each other in how we create things.

One question I try to remember to ask is, not always successfully, is 'what would the character do next?' That helps if I'm stuck. Would they try and solve the problem? Or try and escape it? Or think about it for a while?

Another thing I try and remember is 'reaction'. I've read so many stories where major events happen but the characters just move on to the next scene without reacting. Probably because the author is keen to move on. But in one story, someone told his friends that his mother's cancer had returned. The other characters just said 'oh' and moved to the next scene. This would not happen. His friends would be shocked, comfort him, take a few minutes to react.

Date: 2026-01-17 03:41 pm (UTC)
kitarella_imagines: Profile photo (Default)
From: [personal profile] kitarella_imagines
You are exactly right: the feeling ➡️ the reaction. It’s the same thing isn’t it!

Your ideas for the cancer storyline would make a lot of sense with the context I gave.

The story in question was not like that at all. The guys were friends with the main character, let’s call him Dave, they were concerned about him. Okay they were tough men, so they wouldn’t burst into tears or cuddle Dave, but they would definitely sympathise and support him. The mother was not faking it, she was truly ill; Dave was telling the truth; there was no animosity. So the lack of reaction just didn’t make sense at all. I think the author was just rushing to the next scene because Dave’s mother was barely in the story, her cancer was just the reason Dave wanted to move back home i.e. to be with her. It was like that scene was an afterthought: ‘oh, Dave must have a reason for moving back home’ and just slotted in.

There are two aspects to POV aren’t there? 1. What is going on in the character’s head. 2. What we write on the page in the POV of the character.

It’s funny because I was just thinking about POV. I know exactly how to write it but because I only write fanfiction, I don’t bother staying in one person’s POV. I head hop if I want to, because fanfiction is rebellion for me, a place to break the rules.😜

Date: 2026-01-18 12:36 pm (UTC)
kitarella_imagines: Profile photo (Default)
From: [personal profile] kitarella_imagines
I agree, head hopping in deep POV would be annoying if it was done wrong. My fanfics are usually just silly and fun so I don't care too much if I'm head hopping. Actually I rarely write deep POV in fact, maybe it's more omniscient?

I know what you mean about having to stop and work out who is saying/doing what. It's like when writers either put too many paragraphs in or not enough. EITHER they put character A's speech and actions in the same paragraph as character B's speech and actions so it all sounds like one character. OR character A's speech and actions are all separated out into different paragraphs and they seem to be talking to themselves.

That has the same effect of me constantly stopping to try and work out who is doing what, and then giving up.

I try hard not to do the paragraph thing in my fics but I'm constantly noticing mistakes and re-editing 🫣

Date: 2026-01-18 06:07 am (UTC)
hidden_variable: Penrose tiling (Default)
From: [personal profile] hidden_variable
I love your image of the tall trees poking out of the mist--very evocative, and it really resonates with the way I think about my own writing process as well. I tend to start off with a sort of island chain of scenes or lines that stand out clearly, and then try to build bridges between them.

Date: 2026-01-19 08:23 pm (UTC)
sugareey: (Default)
From: [personal profile] sugareey
Ooo, I love all of this! Especially for PoV, I've found that really shapes how a story looks and feels. Followed by figuring out what a character will do, what their thought process might be, etc. It almost offers some facts and anchor points so that that writing can continue, you know?

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