@a.e.hunt
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Film writing, editing, distribution, and camerawork of aehunt.com
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Letterboxd
Letterboxd
redgumamela uses Letterboxd to share film reviews and lists. 1,726 films watched. Favorites: Wake (Subic) (2015), Aïnata (2018), Objects Do Not Randomly Fall From the Sky (2024), Forever Loved (2011). Bio: I’m new
Kani Releasing Showtimes & Blu-Rays
Kani Releasing Showtimes & Blu-Rays
The Other Side of Apocalypse: A Conversation on We Were the Scenery | Current | The Criterion Collection
The Other Side of Apocalypse: A Conversation on We Were the Scenery | Current | The Criterion Collection
In this Sundance-award-winning exploration of war and memory, writer Cathy Linh Che shines a spotlight on her parents, who were Vietnamese refugees living in the Philippines when they were cast as extras in Apocalypse Now.
“Raise Your Head, We are Making an Honorable Film”: Heiny Srour on the Restored Leila and the Wolves and The Hour of Liberation Has Arrived - Filmmaker Magazine
“Raise Your Head, We are Making an Honorable Film”: Heiny Srour on the Restored Leila and the Wolves and The Hour of Liberation Has Arrived - Filmmaker Magazine
Refusing a single dominant system of values in Lebanon as the secular daughter of a working class Lebanese Jewish father and an Egyptian aristocrat mother provided filmmaker Heiny Srour with what she…
Next No Art: Boycotts and Bothsidisms at IDFA 2023
Next No Art: Boycotts and Bothsidisms at IDFA 2023
Before her second year moderating at the International Documentary Film Festival Amsterdam (IDFA), Yara Yuri Safadi was pressuring other…
When the Apocalypse Is Over, Criterion Channel
When the Apocalypse Is Over, Criterion Channel
Split Together: Weathering the Storm at the Camden International Film Festival
Split Together: Weathering the Storm at the Camden International Film Festival
In structured programming and chance encounters, the Maine doc festival held together—if shakily—the film industry's contradictions.
Paywalled Memories: On Archival Producing - Seen Journal
Paywalled Memories: On Archival Producing - Seen Journal
In the Past, On Arrival: An Interview with Miko Revereza
In the Past, On Arrival: An Interview with Miko Revereza
Something that I struggle with continually in the process of the artist bio, or how to make my work legible to the public, is, do I really have to keep putting that I�m an undocumented immigrant and that it informs my film practice? Is it possible to just say I�m a filmmaker?
Dito, Dito, Dito (Here, Here, Here) — Open City Texts
Dito, Dito, Dito (Here, Here, Here) — Open City Texts
Original Copy: An Interview with Daisuke Miyazaki
Original Copy: An Interview with Daisuke Miyazaki
How Miyazaki's low-budget films—location-rich, politically engaged, and inflected with pop music—reflect modern Japan.
Hollywood & Cultural Imperialism
Hollywood & Cultural Imperialism
In this episode we are looking at how Hollywood uses the US State Department, so-called Free Trade, and monopoly tactics to control the global film market. J...
Domitable Myth: Three Depictions of Japanese Holdout Soldier Hiroo Onoda
Domitable Myth: Three Depictions of Japanese Holdout Soldier Hiroo Onoda
Mia Stewart’s upcoming 15-plus-years-in-the-making documentary, Searching for Onoda, deflates the heroic myth of Japanese holdout soldier Hiroo Onoda and tells the other side of the story. Both Arthur Harari’s 2021 Cannes-premiering narrative feature, 'Onoda: 10,000 Nights in the Jungle,' and Werner Herzog's debut 2022 novel, 'The Twilight World,' perpetuate the old myth.
Mike De Leon Film Comment Interview
Mike De Leon Film Comment Interview
Claws of light: the prolific filmmaker discusses the central role played by his family in Philippine film history, his work on seminal films by Lino Brocka and others, and more
The Right To Do Wrong, an essay on Top of the Heap
The Right To Do Wrong, an essay on Top of the Heap
Kalampag Tracking Agency Co-Curators Interview
Kalampag Tracking Agency Co-Curators Interview
More than sixty percent of the films domestically produced in the Philippines have been lost to the sultry climate for want of air-conditioned vaults. As a result, repertory programming of Philippine cinema can settle into predictable, chronological orders in an effort to restore and preserve a sense of historical continuity.
Top Gun Maverick's First Technical Advisor - GQ
Top Gun Maverick's First Technical Advisor - GQ
A US navy captain walks GQ through his collaboration with the film's screenwriter and director.
"Cinema Doesn't Heal or Cure You of Anything": Dario Argento
"Cinema Doesn't Heal or Cure You of Anything": Dario Argento
The day before the start of his 20-film retrospective at Film at Lincoln Center, Dario Argento talked with film historian Rob King in front of a small delegation at the Italian Cultural Institute.
Mike De Leon on Kisapmata
Mike De Leon on Kisapmata
Mike De Leon made his Cannes debut in ‘82 when he premiered two films at Directors’ Fortnight in the same year—Kisapmata and Batch 81—becoming only the second filmmaker to do so at the time.
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