@robertstinner
Queer Villains Are Vital to Understanding Queer History (Electric Literature)
Queer Villains Are Vital to Understanding Queer History (Electric Literature)
“White Lotus,” “Benediction,” and the long legacy of deliciously sinister sexual deviants
The Hours’s Queer Chronologies (Bright Wall/Dark Room)
The Hours’s Queer Chronologies (Bright Wall/Dark Room)
'The Hours' (2002) suggested to me that queerness could be fluid, mysterious, neither hidden nor announced.
Queer Criminality in Swoon and The Living End (CrimeReads)
Queer Criminality in Swoon and The Living End (CrimeReads)
In 1992, two of the year’s most memorable independent films depicted gay men committing murder. Gregg Araki’s The Living End and Tom Kalin’s Swoon arrived at the peak of what critic B. Ruby Rich co…
How to Adapt Edith Wharton: In Praise of Terence Davies’s The House of Mirth (LitHub)
How to Adapt Edith Wharton: In Praise of Terence Davies’s The House of Mirth (LitHub)
Robert Stinner — Website
Robert Stinner — Website
I am a writer of fiction and criticism. My publications include short fiction in River Styx and Muleskinner Journal, essays on film, books, and television in Electric Literature, The Rumpus, Literary Hub, and Bright Wall/Dark Room, and regular film reviews at In Review Online. As a film critic, I review new releases, write essays about canonical…
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