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'''Shigehiko Hasumi''' (蓮實重彥, aka '''Hasumi Shiguéhiko'''; born April 29, 1936 in Tokyo) is a Japanese literary critic, film critic, French literature scholar, and novelist. He was a professor at the [[University of Tokyo]] ([[Cultural studies|Cultural Studies]], or the "Study of Culture and Representation"), dean of the College of Arts and Sciences, and the 26th President (1997-2001).<ref>{{cite web |title=University presidents of the past |url=http://www.u-tokyo.ac.jp/gen01/b01_03_e.html |accessdate=2 October 2012 |publisher=[[University of Tokyo]]}}</ref>
'''Shigehiko Hasumi''' (蓮實重彥, aka '''Hasumi Shiguéhiko'''; born April 29, 1936 in Tokyo) is a Japanese literary critic, film critic, French literature scholar, and novelist. He was a professor at the [[University of Tokyo]] ([[Cultural studies|Cultural Studies]], or the "Study of Culture and Representation"), dean of the College of Arts and Sciences, and the 26th President (1997-2001).<ref>{{cite web |title=University presidents of the past |url=http://www.u-tokyo.ac.jp/gen01/b01_03_e.html |accessdate=2 October 2012 |publisher=[[University of Tokyo]]}}</ref>


Hasumi started his academic career as a [[Gustave Flaubert]] scholar, but also played a central role in the early introduction of the contemporary French philosophy, such as [[Gilles Deleuze]] and [[Michel Foucault|Michele Foucault]], into Japan in the 1970s. He is also known as one of the most prolific Japanese critic and reviewer of the modern literature and film.<ref name=":0">Aaron Grew, "Critical Introduction: Shiguéhiko Hasumi and the Viewing Film Studies Anew," in ''Directed by Yasujiro Ozu,'' Shiguéhiko Hasumi, U. Of California Press, 2024.</ref>
Hasumi started his academic career as a [[Gustave Flaubert]] scholar, but also played a central role in the early introduction of the contemporary French philosophy, such as [[Gilles Deleuze]] and [[Michel Foucault|Michele Foucault]], into Japan in the 1970s. He is also known as one of the most prolific Japanese reviewers of modern literature and film.<ref name=":0">Aaron Grew, "Critical Introduction: Shiguéhiko Hasumi and the Viewing Film Studies Anew," in ''Directed by Yasujiro Ozu,'' Shiguéhiko Hasumi, U. Of California Press, 2024.</ref>


Since 1980s, Hasumi has been active in introducing the [[French New Wave]] filmmakers' thought and the Hollywood [[B movie|B-films]]. His method of viewing and writing films, inspired by the 1950s French film criticism appeared in ''[[Cahiers du Cinéma]]'', played the gigantic role in the Japanese film culture in the late 20th century.<ref name=":0" /> His influential work includes ''Directed by Yasujiro Ozu'' (1986).
Since the 1980s, Hasumi has been active in introducing the [[French New Wave]] filmmakers' thought and Hollywood [[B movie|B-films]]. His method of viewing and writing about film, inspired by the 1950s French film criticism appearing in ''[[Cahiers du Cinéma]]'', played a major role in Japanese film culture in the late 20th century.<ref name=":0" /> His influential work includes ''Directed by Yasujiro Ozu'' (1986).


He is married to Chantal Van Melkebeke, the daughter of the Belgian painter, journalist, and writer [[Jacques Van Melkebeke]], who is known for having been the first chief editor of [[Tintin (magazine)|Tintin magazine]].<ref>Mouchart, Benoît (2002). ''À l'ombre de la ligne claire: Jacques Van Melkebeke, le clandestin de la B.D.'' Paris: Vertige Graphic. [[ISBN (identifier)|ISBN]] [[Special:BookSources/2-908981-71-8|2-908981-71-8]].</ref> They had one son, [[Shigeomi Hasumi]].
He is married to Chantal Van Melkebeke, the daughter of the Belgian painter, journalist, and writer [[Jacques Van Melkebeke]], who is known for having been the first chief editor of [[Tintin (magazine)|Tintin magazine]].<ref>Mouchart, Benoît (2002). ''À l'ombre de la ligne claire: Jacques Van Melkebeke, le clandestin de la B.D.'' Paris: Vertige Graphic. {{ISBN|2-908981-71-8}}</ref> They had one son, [[Shigeomi Hasumi]].


== Life and work ==
== Life and work ==
Shigehiko Hasumi was born in Tokyo in 1936 as the son of Shigeyasu Hasumi, an art historian known for his study on Japanese traditional art of [[Sesshū Tōyō|Sesshu Toyo]].
Shigehiko Hasumi was born in Tokyo in 1936 as the son of Shigeyasu Hasumi, an art historian known for his study on Japanese traditional art of [[Sesshū Tōyō|Sesshu Toyo]].


He studied at the University of Tokyo and the University of Paris, where he particularly focused on Flaubert, while at the same time he energetically translating the French [[post-structuralism]] to Japan.<ref>{{cite book |last=Kodama |first=Sanhide |title=International Postmodernism: Theory and Literary Practice |author2=Inoue Ken |publisher=J. Benjamins |year=1997 |isbn=9027234434 |editor=Johannes Willem Bertens, Douwe Fokkema |page=521 |chapter=Postmodernism in Japan}}</ref><ref name=":1">「蓮實重彦」（堀潤之・木原圭翔編『映画論の冒険者たち』東京大学出版会、2021）</ref><ref name="Cook">{{cite journal |last1=Cook |first1=Ryan |year=2010 |title=An Impaired Eye: Hasumi Shigehiko on Cinema and Stupidity |url=https://www.jstor.org/stable/42800646 |journal=Review of Japanese Culture and Society |volume=22 |pages=130–143 |jstor=42800646}}</ref>
He studied at the University of Tokyo and the University of Paris, where he particularly focused on Flaubert, while at the same time he energetically translated French [[post-structuralist]] texts into Japanese.<ref>{{cite book |last=Kodama |first=Sanhide |title=International Postmodernism: Theory and Literary Practice |author2=Inoue Ken |publisher=J. Benjamins |year=1997 |isbn=9027234434 |editor=Johannes Willem Bertens, Douwe Fokkema |page=521 |chapter=Postmodernism in Japan}}</ref><ref name=":1">「蓮實重彦」（堀潤之・木原圭翔編『映画論の冒険者たち』東京大学出版会、2021）</ref><ref name="Cook">{{cite journal |last1=Cook |first1=Ryan |year=2010 |title=An Impaired Eye: Hasumi Shigehiko on Cinema and Stupidity |url=https://www.jstor.org/stable/42800646 |journal=Review of Japanese Culture and Society |volume=22 |pages=130–143 |jstor=42800646}}</ref>


As a French literature scholar, his main works include ''*Portrait of a mediocre artist: Maxime du Camp'' (''Bonyō na Geijutsuka no Shōzō)''(1988) and ''*A Study of Madame Bovary (Bovary Fujin-ron)'' (2014). His introductory works of contemporary French philosophy<ref>蓮実重彦『夏目漱石論』講談社</ref> include: ''*Criticism, or the Celebration of Temporal Death (Hihyō Aruiwa Kashi no Saiten)'' (1974) and ''Foucault, Deleuze and Derrida'' (1978).
As a French literature scholar, his main works include ''*Portrait of a mediocre artist: Maxime du Camp'' (''Bonyō na Geijutsuka no Shōzō)''(1988) and ''*A Study of Madame Bovary (Bovary Fujin-ron)'' (2014). His introductory works of contemporary French philosophy<ref>蓮実重彦『夏目漱石論』講談社</ref> include: ''*Criticism, or the Celebration of Temporal Death (Hihyō Aruiwa Kashi no Saiten)'' (1974) and ''Foucault, Deleuze and Derrida'' (1978).


What made Hasumi widely popular in Japan is his vast amount of literary and film criticism outside of academia. In his literary criticism, he published his views on [[Natsume Sōseki|Soseki Natsume]], [[Kenzaburō Ōe|Kenzaburo Oe]], and other Japanese contemporary novelist.
What made Hasumi widely popular in Japan is his vast amount of literary and film criticism outside of academia. In his literary criticism, he published his views on [[Natsume Sōseki|Soseki Natsume]], [[Kenzaburō Ōe|Kenzaburo Oe]], and other Japanese contemporary novelists.


As a film critic, Hasumi used the way of viewing the details of films of ''[[Cahiers du Cinéma]]'' and re-evaluate the Hollywood films, such as [[Howard Hawks]], [[John Ford]], [[Don Siegel]], [[Nicholas Ray]], [[Richard Fleischer|Richard Fleicher]] and other directors.<ref>{{cite book |last=Sharp |first=Jasper |title=Historical Dictionary of Japanese Cinema |publisher=[[Scarecrow Press]] |year=2011 |page=78}}</ref><ref name=":1" /> Since traditional Japanese film criticism heavily focused on the viewers' impression and meaning of the narrative, Hasumi's new film writings of the screen detail shocked the Japanese film culture in the 1980s, and created many followers.<ref name=":1" /> His ''Directed by Yasujiro Ozu'' (1986) is known as a landmark of his film criticism, and believed as one of the most influential work in film writings in the late 20th century Japan.<ref name=":1" /><ref>Aaron Grew, "Critical Introduction: Shiguéhiko Hasumi and the Viewing Film Studies Anew," in ''Directed by Yasujiro Ozu,'' Shiguéhiko Hasumi, U. Of California Press, 2024.</ref>
As a film critic, Hasumi used the way of viewing the details of films of ''[[Cahiers du Cinéma]]'' and re-evaluated Hollywood films, directed by such auteurs as [[Howard Hawks]], [[John Ford]], [[Don Siegel]], [[Nicholas Ray]], [[Richard Fleischer|Richard Fleicher]] and other directors.<ref>{{cite book |last=Sharp |first=Jasper |title=Historical Dictionary of Japanese Cinema |publisher=[[Scarecrow Press]] |year=2011 |page=78}}</ref><ref name=":1" /> Since traditional Japanese film criticism heavily focused on the viewers' impression and meaning of the narrative, Hasumi's new film writings of the screen detail shocked the Japanese film culture in the 1980s, and created many followers.<ref name=":1" /> His ''Directed by Yasujiro Ozu'' (1986) is known as a landmark of his film criticism, and believed as one of the most influential work in film writings in the late 20th century Japan.<ref name=":1" /><ref>Aaron Grew, "Critical Introduction: Shiguéhiko Hasumi and the Viewing Film Studies Anew," in ''Directed by Yasujiro Ozu,'' Shiguéhiko Hasumi, U. Of California Press, 2024.</ref>


Hasumi is known for his wide network among the international filmmakers, including Wim Wenders or Daniel Schmid. He presided over the committee of the Lion of the Year competition in the [[Venice Film Festival]] (2001).<ref>{{Cite news |last=Morris |first=Roderick Conway |last2=Tribune |first2=International Herald |date=2001-08-29 |title=VENICE FILM FESTIVAL : A New Wave:Movies Without Borders |url=https://www.nytimes.com/2001/08/29/style/IHT-venice-film-festival-a-new-wavemovies-without-borders.html |access-date=2024-04-04 |work=The New York Times |language=en-US |issn=0362-4331}}</ref> Hasumi's film lectures in his early days in Tokyo attracted the young Japanese filmmakers, such as [[Kiyoshi Kurosawa]], [[Masayuki Suo]], and [[Shinji Aoyama]].<ref>{{Cite web |last=Rodier2001-07-27T16:40:00+01:00 |first=Melanie |title=Venice 2001: Film Festival Line-up |url=https://www.screendaily.com/venice-2001-film-festival-line-up/406425.article |access-date=2024-04-04 |website=Screen |language=en}}</ref><ref>{{cite book |last=Nozaki |first=Kan |title=Opening Bazin |publisher=Oxford University Press |year=2011 |editor-last=Andrew |editor-first=Dudley |pages=327}}</ref><ref>{{cite book |last=Gerow |first=Aaron |title=Kitano Takeshi |publisher=British Film Institute |year=2007 |page=44}}</ref>
Hasumi is known for his wide network among the international filmmakers, including Wim Wenders or Daniel Schmid. He presided over the committee of the Lion of the Year competition in the [[Venice Film Festival]] (2001).<ref>{{Cite news |last=Morris |first=Roderick Conway |last2=Tribune |first2=International Herald |date=2001-08-29 |title=VENICE FILM FESTIVAL : A New Wave:Movies Without Borders |url=https://www.nytimes.com/2001/08/29/style/IHT-venice-film-festival-a-new-wavemovies-without-borders.html |access-date=2024-04-04 |work=The New York Times |language=en-US |issn=0362-4331}}</ref> Hasumi's film lectures in his early days in Tokyo attracted young Japanese filmmakers, such as [[Kiyoshi Kurosawa]], [[Masayuki Suo]], and [[Shinji Aoyama]].<ref>{{Cite web |last=Rodier2001-07-27T16:40:00+01:00 |first=Melanie |title=Venice 2001: Film Festival Line-up |url=https://www.screendaily.com/venice-2001-film-festival-line-up/406425.article |access-date=2024-04-04 |website=Screen |language=en}}</ref><ref>{{cite book |last=Nozaki |first=Kan |title=Opening Bazin |publisher=Oxford University Press |year=2011 |editor-last=Andrew |editor-first=Dudley |pages=327}}</ref><ref>{{cite book |last=Gerow |first=Aaron |title=Kitano Takeshi |publisher=British Film Institute |year=2007 |page=44}}</ref>


Hasumi is also known as a novelist and published two fictional work: *''A Collapsed Land (Kanbotsu Chitai)''(1986) and ''*A Countess (Hakushaku Fujin).''(2016). His wife Chantal Van Melkebeke is a teacher from Belgium.<ref>{{cite book|first=Benoît|last=Mouchart|title=À l'ombre de la ligne claire: Jacques Van Melkebeke, le clandestin de la B.D.|location=Paris|publisher=Vertige Graphic|year=2002|isbn=2-908981-71-8}}</ref>
Hasumi is also known as a novelist and published two fictional work: *''A Collapsed Land (Kanbotsu Chitai)''(1986) and ''*A Countess (Hakushaku Fujin).''(2016). His wife Chantal Van Melkebeke is a teacher from Belgium.<ref>{{cite book|first=Benoît|last=Mouchart|title=À l'ombre de la ligne claire: Jacques Van Melkebeke, le clandestin de la B.D.|location=Paris|publisher=Vertige Graphic|year=2002|isbn=2-908981-71-8}}</ref>
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==Selected bibliography==
==Selected bibliography==


* ''Directed by Yasujiro Ozu'', tr. by Ryan Cook, U. Of California Press, 2024. ISBN: 9780520396722 (''Kantoku Ozu Yasujirō'' , 1983)
* ''Directed by Yasujiro Ozu'', tr. by Ryan Cook, U. Of California Press, 2024. {{ISBN|978-0-520-39672-2}} (''Kantoku Ozu Yasujirō'' , 1983)


'''Article'''
'''Articles'''


* "Signification du mouvement bercant de l'eau dans le roman de Gustave Flaubert: Madame Bovary," ''Etudes de langue et litterature francaises,'' Volume 10, 1967.
* "Signification du mouvement bercant de l'eau dans le roman de Gustave Flaubert: Madame Bovary," ''Etudes de langue et litterature francaises,'' Volume 10, 1967.

Latest revision as of 04:28, 29 July 2024

Shigehiko Hasumi
Born (1936-04-29) April 29, 1936 (age 88)
Roppongi, Tokyo, Japan
OccupationFilm critic
LanguageJapanese, French, English
Alma materUniversity of Tokyo
Period1974-present
SpouseChantal Van Melkebeke
ChildrenShigeomi Hasumi
Website
www.mube.jp

Shigehiko Hasumi (蓮實重彥, aka Hasumi Shiguéhiko; born April 29, 1936 in Tokyo) is a Japanese literary critic, film critic, French literature scholar, and novelist. He was a professor at the University of Tokyo (Cultural Studies, or the "Study of Culture and Representation"), dean of the College of Arts and Sciences, and the 26th President (1997-2001).[1]

Hasumi started his academic career as a Gustave Flaubert scholar, but also played a central role in the early introduction of the contemporary French philosophy, such as Gilles Deleuze and Michele Foucault, into Japan in the 1970s. He is also known as one of the most prolific Japanese reviewers of modern literature and film.[2]

Since the 1980s, Hasumi has been active in introducing the French New Wave filmmakers' thought and Hollywood B-films. His method of viewing and writing about film, inspired by the 1950s French film criticism appearing in Cahiers du Cinéma, played a major role in Japanese film culture in the late 20th century.[2] His influential work includes Directed by Yasujiro Ozu (1986).

He is married to Chantal Van Melkebeke, the daughter of the Belgian painter, journalist, and writer Jacques Van Melkebeke, who is known for having been the first chief editor of Tintin magazine.[3] They had one son, Shigeomi Hasumi.

Life and work

[edit]

Shigehiko Hasumi was born in Tokyo in 1936 as the son of Shigeyasu Hasumi, an art historian known for his study on Japanese traditional art of Sesshu Toyo.

He studied at the University of Tokyo and the University of Paris, where he particularly focused on Flaubert, while at the same time he energetically translated French post-structuralist texts into Japanese.[4][5][6]

As a French literature scholar, his main works include *Portrait of a mediocre artist: Maxime du Camp (Bonyō na Geijutsuka no Shōzō)(1988) and *A Study of Madame Bovary (Bovary Fujin-ron) (2014). His introductory works of contemporary French philosophy[7] include: *Criticism, or the Celebration of Temporal Death (Hihyō Aruiwa Kashi no Saiten) (1974) and Foucault, Deleuze and Derrida (1978).

What made Hasumi widely popular in Japan is his vast amount of literary and film criticism outside of academia. In his literary criticism, he published his views on Soseki Natsume, Kenzaburo Oe, and other Japanese contemporary novelists.

As a film critic, Hasumi used the way of viewing the details of films of Cahiers du Cinéma and re-evaluated Hollywood films, directed by such auteurs as Howard Hawks, John Ford, Don Siegel, Nicholas Ray, Richard Fleicher and other directors.[8][5] Since traditional Japanese film criticism heavily focused on the viewers' impression and meaning of the narrative, Hasumi's new film writings of the screen detail shocked the Japanese film culture in the 1980s, and created many followers.[5] His Directed by Yasujiro Ozu (1986) is known as a landmark of his film criticism, and believed as one of the most influential work in film writings in the late 20th century Japan.[5][9]

Hasumi is known for his wide network among the international filmmakers, including Wim Wenders or Daniel Schmid. He presided over the committee of the Lion of the Year competition in the Venice Film Festival (2001).[10] Hasumi's film lectures in his early days in Tokyo attracted young Japanese filmmakers, such as Kiyoshi Kurosawa, Masayuki Suo, and Shinji Aoyama.[11][12][13]

Hasumi is also known as a novelist and published two fictional work: *A Collapsed Land (Kanbotsu Chitai)(1986) and *A Countess (Hakushaku Fujin).(2016). His wife Chantal Van Melkebeke is a teacher from Belgium.[14]

His name

[edit]

His personal name has been spelt variously as Shigehiko, the standard Hepburn romanization, Shiguehiko and Shiguéhiko on his publications. For example, his biography of Yasujirō Ozu features the name Shiguéhiko on both the original Japanese and the French translation,[15][16] whereas many translations of his books feature the form Shigehiko.[17]

Selected bibliography

[edit]
  • Directed by Yasujiro Ozu, tr. by Ryan Cook, U. Of California Press, 2024. ISBN 978-0-520-39672-2 (Kantoku Ozu Yasujirō , 1983)

Articles

  • "Signification du mouvement bercant de l'eau dans le roman de Gustave Flaubert: Madame Bovary," Etudes de langue et litterature francaises, Volume 10, 1967.
  • "The eloquence of the taciturn: an essay on Hou Hsiao-Hsien," Inter-Asia cultural studies, Volume 9, Issue 2, 2008.
  • "Fiction and the 'Unrepresentable'," Theory, culture & society, Volume 26, Issue 2-3, 2009.
  • "Absence d'Emma Bovary : 'Réalité textuelle' de la fiction," MLN, Volume 125, Issue 4, 2010.
  • "For the Liberation of a Pluralist Thinking," Cultural politics, Volume 11, Issue 3, 2015, p. 301
  • "Identiques et différentes – à propos des répétitions dans Madame Bovary," Flaubert, Issue 20, 2018.
  • "Le cinéma comme institution," Ebisu : etudes japonaises, Volume 59, Issue 59, 2022.

Books in Japanese

[edit]
  • Hihyō Aruiwa Kashi no Saiten (1974)
  • Han Nihongo Ron (1977)
  • Natsume Sōseki Ron (1978)
  • Eiga no Shinwagaku (1979)
  • Eizō no Shigaku (1979)
  • Hyōsō Hihyō Sengen (1979)
  • Cinema no Kioku Sōchi (1979)
  • Eiga: Yūwaku no Ekurichūru (1983)
  • Kantoku Ozu Yasujirō (1983)
  • Monogatari Hihan Josetsu (1985)
  • Kanbotsu Chitai (1986)
  • Bonyō na Geijutsuka no Shōzō (1988)
  • Shōsetsu Kara Tōku Hanarete (1989)
  • Teikoku no Inbō (1991)
  • Hollywood Eigashi Kōgi (1993)
  • Zettai Bungei Jihyō Sengen (1994)
  • Tamashii no Yuibutsuronteki na Yōgo no Tame ni (1994)
  • Opera Opérationnelle (1994)
  • Watakushi ga Daigaku ni Tsuite Shitteiru Ni San no Kotogara (2001)
  • Supōtsu Hihyō Sengen (2004)
  • Eiga e no Fujitsunaru Sasoi (2004)
  • Miserarete: Sakka Ronshū (2005)
  • Godāru Kakumei (2005)
  • Hyōshō no Naraku (2006)
  • Aka no Yūwaku (2007)
  • Eiga Hōkai Zenya (2008)
  • Eigaron Kōgi (2008)
  • Godāru Mane Fūkō (2008)
  • Zuisō (2010)
  • Eiga Jihyō 2009-2011 (2012)

References

[edit]
  1. ^ "University presidents of the past". University of Tokyo. Retrieved 2 October 2012.
  2. ^ a b Aaron Grew, "Critical Introduction: Shiguéhiko Hasumi and the Viewing Film Studies Anew," in Directed by Yasujiro Ozu, Shiguéhiko Hasumi, U. Of California Press, 2024.
  3. ^ Mouchart, Benoît (2002). À l'ombre de la ligne claire: Jacques Van Melkebeke, le clandestin de la B.D. Paris: Vertige Graphic. ISBN 2-908981-71-8
  4. ^ Kodama, Sanhide; Inoue Ken (1997). "Postmodernism in Japan". In Johannes Willem Bertens, Douwe Fokkema (ed.). International Postmodernism: Theory and Literary Practice. J. Benjamins. p. 521. ISBN 9027234434.
  5. ^ a b c d 「蓮實重彦」（堀潤之・木原圭翔編『映画論の冒険者たち』東京大学出版会、2021）
  6. ^ Cook, Ryan (2010). "An Impaired Eye: Hasumi Shigehiko on Cinema and Stupidity". Review of Japanese Culture and Society. 22: 130–143. JSTOR 42800646.
  7. ^ 蓮実重彦『夏目漱石論』講談社
  8. ^ Sharp, Jasper (2011). Historical Dictionary of Japanese Cinema. Scarecrow Press. p. 78.
  9. ^ Aaron Grew, "Critical Introduction: Shiguéhiko Hasumi and the Viewing Film Studies Anew," in Directed by Yasujiro Ozu, Shiguéhiko Hasumi, U. Of California Press, 2024.
  10. ^ Morris, Roderick Conway; Tribune, International Herald (29 August 2001). "VENICE FILM FESTIVAL : A New Wave:Movies Without Borders". The New York Times. ISSN 0362-4331. Retrieved 4 April 2024.
  11. ^ Rodier2001-07-27T16:40:00+01:00, Melanie. "Venice 2001: Film Festival Line-up". Screen. Retrieved 4 April 2024.{{cite web}}: CS1 maint: numeric names: authors list (link)
  12. ^ Nozaki, Kan (2011). Andrew, Dudley (ed.). Opening Bazin. Oxford University Press. p. 327.
  13. ^ Gerow, Aaron (2007). Kitano Takeshi. British Film Institute. p. 44.
  14. ^ Mouchart, Benoît (2002). À l'ombre de la ligne claire: Jacques Van Melkebeke, le clandestin de la B.D. Paris: Vertige Graphic. ISBN 2-908981-71-8.
  15. ^ Hasumi, Shiguéhiko (2003). Kantoku Ozu Yasujiro [Director Yasujiro Ozu] (in Japanese) (Enlarged and definitive ed.). Chikuma Shobo. ISBN 4-480-87341-4.
  16. ^ "Yazujiro Ozu - Shiguéhiko Hasumi". Fnac. Retrieved 2 October 2012.
  17. ^ Hasumi, Shigehiko (2008). Godaru Mane Fuko [Godard Manet Foucault] (in Japanese). NTT publishing. ISBN 978-4-7571-4201-5.
[edit]
Academic offices
Preceded by President of University of Tokyo
April 1997 – March 2001 		Succeeded by


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