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Connor's first professional work as a drummer came in 1950, at the age of 15, when he was hired by [[Professor Longhair]] to play drums with him at [[New Orleans Mardi Gras|Mardi Gras]]. Over the next three years, Connor played drums with [[Smiley Lewis]], [[Guitar Slim]], [[Jack Dupree]], and [[Shirley and Lee]]. At the age of 18, in 1953, Connor became the drummer of [[Little Richard]]'s new, hard-driving rhythm & blues road band, [[The Upsetters (American band)|The Upsetters]].<ref name="biography" /> The Upsetters began to tour successfully, even without a bass player on songs, forcing drummer Connor to thump "real hard" on his bass drum in order to get a "[[bass fiddle]] effect."{{sfn|White|2003|pp=38–39}} Connor continued to drum for Richard as his fame increased throughout the 1950s, drumming on records such as "Lucille”, “She’s Got It, "[[Keep A-Knockin']]", and "[[Ooh! My Soul]]".<ref name="biography" /> On 1957's "Keep A-Knockin'", Connor played a sixteen - bar drum intro (known as the "flattened out double [[shuffle note|shuffle]]"<ref name="Glass">{{cite web|last=Glass|first=Daniel|title="Keep A-Knockin" - Little Richard - 1957|url=http://www.drummerworld.com/Drumclinic/danielglassskeepaknockin.html|publisher=Drummerworld|accessdate=1 May 2012}}</ref>) that [[John Bonham]] later imitated in the opening of [[Led Zeppelin]]'s "[[Rock and Roll (Led Zeppelin song)|Rock and Roll]]".<ref name="biography" /><ref name="Glass" /><ref name="Wynn 2007 194">{{cite book|last=Wynn|first=Neil A|title=Cross the water blues : African American music in Europe|url=https://archive.org/details/crosswaterbluesa00wynn|url-access=limited|year=2007|publisher=Univ. Press of Mississippi|location=Jackson|isbn=1578069602|page=[https://archive.org/details/crosswaterbluesa00wynn/page/n206 194]|edition=1.}}</ref> At times when Connor was not working with Richard, he drummed with [[James Brown]], after Richard connected [[The Famous Flames]] with his [[Promoter (entertainment)|promoter]] [[Clint Brantley]]. Brown described Connor, while playing in Richard's mid-1950s band, as "the first [drummer] to put funk into the rhythm".<ref name="Goldmine">{{cite web|title=Drum legend Charles Connor keeps on knockin'|url=http://www.goldminemag.com/article/drum-legend-charles-connor-keeps-on-knockin|work=Goldmine Magazine|publisher=F+W Media|accessdate=1 May 2012}}</ref>
Connor's first professional work as a drummer came in 1950, at the age of 15, when he was hired by [[Professor Longhair]] to play drums with him at [[New Orleans Mardi Gras|Mardi Gras]]. Over the next three years, Connor played drums with [[Smiley Lewis]], [[Guitar Slim]], [[Jack Dupree]], and [[Shirley and Lee]]. At the age of 18, in 1953, Connor became the drummer of [[Little Richard]]'s new, hard-driving rhythm & blues road band, [[The Upsetters (American band)|The Upsetters]].<ref name="biography" /> The Upsetters began to tour successfully, even without a bass player on songs, forcing drummer Connor to thump "real hard" on his bass drum in order to get a "[[bass fiddle]] effect."{{sfn|White|2003|pp=38–39}} Connor continued to drum for Richard as his fame increased throughout the 1950s, drumming on records such as "Lucille”, “She’s Got It, "[[Keep A-Knockin']]", and "[[Ooh! My Soul]]".<ref name="biography" /> On 1957's "Keep A-Knockin'", Connor played a sixteen - bar drum intro (known as the "flattened out double [[shuffle note|shuffle]]"<ref name="Glass">{{cite web|last=Glass|first=Daniel|title="Keep A-Knockin" - Little Richard - 1957|url=http://www.drummerworld.com/Drumclinic/danielglassskeepaknockin.html|publisher=Drummerworld|accessdate=1 May 2012}}</ref>) that [[John Bonham]] later imitated in the opening of [[Led Zeppelin]]'s "[[Rock and Roll (Led Zeppelin song)|Rock and Roll]]".<ref name="biography" /><ref name="Glass" /><ref name="Wynn 2007 194">{{cite book|last=Wynn|first=Neil A|title=Cross the water blues : African American music in Europe|url=https://archive.org/details/crosswaterbluesa00wynn|url-access=limited|year=2007|publisher=Univ. Press of Mississippi|location=Jackson|isbn=1578069602|page=[https://archive.org/details/crosswaterbluesa00wynn/page/n206 194]|edition=1.}}</ref> At times when Connor was not working with Richard, he drummed with [[James Brown]], after Richard connected [[The Famous Flames]] with his [[Promoter (entertainment)|promoter]] [[Clint Brantley]]. Brown described Connor, while playing in Richard's mid-1950s band, as "the first [drummer] to put funk into the rhythm".<ref name="Goldmine">{{cite web|title=Drum legend Charles Connor keeps on knockin'|url=http://www.goldminemag.com/article/drum-legend-charles-connor-keeps-on-knockin|work=Goldmine Magazine|publisher=F+W Media|accessdate=1 May 2012}}</ref>


In his later career, Connor has drummed with [[Sam Cooke]], [[Jackie Wilson]], [[The Coasters]], [[Big Joe Turner]], [[Larry Williams]], [[Don Covay]], [[George Lightfoot]], and [[Dee Clark]].<ref name="biography" />
In his later career, Connor drummed with [[Sam Cooke]], [[Jackie Wilson]], [[The Coasters]], [[Big Joe Turner]], [[Larry Williams]], [[Don Covay]], [[George Lightfoot]], and [[Dee Clark]].<ref name="biography" />


In the 1980’s, Charles put together a new group , Charles Connor’s Upsetters , and issued “I Got It”, a lesser - known Little Richard , structurally similar to “Long Tall Sally “.
In the 1980s, Connor put together a new group , Charles Connor’s Upsetters , and issued “I Got It”, a lesser - known Little Richard , structurally similar to “Long Tall Sally “.


In 1990, in Sweden Charles and Richard reunited on stage , doing “The Girl Can’t Help It”.
In 1990, in Sweden Connor and Richard reunited on stage , doing “The Girl Can’t Help It”.


Eventually , Charles issued two books , “Keep A Knockin’” and “Don’t Give Up on your Dreams “, the latter an inspirational tome.
Eventually , Connor issued two books , “Keep A Knockin’” and “Don’t Give Up on your Dreams “, the latter an inspirational tome.


== Personal life ==
== Personal life ==

Revision as of 00:48, 2 August 2021

For the Irish Unionist MP, see Charles Connor (MP). For people of a similar name, see Charles Connors (disambiguation).
Charles Connor
Born(1935-01-14)January 14, 1935
New Orleans, Louisiana, United States
DiedJuly 31, 2021(2021-07-31) (aged 86)
GenresRhythm and blues, rock 'n' roll,
Occupation(s)Musician, songwriter
InstrumentDrums
Years active1950–20??
WebsiteOfficial website

Charles Connor (January 14, 1935–July 31, 2021)[1] was an American drummer, best known as a member of Little Richard's band.[2] Richard's shout of "a-wop bop-a loo-mop, a-lop bam-boom" at the beginning of "Tutti Frutti" is said to be a reference to Connor's drum rhythms.[3] James Brown described Little Richard and his band, with Connor as the drummer, as "the first to put funk into the rhythm."[4][5]

Early life

Connor was born in New Orleans, Louisiana.[6] His father, a merchant mariner, was from Santo-Domingo in the Dominican Republic and his mother was a native Louisianan.[6] As a young boy, Connor was inspired by his father singing calypso songs and by the marching bands playing Dixieland jazz near his home in New Orleans' French Quarter, as well as by Bob Alden, Art Blakey, Charles Otis, Gene Krupa, Buddy Rich, and Max Roach. He received his first drum kit at the age of five.[6]

Career

Connor's first professional work as a drummer came in 1950, at the age of 15, when he was hired by Professor Longhair to play drums with him at Mardi Gras. Over the next three years, Connor played drums with Smiley Lewis, Guitar Slim, Jack Dupree, and Shirley and Lee. At the age of 18, in 1953, Connor became the drummer of Little Richard's new, hard-driving rhythm & blues road band, The Upsetters.[6] The Upsetters began to tour successfully, even without a bass player on songs, forcing drummer Connor to thump "real hard" on his bass drum in order to get a "bass fiddle effect."[7] Connor continued to drum for Richard as his fame increased throughout the 1950s, drumming on records such as "Lucille”, “She’s Got It, "Keep A-Knockin'", and "Ooh! My Soul".[6] On 1957's "Keep A-Knockin'", Connor played a sixteen - bar drum intro (known as the "flattened out double shuffle"[8]) that John Bonham later imitated in the opening of Led Zeppelin's "Rock and Roll".[6][8][9] At times when Connor was not working with Richard, he drummed with James Brown, after Richard connected The Famous Flames with his promoter Clint Brantley. Brown described Connor, while playing in Richard's mid-1950s band, as "the first [drummer] to put funk into the rhythm".[10]

In his later career, Connor drummed with Sam Cooke, Jackie Wilson, The Coasters, Big Joe Turner, Larry Williams, Don Covay, George Lightfoot, and Dee Clark.[6]

In the 1980s, Connor put together a new group , Charles Connor’s Upsetters , and issued “I Got It”, a lesser - known Little Richard , structurally similar to “Long Tall Sally “.

In 1990, in Sweden Connor and Richard reunited on stage , doing “The Girl Can’t Help It”.

Eventually , Connor issued two books , “Keep A Knockin’” and “Don’t Give Up on your Dreams “, the latter an inspirational tome.

Personal life

Connor WAs married to Zenaida; they have a daughter named Queenie.[6]

References

  1. ^ "Charles Connor, drummer for Little Richard, dies at age 86". AP NEWS. July 1, 2021. Retrieved August 2, 2021.
  2. ^ "On This Day in Louisiana Music History". Satchmo. Archived from the original on 2012-04-21. Retrieved 1 May 2012.
  3. ^ Coleman, Rick (2006). Blue Monday : Fats Domino and the lost dawn of rock 'n' roll (1st Da Capo Press ed.). Cambridge, MA: Da Capo Press. p. 9. ISBN 0306814919.
  4. ^ "Little Richard Biography | The Rock and Roll Hall of Fame and Museum". Rockhall.com. Retrieved 2014-05-22.
  5. ^ Palmer 2011, p. 139.
  6. ^ a b c d e f g h "Biography". Legendary Drummer. Archived from the original on 2014-10-13. Retrieved 5 Dec 2016.
  7. ^ White 2003, pp. 38–39.
  8. ^ a b Glass, Daniel. ""Keep A-Knockin" - Little Richard - 1957". Drummerworld. Retrieved 1 May 2012.
  9. ^ Wynn, Neil A (2007). Cross the water blues : African American music in Europe (1. ed.). Jackson: Univ. Press of Mississippi. p. 194. ISBN 1578069602.
  10. ^ "Drum legend Charles Connor keeps on knockin'". Goldmine Magazine. F+W Media. Retrieved 1 May 2012.
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