Magnetic Eye Records has done it again. They’ve pulled together some of the most intriguing and accomplished artists of the heavy underground to pay tribute to a legendary album. The last go-round, it was Alice in Chains that got the redux treatment, and now attention is turned to their Seattle peers, the one and only SOUNDGARDEN.

It’s no secret that Soundgarden has been influential on many of the musicians featured. Indeed, upon this writer, as well. Their 1995 classic Superunknown established the band’s visionary songwriting and instrumentation, and Soundgarden delivered such a virtuosic performance on the album, one wonders how it can be covered at all.

With that said, these are not merely covers, they are loving reinterpretations. In the case of Italian juggernaut Ufomammut, their rendition of “Let Me Drown” is a ghostly allusion to the late Chris Cornell.

“My Wave” has played out as a kind of grab-it-and-go philosophy of life for me for decades now, its lyrics rejecting that urgent fanaticism that makes us all anxious to parent one another. “Hate if you want to hate, pray if you want to pray, don’t come over here [and] piss on my gate, save it just keep it off my wave.” High Priest takes the song and elevates it to a place of mystical glory.

If you loved the original album, this won’t replace it and you may even feel that some of the songs are uncoverable and “Fell on Black Days” is one of them, namely for how personally the lyrics relate to Cornell. On the other hand, sometimes a song is so good that it begs to be loved by another artist. Chosen for this song: Marissa Nadler, an American singer-songwriter who has been widely praised for her Gothic stylings and sanguine sound. Here, it feels as if we really did drown after the opening track and we’re hearing the song sung from the ocean depths.

I was excited to see Chicago Doomed & Stoned Festival alumni Somnuri tackling “Mailman,” as it’s an ideal fit for their temperament. It’s such a seething, lonely song about betrayal and revenge, but I’ve visited it many times in my life. The Brooklyn trio does a fantastic job with it, with vocals that are powerful in their own right and a few menacing touches (the later contrast of clean and dirty vox, for example).

Valley of the Sun takes “Superunknown” for a spin with a certain low-riding desert rock energy and vocals that admirably reach for those famous soaring highs. There are even some Doors-esque organ highlights that seemed perfectly in place, proving how a good song can transcend its original arrangement.

“Head Down” is a song that perfectly captures the apathetic resignation of deep depression. Frayle hone in on the sparseness of the composition with searching guitar riffing and a creepy, haunted vocal performance that brings alive the pernicious voices of doubt and fear (“We see you laugh, we see you dance, we take that away everyday”).

“Black Hole Sun” is another I was skeptical about, but Spotlights have really won me over with their version of it. The contrast of soft singing and strumming guitar and bass was compelling in itself, but the band doubles down on awesome with crackling, fuzzy low-end during the verses and entrancing vocal harmonies. At times, I may prefer this to the original (and that’s partly because I don’t want that great song to be spoiled by over-familiarity)

I really like what Horseburner does with the famous “Spoonman.” Once again, a confident reinterpretation that showcases the band’s strengths, namely gnarly guitar, low-end heft, and earthy, roaring vocals. I was happy to hear the contrasting section of both strumming and dueling strings and some bad-ass drumming.

“Limo Wreck” is a great example of why I think of Soundgarden as doom first, and all other genre distinctions second. It’s a dismal affair and Chris Cornell’s performance is once again inimitable and, frankly, carries this slow ‘n’ low ballad. Thankfully, Witch Mountain was chosen for the job and Kayla Dixon’s knack for dramatic story-telling helps in convincing us.

Beastwars have successfully remolded “The Day I Tried to Live,” one of my least favorite songs on the original album, into something I really enjoyed. It’s unhinged, agitated, and beastly. Howling Giant stole the show on the AIC Redux with their incredible “Rooster” (our Song of the Year in 2020), and Beastwars comes damned closed to doing it with this one. Their performance is really something else, laying on the Soundgarden worship on thick and projecting something monstrously terrific.

Jack Harlon and the Dead Crows do much the same with “Kickstand” turning this quick and dirty song into a dreamy psychedelic space rocker that mines the sound for undiscovered emotion. Another cut that elevates the music into something epic, even ethereal.

The Age of Truth summons a heroic sound, transforming “Fresh Tendrils” with sterling chords and rampaging drums. Meanwhile, Marc Urselli’s SteppenDoom give us an eerie rendition, not as caustic as Thou’s celebrated cover, though the vocal approach is at times quite grizzly. The whole experience is like a warped VHS soundtrack, with spooky whistling sounds as if to suggest the hearing of the wind.

I was so happy to see Dozer on the list, especially after the success of their recent album which has pushed the band forward artistically in many ways. They turn this odd little number into a bonafide stadium rager.

Without doubt, “Like Suicide” is one of the most emotionally honest and tragic songs on the record. If I recall the lore correctly, Chris Cornell said this song was inspired by a bird who had a fatal encounter with a sliding glass door, as if an omen. No one can really match the intensity of the original performance, of course, so Darkher had the idea of turning it into a blurry-eyed and beautifully stoic reflection.

While nothing can replace the genius of the original Superunknown, this collection is nonetheless quite welcome and I’m sure choice cuts will show up on playlists of mine. Now I’m ready to check out the Best of Soundgarden, which follows a similar format, without being glued fastidiously to any one album.

Give ear…

Everyone has bouts of sadness, loneliness, heartache. For better or worse, it’s a part of the human condition. There was some discussion after my last article about whether depression is something we can choose to walk into or away from – like a bad attitude – or whether in some people it may be more deeply ingrained in the psychological makeup, whether by nature or nurture. I thought it would be helpful to give you a window into my own background so you can understand when depression first made itself manifest and the different strategies taken to deal with it over the years.

Banished from this world, and from its toil
I can only watch, grieve and pity
Stare at stupid likes, wonder at people’s smiles

I get more and more stress
Nothing anyone can offer, more or less
Done grieving, closer to the end

DON’T KNOW WHY

I vaguely recall spells of melancholy in childhood. The return from summer camp to a boring home with mom vacuuming and dad at work had me feeling quite empty and blue. It was a strange, bewildering state of mind to be in. Mom told me to snap out of it or else. There were a few moments that shattered my reality as a child. Realizing, for instance, that mom and dad were having marital problems. Hearing my pastor of a father say a swear word. Often, I would be startled awake in the dead of night to my mom shrieking at my dad, throwing dishes, insisting that he was against her. My dad was a patient man and knew that all was not right in her world. These things jolted me into new layers of reality, each accompanied by periods of moodiness and anxiety.

By the time I was in the 4th grade, I started having trouble in school. I was placed in one of those “talented and gifted” programs, though I never really understood why. I knew I couldn’t see what my teachers were writing on the chalkboard. Panicked, I would ask students nearby what the hell the teacher was writing, only to be scolded for distracting the class. One particular teacher was downright mean to me, until she found out that I was having vision problems and needed glasses. Once she realized I was also the son of a preacher man, she tripped all over herself to be kind. Maybe she felt guilty?

Something else odd happened around this time. I came home with division homework one day and just decided not to do it. I don’t remember if it was because my parents were too busy to help or I was just too stubborn to ask. There was no rational reason for it. The next day, I was shamed in front of the entire class by an Admiral Ackbar looking mother fucker named Mr. Davis. “Billy Joe, why didn’t you do your homework?” he demanded. “Why?” His hand lifted my chin, forcing me to stare up into his beady little eyes peering menacingly behind his spectacles. Mr. Davis’ rosy complexion turned beat red when I answered: “I…don’t know.”

SATANIC PANIC

My parents were tethered to a particularly pernicious strain of fundamentalist Christianity that got caught up in the “Satanic Panic” of the 1980s. That meant no D&D for me! Urban legends were shared in Sunday school and from the pulpit about young people who had necked because their character “died” in this forbidden game. It was the most sinister proxy for evil that I could envision at that time.

The Satanic Panic put everything else under the microscope: toys, comic books, and popular music were all suspect. A copy of Phil Phillip’s 1986 “expose” Turmoil In The Toybox lay on the coffee table, pages well-worn and highlighted. He-Man, G.I. Joe, even Star Wars were viewed as tools of the Devil to recruit a desensitized generation of youth into his heathen horde. I’d wake up from one day to learn about something else I couldn’t have, play, watch, or do. Video games would not be far behind.

One day, my mother caught me rocking out to the Scorpions in my room and immediately confiscated my radio, outlawing metal from the house (and basically anything with a rock ‘n’ roll beat). MTV lasted only long enough for me to be exposed to Metallica’s visceral “One” and Guns 'n’ Roses’ “Welcome To The Jungle.” While the classic days of rock’s infancy were viewed as a time of innocence (I don’t think my folks really got what “Blueberry Hill” by Fats Domino was about), anything stemming from the late '60s counterculture forward was viewed as dangerously corrupting.

Various factions within the church began playing games of connect-the-dots with the songs of Jefferson Airplane, Led Zeppelin, and Black Sabbath, tying them into a subservice plot by Luciferian cults and the shadowy elite (at that time Communists – a favorite boogeyman of the era) who were trying to undermine undermining of God, family, and country by subverting its youth. All of popular culture was roped in with the conspiracy, too. Though the house was cleansed of its ungodly influence, the worst was still ahead.

Soon, my mother started cutting me off from neighborhood friends and finally pulled me out of public school altogether around middle of 5th grade. She had learned about this radical new response to America’s failing education system through friends from another church who had just taken their own children out of school. Emboldened, she began homeschooling us in West Texas in the mid '80s, during a time when it wasn’t a clearly legal practice. Every time the doorbell rang my siblings and I would run and hide, thinking the truant officer had come to take us away to foster care. I didn’t understand at the time what I do now: my mother was mentally ill. Furthermore, she was in over her head. This became apparent when she tried to take on the role of teacher.

While I am extraordinarily grateful for the year or two of solid education she gave me (particularly in the writing and public speaking departments, two areas she and my father were naturally gifted in and which have been the buttress of my career), it wasn’t long until she became frustrated with the Abeka and Bob Jones University curriculum we were using. One day, when I was struggling with algebra, she declared that we wouldn’t have to learn it. “After all, who actually uses algebra in daily life?” she wondered. We were now self-directed learners, a radical new idea that was controversial even in the homeschooling movement (“un-schooling,” they called it). Of course, I wasn’t allowed to just sit around and watch TV. Consequently, I shifted my focus to the things that were more interesting to me: music, art, history. Math and science? Not so much.

STOCKHOLM SYNDROME

For years, I remained blithely unaware of what was happening in the world around me in the world of music. I lived in Arlington during the rise of Pantera, Topeka during one of Guns ‘n’ Roses most controversial shows, and Oregon during the height of the grunge era and the sunsetting of the Grateful Dead – all of it veiled from notice. My life was devoted to church and, if anything, I tried to convince fellow Christians to separate themselves from the tainted allure of the fool’s gold of popular music, television, and video games. For a while, I was a true believer. Call it Stockholm Syndrome, if you like. Infractions of the moral code – and the slightest temperament of rebellion – were met with a freshly cut switch, which would leave stinging welts up and down my calves, tights, arms, and back. Thus my conscience was conditioned.

I remember happening upon the pornographic scene in George Orwell’s 1984 and afterwards feeling that the only right and proper thing to assuage my guilt was to burn the everlasting shit out of this smut. Even then I loved the novel, but I couldn’t reconcile my faith with this section of it, so I purged it in the flame of backyard trash barrels. At my most fervent, I also lit the match to a stack of MAD Magazines and comic books. As harmless as they might have seemed to the average Joe blinded to the wiles of the Devil, these were gateways into realms of the flesh. “Walk in the spirit, not the flesh,” I recited to myself as fire brandished the yellowed pages of print, slowly turning them black until they were embers caught up by the wind and scattered into the sky. True story: I once threw away a perfectly good copy of Downward Spiral after one hearing the demonic screams of “Becoming” (not to mention the brash blasphemy of “Heretic”).

This kind of extreme separation from the world really fucked me up socially. For years, I couldn’t hold on a conversation with another person my age. What would we talk about? I was clueless about anything happening in the world of sports, music, television, or the culture at large. Even though conversation is no longer a problem for me, I still feel odd about friendships. I have an irrational fear that they’re going to be taken away from me at any moment, so I keep everyone at a comfortable arm’s length. At times, intimacy feels painfully awkward.

Maybe this is why I’m so notorious for leaving shows immediately following the last song. I’ll give my smiles, shake hands, and say goodbye, but avoid sticking around long enough to really get to know people. I’ve been invited to crash on couches to avoid the long drive home, but I always politely decline. Certainly, I don’t want to come across as rude, I just feel like an outsider to the world – someone who just doesn’t fit in, doesn’t belong. Not now, not ever.

TEENAGE ANGST HAS PAID OFF WELL

As I reached my adolescent years, I began going through prolonged spells of melancholy. The prospect of sharing this with others was extraordinarily embarrassing, so I kept it all bottled up inside. Mostly, I tried walking it out on long excursions through the open field next to our house. I worked through a lot of issues during that time and credit those walks with helping me to keep my sanity. As a matter of fact, I recommend daily constitutionals to everyone as a general principle of good mental health. It would be a mistake not to mention that my belief in an omnipresent God at this time played a medicinal role in helping me to cope with my depression, though my views on religion would one day reverse course.

By 18, symptoms of major depression surfaced like a noxious weed and even God could not get me through it. I prayed, too. God, how I prayed, sometimes hours on end. That year, I fell into a downcast mood that refused to dissipate and remained there for months – four of them straight. I sought refuge in the music of Tchaikovsky, working my way from the fateful Symphony No. 4 to his Symphony No. 6, the Pathétique. The sounds I was hearing tapped into a new emotional alphabet, impossible to transcribe into any tongue. It was remarkable: somehow the music knew precisely what I was feeling. I finally had a soundtrack to my depression.

One day, a buddy and I joined the military on a whim, though he’d later get disqualified for asthma. I felt the Army would provide a much needed “Be All You Can Be” boost to my confidence and a crash course in normie life. I shipped down range to my duty station, Fort Benning, Georgia, for infantry training. My new home would be with Charlie Company, 2nd Battalion, 58th Infantry Regiment – the infamous “House of Pain.” In the space of 14 weeks, I was exposed to every aspect of humanity imaginable. From the “shark attack” welcome of the drill sergeants on Sand Hill to the rude middle of the night awakenings for physical training, I was in shock most of the time. Slowly, though, I eased into this strange new world and got my bearings.

Almost a full month into this prison world, we were allowed to visit one of the on-base shopping exchanges. I immediately looked for a CD player and began checking out the music section, trying to see if there were names I recognized. “Guns 'n’ Roses? Sure they’re cool,” shrugged my buddy Bradley, a floppy-eared Gomer Pyle looking dude. “But you really need to check out some Soundgarden, dude.” I did, picking up their latest, Down On The Upside, and it was like salve to my soul. The music spoke of being trapped (“…and I don’t like what you’ve got me hanging from”) and being eternally at odds with the world (“Born without a friend and bound to die alone”). There was even a song about “Boot Camp,” the short album closer. The nihilistic despair was strangely comforting.

I must obey the rules
I must be tame and cool
No staring at the clouds
I must stay on the ground
In clusters of the mice
The smoke is in our eyes
Like babies on display
Like Angels in a cage
I must be pure and true
I must contain my views
There must be something else
There must be something good far away
Far away from here
And I’ll be there for good
For good

The song did not resolve happily, and I feared my life wouldn’t either. After a serious injury left me permanently wounded, I began to feel my life wasn’t being guided by the Hand of God of all, but the random throes of Fate. Maybe they were the same thing. I resigned myself to the misery of a long recovery, during which time I had to learn to walk again. It’s a three beer kind of story, maybe I’ll share it sometime. Probably not. Returning to civilian life proved to be even more of an adjustment than the military had been, and my shadows of depression lingered with me even as I tried to remain one step ahead of them.

MELANCHOLIA

I have long held a theory that human beings are not built for the world that we have constructed for ourselves. Whether we’re talking Seattle traffic or the constant buzz of social media, the frantic pace of our rapidly evolving technocracy has left us a worried, frazzled mess. The studies are conclusive: almost one in five have experienced depression and one in four struggle with anxiety, with PTSD being a household acronym.

A counselor once asked if I enjoyed being depressed. I found it a bit of a repulsive question. I can tell you that there is nothing glamorous about depression. There’s no reason to idolize the angst of those sad Kurt Cobain eyes. Everyone has experienced feelings of being bummed out, and for most folks it is a transitory feeling. It comes when one of life’s storms arises and leaves when the situation resolves itself. There’s a whole section of us, however, for whom the dark clouds never leaves. It just hovers around our heads, like the oppressive, low-hanging specter of an Oregon winter.

Depression isn’t always about feeling sad, either. Often it manifests in a general malaise – you can’t bring yourself to care about the things you used to. Other times, it works in tandem with anxiety, seizing your heart at the thought of all the day holds in store, then punishing you with the feeling of dread. We may feel sad, anxious, or fearful and not be able to give a rational explanation for it. In those moments, I cannot imagine a more miserable place to be. With that said, I hasten to add that my description of depression may not align with your own, as it is an intensely personal experience.

Release your head from the world
Keep yourself underground
No one understands your mind

Humans programmed like robots
Making sure you don’t belong
No one understands your mind

I suspected I had depression in the clinical sense, when I realized that though I wanted to feel better, all I could do was subsist in the misery. Those of you who’ve been able to talk yourself out of such states will scoff. My mother, who suffers from a host of afflictions that have never been properly diagnosed, was notorious for telling us kids to “snap out of it.” I do understand that kind of no-nonsense perspective. Her father and mother were staunchly independent homesteaders of the WWII generation who braved the untamed wilderness of Alaska and the exotic dangers of Australia. The '60s and '70s generation grew up fearful of losing such independence to mental institutions that locked up people, merely because they acted in ways society didn’t understand. The stigma of psychiatric care was every bit as real as the stigma of mental illness. Thus, her approach was quite practical: take Saint John’s Wort, get on a good diet of vegetables and fruits, drink plenty of water, get fresh air and exercise. If that doesn’t work, there’s always Jesus.

Despite plenty of prayer and a multitude of home remedies, depression continued plaguing my mind. People frustrated by what they viewed as an easy fix would imply that depressed folk like me just wanted to be depressed, maybe because it got them attention or they were just spoiled rotten. Soon I stopped sharing altogether. As one friend of mine, a real no-nonsense type, told me: “No one cares. You have to get on with your life.” “How do you manage that?” I asked. “What’s your secret?” “You just have to shrug it off,” she concluded. I envied the cold, pragmatic stoicism and wished that I could just shrug my shoulders and let everything slide off. At one point, my depression was so acute, I looked into electroconvulsive therapy, memory loss be damned. During my consultation with a specialist, I learned the procedure had advanced since Jack Nicholson’s unfortunate end as a mental patient in One Flew Over The Cuckoo’s Nest. Ultimately, I decided against it.

SEARCH FOR ANSWERS

As with most human situations, our problems stem from a complex mixture of nature and nurture. I posed a question to my psychology professor one day: “Does depression cause us to think depressing thoughts or do depressing thoughts cause us to be in a state of depression?” His answer surprised and relieved me. “Both,” he said.

In Psychology 202, we were in the midst of a chapter on depression and other mental disorders. Having recently experienced the loss of my grandmother, I was feeling especially hopeless and decided to ask my prof another burning question at the end of class. “If a person were to see a therapist, does it go on his record?” In my mind, counseling was for the weak and hideously broken. “Not at all,” he responded with a smile. “Even psychologists seek help from other psychologists for their depression and anxiety.” Then he really blew my mind: “I have a therapist myself. See her once a month. Sort through a lot of life decisions that way.” He also assured me that there was no master file of such visits. While a therapist might keep her own notes, it’s certainly not something shared with employers and as a rule is kept strictly confidential, as are all medical records.

My first visit to a counselor was nothing like I’d imagined. I wasn’t given pills, invited to lay on a couch and look at ink blots, or even asked questions about my parents. Instead, the counselor initiated an open-ended conversation that encouraged me to articulate the tangled mess of thoughts and feelings I’d been bottling up inside. It was the first time I’d ever talked about my experiences in the military or about the emotional upheaval of my childhood. I felt liberated after just a few weeks of these sessions. For a time, I felt very much on top of my problems. Maybe this counseling thing wasn’t so bad after all. I even began to recommend it to my friends and stood up for psychologists when mom would bash the profession in one of her trademark rants.

Promises abound
You rarely find it to begin
Maybe I’m afraid
To let you all the way in

I excuse myself
I’m used to my little cell
I amuse myself
In my very own private hell

I noticed a pattern to my depression: it seemed to be triggered by situations in which I felt helplessly incapable of controlling my environment, decisions, and destiny. You know, other people taking advantage of me, a nightmare roommate, an overbearing boss, unrequited love – that sort of thing. It was like a switch flipped and all of the sudden the feelings flooded in and surrounded me for days, even weeks.

Feelings of loneliness and disquiet were often compounded by negative thinking about the situation. “What’s wrong with me that I can’t find someone to be with? Am I that unattractive or uninteresting?” The negative self-talk wasn’t helping my situation. In some ways, it even turned out to be a self-fulfilling prophecy. I’d walk around with a scowl on my face, prompting friends and family to constantly ask, “What’s wrong? Is everything ok?” That’s why I realized it may take more muscles to frown than to smile, but that undersmile sure is a lot more comfortable. No wonder people kept themselves at bay.

I actually started practicing my smile in the rearview mirror on the way to school every day, just so I remembered what that felt like. Fake it 'til you make it, the saying goes. Even if I was feeling like a miserable wretch inside, I certainly didn’t want to betray those feelings to the world outside. So I got good at being a fake. When people asked, “How’s it going?” I’d say, “Fine, just fine, thanks. And you?” (One of my counselors would later call me on that every session: “How are things really?”).

When I got married, depression reached peak levels, only now that oppressive, low-hanging cold front wouldn’t burn off with the sunshine. The mood never lifted. It was with me 24-7. It wasn’t unusual for me to be severely depressed during the normally halcyon days of summer. I knew something had to be done, so I confronted another long-time stigma of mine: medication.

To be continued…

Has it been 20 years already?  Yep.  Twenty g.d. years since Soundgarden’s album Superunknown (1994) was released.  I don’t think we had much vocabulary beyond “grunge” to describe their sound back then, but “progressive” comes to mind, as does “doom” on tracks like “Limo Wreck,” “Fourth of July,” and “Just Like Suicide.”  In any event, the 20th Anniversary reissue of Superunknown  includes, among other bonus material, this original demo of the title track and it is reposted here, courtesy of NME.