Andy Hazel

Julia Ducournau tackles grief, shame and the AIDS crisis in Alpha

Natalie Portman, Ugo Bienvenu and ‘Arco’

Alexander Skarsgård on love, sex and Pillion

A Year After David Lynch’s Death, the Band Xiu Xiu Is Keeping ‘Eraserhead’ Alive Onstage

‘We’re doing it together’: Hamnet director Chloé Zhao on the power of grief

Andrew Dominik: Truth & Myth

‎A 2025 playlist by Andrew Hazel - Apple Music

2025 Marrakech International Film Festival reveals the contradictions of the city

Scarlett Johansson on her directorial debut Eleanor the Great

Andy Hazel talks Tacoma Radar on Future Perfect, Triple R Radio, November 17, 2025

Live Review: Clap Your Hands Say Yeah, Loose Tooth @ The Night Cat, Melbourne

Filmmaker Lynne Ramsay on her return with Die My Love

KPop Demon Hunters Talk 'Golden': Inside The Biggest Song Of The Year

At Ellis Park, Justin Kurzel finds his own Heart of Darkness

No One Waved Goodbye

Kunsang Kyirong’s ‘100 Sunset’

Splitsville: Michael Angelo Corvino and Kyle Marvin on Comedy, Craft, and Climbing Back - The Curb | Film and Culture

Robert Redford, the man who lived

Tears flow for Chloé Zhao’s Hamnet at Toronto International Film Festival

How Paul Greengrass Shot ‘The Lost Bus’ with a Real School Bus and an Actual Fire, with Matthew McConaughey and Producer Jamie Lee Curtis

Filmmaker Eva Victor tackles the ‘hard things’ in Sorry, Baby

MIFF Review: First Light is an astonishing debut feature from James J. Robinson - The Curb | Film and Culture

Charlotte Wells: From Aftersun to Jury President at the 2025 Melbourne International Film Festival - The Curb | Film and Culture

Live Review: Live Review: Dick Diver @ Thornbury Theatre, Melbourne

Actor Harris Dickinson tuns to directing with Urchin

An interview with Rebekah del Rio, and Twin Peaks: Conversations with the Stars

Gabrielle Brady, director of The Wolves Always Come at Night

The 100 Best Movies of the 2020s (So Far)

Live Review: Supergrass, Rocket Science @ The Forum

Director Wes Anderson on bringing The Phoenician Scheme to Cannes

Sydney Film Festival Interview: Cannes Palme d’Or winner Jafar Panahi - The Curb | Film and Culture

The best of Cannes Film Festival 2025

Stellan Skarsgård Finds One of His Best Roles in ‘Sentimental Value’

'A unique interpretation of psychology': Julian McMahon and Lorcan Finnegan on making The Surfer - The Curb

How Jacob Elordi Physically Transformed for Justin Kurzel’s Piercing War Story ‘The Narrow Road to the Deep North’

Live Review: Max Richter @ Hamer Hall, Melbourne

Getting to The Substance: An interview with director Coralie Fargeat

Beautiful Dark at Lulie Tavern + Wild at Heart

Live Review: Gillian Welch & David Rawlings @ Hamer Hall, Melbourne

"The power of both": A farewell to David Lynch

The Brutalist actor Adrien Brody on creating art that lasts

Patricia Arquette on ‘Severance’ and David Lynch’s ‘Lost Highway’: I ‘Met My Own Shadow’

Live Review: Primal Scream

The tunes of 2024

Joan Chen on Twin Peaks, motherhood, and finding new acclaim with Didi

Live Review: Superchunk, The Meanies, Delivery @ Corner Hotel

Marrakech International Film Festival showcases the future of cinema

Anora writer and director Sean Baker on ‘our oldest profession’

Todd Haynes: “What Happened This Summer was Tough”

Tim Burton Rules Out ‘Scissorhands,’ ‘Nightmare Before’ Sequels but Says ‘I’m Sure There Will Be’ Another Johnny Depp Collaboration

Game of throwns: Dungeons and Dragons turns 50

Mélita Toscan du Plantier and the Marrakech International Film Festival - The Curb

Bertrand Bonello on The Beast and Working With Léa Seydoux: 'I'm Not Here for Messages' - The Curb

From The Home Song Stories to Dìdi Joan Chen Says: “My Path is a Wild One” - The Curb

Live Review: Pearl Jam @ Marvel Stadium, Victoria

Live Review: Peggy Frew, Sweet Whirl @ Bergy Bandroom

Live Review: Buzzcocks, Modern English @ Northcote Theatre

Shotkickers Is Fundraising An Expansion: ‘We Want To Be Able To Give Bands That First Single Launch Level Gig’

A new age in Bali

Live Review: Teeny Tiny Stevies @ Northcote Theatre

Live Review: Belle And Sebastian, Badly Drawn Boy @ The Palais

David Lowery Teases His ‘Weird, Weird Movie’ ‘Mother Mary’ and Acting for Luca Guadagnino in His ‘Queer’

Justin Kurzel on ‘The Order’ and Making His ‘Life-Changing’ Doc ‘Ellis Park’: ‘I Didn’t Come Out the Same Person’

Actor Austin Butler on masculinity and making movies

Live Review: Quivers @ Northcote Social Club

Live Review: Dirty Three @ Hamer Hall, Melbourne | The Music

LIVE REVIEW: Dirty Three

Live Review: Good Morning, Cool Sounds @ Melbourne Recital Centre

THE SATURDAY PAPER: #MeToo arrives at the 77th Cannes Film Festival

A ramble through the 77th Cannes Film Festival

Mad Max’s George Miller gets to the heart of epic stories

Cannes 2024: The Second Act review—a cinematic soufflé of satire

‘Monster’ director Hirokazu Kore-eda

Filmmaker Tig Terera

Live Review: Nat Vazer, Willowbank Grove, Private Mountain @ Howler

Live Review: Chris Isaak @ Palais Theatre

Live Review: Love Of Diagrams, Scott & Charlene's Wedding, Thibault @ Northcote Social Club

Live Review: Teenage Fanclub & Euros Childs @ The Croxton

Live Review: Kings Of Convenience, Magic Steven, Banjo Lucia @ Forum

Live Review: Cavetown + Aleksiah @ The Forum

Live Review: Taylor Swift's Eras Tour

Live Review: The Native Cats, Parsnip, Ov Pain @ The Curtin

Composer and legend Ben Frost

My playlist of 2023 on Spotify

Actress Jessica Chastain

Live Review: Alvvays, Hatchie @ The Forum

2023 Marrakech International Film Festival

Singer Margret RoadKnight

Memory, Mafalda and the ESMA Museum in Argentina

Live Review: Fazerdaze, Sweet Whirl, Garage Sale @ The Gasometer

“Making Sport White”: Paul Schrader on Taxi Driver

Actor Jason Schwartzman

Live Review: Body Type, Gut Health & Sweetie @ Corner Hotel

Beautiful Dark - The Music of Twin Peaks at the Astor

‘How to Have Sex’ director Molly Manning Walker

Live Review: Slowdive @ Forum Melbourne

Director Warwick Thornton

Ben Frost / A Predatory Chord | NASTY Magazine

Cannes Film Festival 2023

Cannes ’23: Indiana Jones and The Dial of Destiny Review

Cannes ’23: Jeanne du Barry Review

Live Review: The World Is A Vampire Festival @ Kryal Castle

Live Review: Flyying Colours, Blue Vedder, Emotion Picture @ Bergy Bandroom

Live Review: Beach Bunny, Voiid @ The Croxton

Live Review: Rod Stewart, Cyndi Lauper @ Rod Laver Arena

Live Review: Carly Rae Jepson @ Forum

Live Review: Stella Donnelly, Jade Imagine, Mia June @ Northcote Theatre

Live Review: Soccer Mommy, Phoebe Go, Garage Sale @ The Croxton Bandroom

Singer-songwriter Martha Marlow

Live Review: Cowboy Junkies @ Melbourne Recital Centre

Filmmaker Ruben Östlund

Top tunes of 2022 (with guitars) - Apple Music

Top tunes of 2022 (with guitars) - Spotify

Opening dialogues at the Marrakech International Film Festival 2022

The Next Best Thing To Watching Your Arse For 42:05

Live Review: Cut Copy @ Northcote Theatre

Live Review: Dry Cleaning @ Corner Hotel

Live Review: Ride @ The Forum

A chicken layover

Director Goran Stolevski

How native foods are transforming Australian cuisine