Edit filter log

'{{For|other entries on Tutti Frutti|Tutti frutti (disambiguation)}} {{Infobox Single <!-- See Wikipedia:WikiProject_Songs --> | Name =Tutti Frutti | Cover = | Cover size = | Border = | Caption = | Artist =[[Little Richard]] | Album =[[Here's Little Richard]] | B-side ="[[I'm Just a Lonely Guy]]" | Released =1955 | Format = | Recorded =September 14, 1955 | Genre =[[Rock and roll]] | Length = | Label =[[Specialty Records|Specialty]] 561 | Writer =[[Little Richard]], Dorothy LaBostrie | Producer =[[Robert Blackwell]] | Audio sample? = | Certification = | Last single ="Always"<br>(with ''Deuces of Rhythm and Tempo Toppers'', 1954) | This single ="Tutti Frutti"<br>(1955) | Next single ="[[Long Tall Sally]]"<br>(1956) | Misc = }} "'''Tutti Frutti'''" is a song by [[Little Richard]], which became his first hit record in 1955. With its opening cry of "A-wop-bop-a-loo-bop-a-lop-bam-boom!"<ref>Various transliterations of this have been made. [[Nik Cohn]]'s book on the history of pop music used the title ''"Awopbopaloobop Alopbamboom"''.</ref> (supposedly intended to be a verbal parody of a drum intro) and its hard-driving sound and wild lyrics, it became not only a model for many future Little Richard songs, but also one of the models for [[Rock and Roll]] itself. ==Original recording by Little Richard== Although Little Richard Penniman had recorded for [[Peacock Records]] since 1951, his records had been relatively undistinguished and had sold poorly. In February 1955, he sent a [[demo (music)|demo]] tape to [[Specialty Records]], which was heard by producer [[Bumps Blackwell|Robert 'Bumps' Blackwell]]. Blackwell heard promise in the tapes and arranged a recording session for Little Richard at [[Cosimo Matassa]]'s studio in New Orleans in September 1955, with [[Fats Domino]]'s backing band. The band included [[Lee Allen (musician)|Lee Allen]] and [[Alvin Tyler|Alvin "Red" Tyler]] on saxophones, [[Frank Fields]] on guitar, and [[Earl Palmer]] on drums.<ref name=DawsonPropes>Jim Dawson and Steve Propes, ''What Was The First Rock'n'Roll Record'', 1992, ISBN 0-571-12939-0</ref><ref name=grove>Penniman, Richard Wayne. "Little Richard." Little Richard 24 Jan 2008. GroveMusic.com (subscription only)</ref> However, as the session wore on, Little Richard's anarchic performance style was not being fully captured on tape. In frustration during a lunch break, he started pounding a piano and singing a ribald song which he had been performing live for some time.{{Citation needed|date=August 2009}} The song that he sang was a piece of music that he “had polished in gay clubs across the South".<ref name=Lhamon>Lhamon, W.T.. Deliberate Speed: The Origins of a Cultural Style in the American 1950s. USA: The Smithsonian Institution, 1990.</ref> Although the song was essentially his own, it bears some similarities to an earlier song, also titled "Tutti Booty", recorded by [[Slim and Slam]] in 1938.<ref name=DawsonPropes /> Little Richard sang : "A-wop bop-a loo-bop, a-wop bam-boom! Tutti Frutti, al-rudy" After this lively performance, Blackwell knew the song was going to be a hit, but recognized that the song, with its “minstrel modes and homosexuality humor”, needed to be cleaned up.<ref name=Lhamon/> Blackwell contacted local songwriter [[Dorothy LaBostrie]] to revise the lyrics, with Little Richard still playing in his characteristic style. According to Blackwell, Dorothy La Bostrie “didn’t understand melody”, but was definitely a “prolific writer".<ref>Brackett, David. , the Pop, Rock, and Soul Reader: Histories and Debates. New York: Oxford, 2004</ref> The original lyrics, “Tutti Frutti, good booty / If it don’t fit, don’t force it / You can grease it, make it easy",<ref name=cWhite>White, Charles. The Life and Times of Little Richard: The Quasar of Rock". New York: Harmony, 1984</ref> were replaced with “Tutti Frutti, all rooty! Tutti Frutti, all rooty”. (''All rooty'' was [[hipster]] slang for "all right".) In addition to Penniman and LaBostrie, a third name—Lubin—is credited as co-writer. Some sources considered this to be a pseudonym used by Specialty label owner [[Art Rupe]] to claim royalties on some of his label's songs,<ref name=DawsonPropes /> but others refer to songwriter [[Joe Lubin]].<ref>[http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:fifoxqujld6e allmusic ((( Joe Lubin > Overview )))<!-- Bot generated title -->]</ref> Blackwell stated that time constraints didn't permit a new arrangement, so Little Richard recorded the revised song in three takes, taking about fifteen minutes, with the original piano part. The song was recorded on September 14, 1955.<ref name=DawsonPropes /> Released on Specialty 561, the record entered the ''[[Billboard (magazine)|Billboard]]'' [[Hot R&B/Hip-Hop Songs|Rhythm and Blues chart]] at the end of November 1955, and rose to # 2 early in 1956. It also reached # 17 on the Billboard pop chart. In the UK, it only scraped into the top 30 in 1957, as the B-side of "[[Long Tall Sally]]". The song, with its [[12-bar blues|12 bar blues chord progression]],<ref>[http://www.icce.rug.nl/~soundscapes/VOLUME06/Music_matters_Appendix.shtml A sample of 100 rock and roll songs<!-- Bot generated title -->]</ref> provided the foundation of Little Richard's career. It was seen as a very aggressive song that contained more features of African American vernacular music than any other past recordings in this style.<ref name=grove/> The song, as sung by Little Richard, is #43 in ''[[Rolling Stone]]''<nowiki>'</nowiki>s list of [[The 500 Greatest Songs of All Time]].<ref>{{cite web|url=http://www.rollingstone.com/news/story/11028260/the_rs_500_greatest_songs_of_all_time/1|title=The RS 500 Greatest Songs of All Time|publisher=RollingStone.com|accessdate=2007-06-02}}</ref> It is #1 in ''[[mojo magazine|Mojo Music Magazine]]'''s list of [http://www.rocklistmusic.co.uk/mojo.html#100%20Records%20That%20Changed%20the%20World 100 records that changed the world]. "Tutti Frutti" provided the title for one of the earliest books about the development of rock and roll and pop music from the 1950s, [[Nik Cohn]]'s ''"Awopbopaloobop Alopbamboom"'' (1969). ==Racial connotations?== Recording cover versions of songs was standard industry practice during the 1940s and 1950s. A hit song could generate many different versions: pop and instrumental, polka, blues, hillbilly, and others by a variety of artists.<ref>The Blue Moon Boys - The Story of Elvis Presley's Band. Ken Burke and Dan Griffin. 2006. Chicago Review Press. page 87. ISBN 1-55652-614-8</ref> [[Blue Suede Shoes]], as an example, was recorded at least 30 times in the 1950s and 1960s.<ref>[http://rcs.law.emory.edu/rcs/titles/b/bl.htm Rockin Country style database]</ref> [[Pat Boone]]'s version of the song lead at 12 ranking with Little Richard's trailing behind in the 17th position.<ref name=smothers> Smothers, Robert. "Macon Journal; Georgia's Very Own: a Wop Bam Boom." The New York Times 08 Jan. 1990, Late ed., sec. A10</ref> Pat Boone himself admitted that he did not wish to do a cover of “Tutti Frutti” because “it didn’t make sense” to him; however, the producers persuaded him into making a different version by claiming that the record would generate attention and money.<ref>Harrington, Richard. "VIDEOS; 'the Early Days', When Rock Began to Roll." The Washington Post 19 May 1985, Final ed., sec. G12</ref> Little Richard says that though Pat Boone “took [his] music”, he admits, however, that Boone made it more popular due to his high status in the white music industry.<ref>O'connor, John J. "Television Review: Rock's Story as Told by Rockers." The New York Times 08 Mar. 1995, Late ed., sec. C20</ref> Nevertheless, a Washington Post Staff Writer, Richard Harrington, quotes Richard in an article: {{quote|They didn’t want me to be in the white guys’ way… I felt I was pushed into a rhythm and blues corner to keep out of rockers’ way, because that’s where the money is. When ‘Tutti Frutti’ came out… They needed a rock star to block me out of white homes because I was a hero to white kids. The white kids would have Pat Boone upon the dresser and me in the drawer ‘cause they liked my version better, but the families didn’t want me because of the image that I was projecting."<ref name=Harrington>Harrington, Richard. "'a Wopbopaloobop'; and 'Alopbamboom', as Little Richard Himself Would Be (and Was) First to Admit." The Washington Post 12 Nov. 1984, Final ed., sec. C1.</ref>}} Richard's contract with Peacock had been purchased by [[Specialty Records]] owner [[Art Rupe]], who also owned the publishing company that bought Richard's songs. Speciality's deal with Richard was typical of the company's dealings with their artists.<ref>The Life and Times of Little Richard: The Quasar of Rock.Charles White. Contributor Paul McCartney. Edition: 2, illustrated. Da Capo Press. 1994. page 57. ISBN 0306805529, 9780306805523</ref><ref>[http://www.soulfulkindamusic.net/lrichard.htm Discography]</ref> A more successful [[Chuck Berry]] used calculated showmanship to lure a wide audience. He sang the songs of [[Nat "King" Cole]] and [[Muddy Waters]]. "Listening to Nat Cole prompted me to sing sentimental songs with distinct diction," he said at Blueberry Hill. "The songs of Muddy Waters impelled me to deliver the down-home blues in the language they came from. When I played hillbilly songs, I stressed my diction so that it was harder and whiter. All in all, it was my intention to hold both the black and the white clientele by voicing the different kinds of songs in their customary tongues." <ref>[http://www.geocities.com/allaboard70/CB2003.html Chuck Berry News<!-- Bot generated title -->]</ref> ==Other versions== The song has been [[cover version|covered]] by many musicians. After [[Pat Boone]]'s success with "[[Ain't That a Shame]]", his next single was "Tutti Frutti", markedly toned down from the already reworked Blackwell version. Boone's version outdid Little Richard's on the US pop charts, reaching #12. [[Elvis Presley]] recorded the song and it was included in his first [[Sony BMG|RCA]] album ''[[Elvis Presley (album)|Elvis Presley]]'' March 23, 1956. [[Queen (band)|Queen]] played it every gig during their live [[Magic Tour]] shows in 1986. It is also featured during the [[T.Rex (band)|T.Rex]] jam session with [[Elton John]] during the 1972 rock film ''[[Born to Boogie]]''. It is the first song on the [[MC5]] album, ''[[Back in the USA (album)|Back in the USA]]''. The song was covered by [[Fair Weather]] in 1970. [[Sting (musician)|Sting]] recorded the tune for the original soundtrack of the 1982 film ''Party Party''. [[The Disney Channel]] ran a [[D-TV|DTV]] music video of the song, set mostly to clips from the 1940 [[Donald Duck]] cartoon ''[[Mr. Duck Steps Out]]'' ([[Daisy Duck]] represents the character of the same name in the lyrics), but also the 1942 cartoon ''[[Mickey's Birthday Party]]'' (with [[Clara Cluck]] representing Sue in the lyrics). This song is also featured in the 1987 movie ''[[The Brave Little Toaster (film)|The Brave Little Toaster]]''. The song is featured on the ''[[California Raisins]]'' soundtrack from their first special, ''Meet the Raisins''. The song is sung by Val Kilmer in ''[[Top Secret!]]'' [[WWE]]'s [[Mean Gene Okerlund]] covered it, and uses it as his entrance tune. It appears on 1985's ''[[The Wrestling Album]]''. [[Lance Bass]] and [[Lacey Schwimmer]] performed a [[Jive]] on Season 7 [[Dancing with the Stars]] == References == {{Reflist}} {{Little Richard}} [[Category:1955 singles]] [[Category:Little Richard songs]] [[Category:Pat Boone songs]] [[Category:Rock and roll songs]] [[de:Tutti Frutti (Lied)]] [[fr:Tutti Frutti (chanson)]] [[it:Tutti Frutti]] [[pt:Tutti Frutti (canção)]] [[uk:Tutti-Frutti]]'