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==Recording==
==Recording==
Richard wished at the time Okeh would not release this album as it favored horns over rhythm. In his 1984, biography he noted "I was in the second year of the Okey (sic) contract and there was still no hit record. So I tore it up. The contract gave me no say in the material I recorded with them or in what was released. [[Larry Williams]] was the worst producer in the world. He wanted me to copy [[Motown]] and I was no Motown artist. [...] The Okeh stuff didn't sell at all because Okeh was an R'n'B label - a black label. I should have recorded on the Epic label, because I'm not primarily a black artist. It would have done a lot better."<ref name="white">White, Charles. (2003). ''The Life and Times of Little Richard: The Authorised Biography.'' Omnibus Press.</ref>
At the time, Richard had wished Okeh would not release this album, as it favored horns over rhythm. In Charles White's 1984 biography ''The Life and Times of Little Richard'', Richard noted he "was in the second year of the Okey (sic) contract and there was still no hit record. So I tore it up. The contract gave me no say in the material I recorded with them or in what was released. [[Larry Williams]] was the worst producer in the world. He wanted me to copy [[Motown]] and I was no Motown artist. [...] The Okeh stuff didn't sell at all because Okeh was an R'n'B label - a black label. I should have recorded on the Epic label, because I'm not primarily a black artist. It would have done a lot better."<ref name="white">White, Charles. (2003). ''The Life and Times of Little Richard: The Authorised Biography.'' Omnibus Press.</ref>


'Poor Dog' made No. 41 on the R&B chart and 'Commandments of Love' made No. 30 on The Cash Box Black Singles chart. All Okeh 45's are highly regarded in Europe where they were released on the Epic label.
'Poor Dog' made it to No. 41 on the R&B chart, and 'Commandments of Love' made No. 30 on The Cash Box Black Singles chart. All Okeh 45's are highly regarded in Europe where they were released on the Epic label.


==Critical reception==
==Critical reception==
{{more footnotes|section|date=June 2020}}
{{Album ratings
{{Album ratings
| rev1 = ''[[Record Collector]]''
| rev1 = ''[[Record Collector]]''
| rev1Score = {{Rating|4}}<ref name="Record Collector">{{cite web|last=Staunton |first=Terry |url=http://recordcollectormag.com/reviews/the-explosive-little-richard-plus |title='Ripping it up in a post-rock’n’roll world' |work=[[Record Collector]] |date= |accessdate=2007-11-01}}</ref>
| rev1Score = {{Rating|4}}<ref name="Record Collector">{{cite web|last=Staunton |first=Terry |url=http://recordcollectormag.com/reviews/the-explosive-little-richard-plus |title='Ripping it up in a post-rock'n'roll world' |work=[[Record Collector]] |date= |accessdate=2007-11-01}}</ref>
| rev2 = ''[[Rolling Stone]]''
| rev2 = ''[[Rolling Stone]]''
| rev2Score = {{Rating|4|5}}<ref name="Rolling Stone">{{cite web|last=Relic |first=Peter |url=https://www.rollingstone.com/music/albumreviews/get-down-with-it-the-okeh-sessions-20040819 |title=Little Richard: ''Get Down With It: The Okeh Sessions'' |work=[[Rolling Stone]] |date= |accessdate=2004-08-19}}</ref>
| rev2Score = {{Rating|4|5}}<ref name="Rolling Stone">{{cite web|last=Relic |first=Peter |url=https://www.rollingstone.com/music/albumreviews/get-down-with-it-the-okeh-sessions-20040819 |title=Little Richard: ''Get Down With It: The Okeh Sessions'' |work=[[Rolling Stone]] |date= |accessdate=2004-08-19}}</ref>
Line 34: Line 33:
| rev3Score = {{Rating|3|5}}<ref name="AllMusic">{{cite web|last=Ruhlmann |first=William |url=http://www.allmusic.com/album/the-explosive-little-richard-mw0000841076 |title=''The Explosive Little Richard''{{snd}}Review |work=[[AllMusic]]}}</ref>
| rev3Score = {{Rating|3|5}}<ref name="AllMusic">{{cite web|last=Ruhlmann |first=William |url=http://www.allmusic.com/album/the-explosive-little-richard-mw0000841076 |title=''The Explosive Little Richard''{{snd}}Review |work=[[AllMusic]]}}</ref>
| rev4 = ''[[i-News]]''
| rev4 = ''[[i-News]]''
| rev4Score = {{Rating|4}}<ref name="I News">{{citeweb|last=Clarke|first=John |url=https://inews.co.uk/essentials/culture/music/viny-review-explosive-little-richard |title=Vinyl review: ''The Explosive Little Richard'' |work=[[i-News]] |date= |accessdate=2016-09-02}}</ref>
| rev4Score = {{Rating|4}}<ref name="I News">{{cite web|last=Clarke|first=John |url=https://inews.co.uk/essentials/culture/music/viny-review-explosive-little-richard |title=Vinyl review: ''The Explosive Little Richard'' |work=[[i-News]] |date= |accessdate=2016-09-02}}</ref>
}}
}}


CD reissues have seen the album attract positive reviews. [[Record Collector]] gave the album four stars, and cited it as "quite possibly the best long player he ever made." In a review of the entire Okeh recordings, [[Rolling Stone]] stated that "Richard's hair-raising vocals on the Motown staple 'Money' effectively claim the song as his own." [[i-News]] reviewed the album for a 2016 vinyl release, giving it four stars and stating that Richard "was still blessed with an immaculate voice and threw himself wholeheartedly some great contemporary sounding tracks."
CD reissues have seen the album attract positive reviews. In 2007, [[Record Collector]] gave the album four stars, and cited it as "quite possibly the best long player he ever made."<ref>{{Cite web|title=The Explosive Little Richard… Plus - Record Collector Magazine|url=https://recordcollectormag.com/reviews/album/the-explosive-little-richard-plus|access-date=2021-01-08|language=en}}</ref>

In a review of the entire Okeh recordings, [[Rolling Stone]] stated that "Richard's hair-raising vocals on the Motown staple 'Money' effectively claim the song as his own."<ref>{{Cite web|last=Relic|first=Peter|date=2004-08-19|title=Get Down With It: The Okeh Sessions|url=https://www.rollingstone.com/music/music-album-reviews/get-down-with-it-the-okeh-sessions-185538/|access-date=2021-01-08|website=Rolling Stone|language=en-US}}</ref>

[[i-News]] reviewed the album for a 2016 vinyl release, giving it four stars and stating that Richard "was still blessed with an immaculate voice and threw himself wholeheartedly some great contemporary sounding tracks."<ref>{{Cite web|date=2016-09-02|title=Vinyl review - The Explosive Little Richard|url=https://inews.co.uk/culture/music/viny-review-explosive-little-richard-20360|access-date=2021-01-08|website=inews.co.uk|language=en}}</ref>


== Track listing ==
== Track listing ==
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{{Little Richard}}
{{Little Richard}}

{{Authority control}}


{{DEFAULTSORT:Explosive Little Richard}}
{{DEFAULTSORT:Explosive Little Richard}}

Latest revision as of 22:31, 21 February 2021

The Explosive Little Richard
Studio album by
ReleasedJanuary 1967 (1967-01)
RecordedFebruary 5, 1966 – September 15, 1966
StudioColumbia, Hollywood, California
GenreRock and roll, soul
Length29:49
LabelOkeh
ProducerLarry Williams
Little Richard chronology
The Wild and Frantic Little Richard
(1966)
The Explosive Little Richard
(1967)
Little Richard's Greatest Hits: Recorded Live!
(1967)

The Explosive Little Richard is the first album by Little Richard for Okeh Records, produced by his long-time friend Larry Williams and Johnny "Guitar" Watson. The songs reflect the then-popular soul and Motown musical styles; no tracks were written by Richard.

Recording

[edit]

At the time, Richard had wished Okeh would not release this album, as it favored horns over rhythm. In Charles White's 1984 biography The Life and Times of Little Richard, Richard noted he "was in the second year of the Okey (sic) contract and there was still no hit record. So I tore it up. The contract gave me no say in the material I recorded with them or in what was released. Larry Williams was the worst producer in the world. He wanted me to copy Motown and I was no Motown artist. [...] The Okeh stuff didn't sell at all because Okeh was an R'n'B label - a black label. I should have recorded on the Epic label, because I'm not primarily a black artist. It would have done a lot better."[1]

'Poor Dog' made it to No. 41 on the R&B chart, and 'Commandments of Love' made No. 30 on The Cash Box Black Singles chart. All Okeh 45's are highly regarded in Europe where they were released on the Epic label.

Critical reception

[edit]
Professional ratings
Review scores
SourceRating
Record Collector[2]
Rolling Stone[3]
AllMusic[4]
i-News[5]

CD reissues have seen the album attract positive reviews. In 2007, Record Collector gave the album four stars, and cited it as "quite possibly the best long player he ever made."[6]

In a review of the entire Okeh recordings, Rolling Stone stated that "Richard's hair-raising vocals on the Motown staple 'Money' effectively claim the song as his own."[7]

i-News reviewed the album for a 2016 vinyl release, giving it four stars and stating that Richard "was still blessed with an immaculate voice and threw himself wholeheartedly some great contemporary sounding tracks."[8]

Track listing

[edit]
  1. "I Don't Want to Discuss It" (Beth Beatty, Dick Cooper, Ernie Shelby) – 2:28
  2. "Land of a Thousand Dances" (Fats Domino, Chris Kenner) – 2:10
  3. "The Commandments of Love" (Larry Williams) – 2:27
  4. "Money (That's What I Want)" (Janie Bradford, Berry Gordy, Jr.) – 2:02
  5. "Poor Dog (Who Can't Wag His Own Tail)" (Johnny "Guitar" Watson, Williams) – 3:06
  6. "I Need Love" (Williams) – 2:39
  7. "Never Gonna Let You Go" (Cooper, Shelby) – 2:41
  8. "Don't Deceive Me (Please Don't Go)" (Chuck Willis) – 4:39
  9. "Function at the Junction" (Brian Holland, Eddie Holland, Frederick Long, Lamont Dozier) – 2:35
  10. "Well (aka Well All Right)" (Sam Cooke) – 2:56

UK CD reissue track listing

[edit]
  1. "Get Down With It" (Bobby Marchan) - 3:16 (same tune as “Do the Jerk “, composed by R. Penniman )
  2. "Land of a Thousand Dances" (Fats Domino, Chris Kenner) – 2:10
  3. "The Commandments of Love" (Larry Williams) – 2:27
  4. "I Don't Want to Discuss It" (Beth Beatty, Dick Cooper, Ernie Shelby) – 2:28
  5. "Money (That's What I Want)" (Janie Bradford, Berry Gordy, Jr.) – 2:02
  6. "Poor Dog (Who Can't Wag His Own Tail)" (Johnny "Guitar" Watson, Williams) – 3:06
  7. "I Need Love" (Williams) – 2:39
  8. "Never Gonna Let You Go" (Cooper, Shelby) – 2:41
  9. "Don't Deceive Me (Please Don't Go)" (Chuck Willis) – 4:39
  10. "Function at the Junction" (Brian Holland, Eddie Holland, Frederick Long, Lamont Dozier) – 2:35
  11. "Well (aka Well All Right)" (Sam Cooke) – 2:56

References

[edit]
  1. ^ White, Charles. (2003). The Life and Times of Little Richard: The Authorised Biography. Omnibus Press.
  2. ^ Staunton, Terry. "'Ripping it up in a post-rock'n'roll world'". Record Collector. Retrieved 2007-11-01.
  3. ^ Relic, Peter. "Little Richard: Get Down With It: The Okeh Sessions". Rolling Stone. Retrieved 2004-08-19.
  4. ^ Ruhlmann, William. "The Explosive Little Richard – Review". AllMusic.
  5. ^ Clarke, John. "Vinyl review: The Explosive Little Richard". i-News. Retrieved 2016-09-02.
  6. ^ "The Explosive Little Richard… Plus - Record Collector Magazine". Retrieved 2021-01-08.
  7. ^ Relic, Peter (2004-08-19). "Get Down With It: The Okeh Sessions". Rolling Stone. Retrieved 2021-01-08.
  8. ^ "Vinyl review - The Explosive Little Richard". inews.co.uk. 2016-09-02. Retrieved 2021-01-08.