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Shigehiko Hasumi

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Shigehiko Hasumi
Born (1936-04-29) April 29, 1936 (age 88)
Roppongi, Tokyo, Japan
OccupationFilm critic
LanguageJapanese, French, English
EducationUniversity of Tokyo
Period1974-present
SpouseChantal Van Melkebeke
ChildrenShigeomi Hasumi
Website
www.mube.jp

Shigehiko Hasumi (蓮實重彥, aka Hasumi Shiguéhiko; born April 29, 1936 in Tokyo) is a Japanese literary critic, film critic, French literature scholar, and novelist.

Hasumi started his academic career as a Gustave Flaubert scholar, but also played a central role in the early introduction of the contemporary French philosophy, such as Gilles Deleuze and Michele Foucault, into Japan in the 1970s. He is also known as one of the most prolific Japanese critic and reviewer of the modern literature and film[1].

Since 1980s, Hasumi has been active in translating the French New Wave filmmakers' thought and the Hollywood B-films. His method of viewing and writing films, inspired by the 1950s French film criticism appeared in Cahiers du Cinéma, played the gigantic role in the Japanese film culture in the late 20th century[1]. His influential work includes Directed by Yasujiro Ozu (1986).

He was a professor at the University of Tokyo (Cultural Studies, or the "Study of Culture and Representation"), dean of the faculty of the liberal arts, and the 26th President (1997-2001)[2].

Life and work

Shigehiko Hasumi was born in Tokyo in 1936 as the son of Shigeyasu Hasumi, an art historian known for his study on Japanese traditional art of Sesshu Toyo.

He studied at the University of Tokyo and the University of Paris, where he particularly focused on Flaubert, while at the same time he energetically translating the French post-structuralist thinkers to Japan[3], including Deleuze, Derrida and other thinkers. to Japan[4][5].

As a French literature scholar, his main works include *Portrait of a mediocre artist: Maxime du Camp (1988) and *A Study of Madame Bovary (2014), as well as *Criticism, or the Celebration of Temporal Death (1974) and Foucault, Deleuze and Derrida (1978) as an introduction to contemporary French philosophy[6][4].

What has made Hasumi widely known to the general public in Japan is the vast amount of literary and film criticism he has done outside of academia. In his literary criticism, he published his views on Soseki Natsume, Kenzaburo Oe, and other Japanese contemporary novelist.

As a film critic, Hasumi used the way of viewing the details of films of Cahiers du Cinéma and re-evaluate the Hollywood films, such as Howard Hawks, John Ford, Don Siegel, Nicholas Ray, Richard Fleicher and other directors[7][4]. Since traditional Japanese film criticism heavily focused on the viewers' impression and meaning of the narrative, Hasumi's new film writings shocked the Japanese film culture in the 1980s, and created many followers[4]. His Directed by Yasujiro Ozu (1986) is known as a landmark of his film criticism, and believed as one of the most influential work in film studies in the late 20th century Japan[4][8].

Hasumi is known for his wide network among the international filmmakers, including Wim Wenders or Daniel Schmid. He presided over the committee of the Lion of the Year competition in the Venice Film Festival (2001)[9]. Hasumi's film lectures in his early days in Tokyo attracted the young Japanese filmmakers, such as Kiyoshi Kurosawa, Masayuki Suo, and Shinji Aoyama[10][11][12].

Hasumi is also known as a novelist and published two fictional work: *A Collapsed Land(1986) and *A Countess.(2016). His wife Chantal Van Melkebeke is a teacher from Belgium.[13]

His name

His personal name has been spelt variously as Shigehiko, the standard Hepburn romanization, Shiguehiko and Shiguéhiko on his publications. For example, his biography of Yasujirō Ozu features the name Shiguéhiko on both the original Japanese and the French translation,[14][15] whereas many translations of his books feature the form Shigehiko.[16]

Selected bibliography

  • Hihyō Aruiwa Kashi no Saiten (1974)
  • Han Nihongo Ron (1977)
  • Natsume Sōseki Ron (1978)
  • Eiga no Shinwagaku (1979)
  • Eizō no Shigaku (1979)
  • Hyōsō Hihyō Sengen (1979)
  • Cinema no Kioku Sōchi (1979)
  • Eiga: Yūwaku no Ekurichūru (1983)
  • Kantoku Ozu Yasujirō (1983) Directed by Yasujiro Ozu, tr. by Ryan Cook, U. Of California Press, 2024. ISBN: 9780520396722
  • Monogatari Hihan Josetsu (1985)
  • Kanbotsu Chitai (1986)
  • Bonyō na Geijutsuka no Shōzō (1988)
  • Shōsetsu Kara Tōku Hanarete (1989)
  • Teikoku no Inbō (1991)
  • Hollywood Eigashi Kōgi (1993)
  • Zettai Bungei Jihyō Sengen (1994)
  • Tamashii no Yuibutsuronteki na Yōgo no Tame ni (1994)
  • Opera Opérationnelle (1994)
  • Watakushi ga Daigaku ni Tsuite Shitteiru Ni San no Kotogara (2001)
  • Supōtsu Hihyō Sengen (2004)
  • Eiga e no Fujitsunaru Sasoi (2004)
  • Miserarete: Sakka Ronshū (2005)
  • Godāru Kakumei (2005)
  • Hyōshō no Naraku (2006)
  • Aka no Yūwaku (2007)
  • Eiga Hōkai Zenya (2008)
  • Eigaron Kōgi (2008)
  • Godāru Mane Fūkō (2008)
  • Zuisō (2010)
  • Eiga Jihyō 2009-2011 (2012)

References

  1. ^ a b Aaron Grew, "Critical Introduction: Shiguéhiko Hasumi and the Viewing Film Studies Anew," in Directed by Yasujiro Ozu, Shiguéhiko Hasumi, U. Of California Press, 2024.
  2. ^ "University presidents of the past". University of Tokyo. Retrieved 2 October 2012.
  3. ^ Kodama, Sanhide; Inoue Ken (1997). "Postmodernism in Japan". In Johannes Willem Bertens, Douwe Fokkema (ed.). International Postmodernism: Theory and Literary Practice. J. Benjamins. p. 521. ISBN 9027234434.
  4. ^ a b c d e 「蓮實重彦」（堀潤之・木原圭翔編『映画論の冒険者たち』東京大学出版会、2021）
  5. ^ Cook, Ryan (2010). "An Impaired Eye: Hasumi Shigehiko on Cinema and Stupidity". Review of Japanese Culture and Society. 22: 130–143. JSTOR 42800646.
  6. ^ 蓮実重彦『夏目漱石論』講談社
  7. ^ Sharp, Jasper (2011). Historical Dictionary of Japanese Cinema. Scarecrow Press. p. 78.
  8. ^ Aaron Grew, "Critical Introduction: Shiguéhiko Hasumi and the Viewing Film Studies Anew," in Directed by Yasujiro Ozu, Shiguéhiko Hasumi, U. Of California Press, 2024.
  9. ^ Morris, Roderick Conway; Tribune, International Herald (29 August 2001). "VENICE FILM FESTIVAL : A New Wave:Movies Without Borders". The New York Times. ISSN 0362-4331. Retrieved 4 April 2024.
  10. ^ Rodier2001-07-27T16:40:00+01:00, Melanie. "Venice 2001: Film Festival Line-up". Screen. Retrieved 4 April 2024.{{cite web}}: CS1 maint: numeric names: authors list (link)
  11. ^ Nozaki, Kan (2011). Andrew, Dudley (ed.). Opening Bazin. Oxford University Press. p. 327.
  12. ^ Gerow, Aaron (2007). Kitano Takeshi. British Film Institute. p. 44.
  13. ^ Mouchart, Benoît (2002). À l'ombre de la ligne claire: Jacques Van Melkebeke, le clandestin de la B.D. Paris: Vertige Graphic. ISBN 2-908981-71-8.
  14. ^ Hasumi, Shiguéhiko (2003). Kantoku Ozu Yasujiro [Director Yasujiro Ozu] (in Japanese) (Enlarged and definitive ed.). Chikuma Shobo. ISBN 4-480-87341-4.
  15. ^ "Yazujiro Ozu - Shiguéhiko Hasumi". Fnac. Retrieved 2 October 2012.
  16. ^ Hasumi, Shigehiko (2008). Godaru Mane Fuko [Godard Manet Foucault] (in Japanese). NTT publishing. ISBN 978-4-7571-4201-5.


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