Q & A with D.G. Kaye Features Judith Barrow – The Memory

Welcome to the first of May’s Q and A author features, today I’m excited to have friend and author Judith Barrow over to share some of herself, her writing and her powerful new book, which I can’t wait to sink my eyes into – The Memory. Judith writes historical fiction and family sagas, like her Howarth family books series, and has taken a different approach with her newest book. As a writer who delves into family – and particularly ‘mother’ issues, I have no doubts I will love this book.

 

 

Author Judith Barrow

 

About Judith:

Judith Barrow, originally from Saddleworth, a group of villages on the edge of the Pennines in Yorkshire, has lived in Pembrokeshire, Wales, for forty years. She has an MA in Creative Writing with the University of Wales Trinity St David’s College, Carmarthen. BA (Hons) in Literature with the Open University, a Diploma in Drama from Swansea University and has had short stories, plays, reviews and articles, published throughout the British Isles and has won several poetry competitions.. She is a Creative Writing tutor for Pembrokeshire County Council and holds private one to one workshops on all genres.

 

If you’d like to learn more about the writer in Judith, I invite you read this beautiful article Judith wrote – Something of Ourselves.

 

 

 

Blurb:

Mother and daughter tied together by shame and secrecy, love and hate.

I wait by the bed. I move into her line of vision and it’s as though we’re watching one another, my mother and me; two women – trapped.

Today has been a long time coming. Irene sits at her mother’s side waiting for the right moment, for the point at which she will know she is doing the right thing by Rose.

Rose was Irene’s little sister, an unwanted embarrassment to their mother Lilian but a treasure to Irene. Rose died thirty years ago, when she was eight, and nobody has talked about the circumstances of her death since. But Irene knows what she saw. Over the course of 24 hours their moving and tragic story is revealed – a story of love and duty, betrayal and loss – as Irene rediscovers the past and finds hope for the future.

…A book that is both powerful and moving, exquisitely penetrating. I am drawn in, empathising so intensely with Irene that I feel every twinge of her frustration, resentment, utter weariness and abiding love.” Thorne Moore

Judith Barrow’s greatest strength is her understanding of her characters and the times in which they live; The Memory is a poignant tale of love and hate in which you will feel every emotion experienced by Irene.” Terry Tyler

 

Latest review for The Memory:

5.0 out of 5 stars Gripping. Moving. Powerful.

Reviewed in the United Kingdom on March 24, 2020

Verified Purchase

 

Now, let us dig a little deeper into  Judith and her writing,

 

If you had the chance to re-do your childhood or teen years to enhance your future in writing, what would you have done differently?

This question intrigued me; it suggests that I would have had some control over those years. It would be too easy to say I would have needed to have been born into a different family. That the writing I did, even as a young child, was something I could have shared. It wasn’t. Because what I wrote about was happening in the family and how I felt about it. I knew I couldn’t share it. It would have hurt my mother and angered my father. And, because it was my father who controlled everything, both emotionally and physically, I learned from an early age not to show how I felt. I knew how to hide, keep secrets. Keep out of the way. And watch.

We lived together and yet, in a way, we lived separately.

I was fascinated in how places were changed by the emotions that filled them. The rooms of our house, the shops in the village, the Methodist chapel I went to every Sunday afternoon, the moors where I wandered for miles on the moors with my dog. School. It’s the feelings of the people who are there at the time and it’s something I am still aware of. Maybe that’s a throwback to my childhood; from being aware. Being wary.

I kept my school life private from my parents and was lucky that neither was interested in my education. Anyway, there were few things I enjoyed about school; I never felt as though I fitted in, especially in my teens. I loved the history lessons, but my true passion was obviously English. And from that evolved my plans for the future; I wanted to work as a journalist.

Every year, with each new English teacher, I strived for approval with my writing. There was one teacher I will never forget. His name was Leslie Ellinore and, as I grew to trust him, I showed him some of the less personal stories and poems I’d written at home. He often entered them into the school magazine and, once, into a competition in the local newspaper. I won with that story. I was devastated when he emigrated to New Zealand but will never forget what he once said to me: “One day, Judith, I know I will read a book that you have written”.

Encouraged by that, and as soon as I passed my exams, I applied in secret for a junior post at that local newspaper. The week before I was due to start there my father discovered how much (or rather how little) I would be paid, and forbid me to go. My wages were needed, so the more I could earn the better. There were many arguments. In the end I gave in and joined the Civil Service.

So, I suppose, and being honest, the answer to what I would have done differently then to enhance my future in writing would have been to have more confidence, to have left home, to be determined enough to begin a career in journalism.

D.G. – Powerful stuff Judith. Just from this response, it gives me so much more insight as to how similar we were in our dreams and thinking and observations as children, and how our aspirations got left to the wayside. Look at us now! ❤

 

How has writing changed your life?

I wonder if, for me, it’s the life I’ve had that actually underlines my writing. As I said earlier, I’ve always written, so I don’t know how else my life would be different. The one big change was from the day I was married; my writing no longer had to be secret. My husband had known before then how important it was to me and has always been a great support, even in the years when I didn’t send anything out into the world. He realises I need to write. It’s the way I get through situations, the way I work out what I’m going to do, how I’m going to tackle something I’m confronted with. And, ultimately the way any of my protagonists face up to anything I put them through.

D.G. – And once again, we were ultimately blessed with good husbands. ❤

 

What prompted you to write in your chosen genre?

I think it was, inevitable that I write family sagas of some form or another. My stories evolved from the diaries I kept in my childhood and reflected situations I lived through; what I saw. And the dynamics of people and how they interact with one another in a set of circumstances fascinates me. And, you know, family sagas can cross genres, so I get the best of all worlds; secrets and mysteries, criminal actions, romance. And family sagas can be written in any era – so can cross over into historical novels. I love researching for my books; giving a good sense of place. Making a world for my characters, being able to see where they walk, what they wear, the homes they live in, is as important as the lives they lead.

D.G. – I love how you insert your slices of your life in your books Judith. Like the old saying goes – there is so much truth in fiction.

 

How do you promote your work? Do you find marketing and social media overwhelming?

I would much rather go out and talk to people about my work. I work part time as a creative writing tutor under a lifelong learning scheme for the local Council. As well as that I also run private workshops where I’m inevitably asked about the way I write and about my books. I also interview other authors about their work for a brilliant online TV company, ShowboatTV; I suppose the promotion of my own books rides on the back of that.

I have to admit that most social media does overwhelm me sometimes. When I first started I was on so many platforms; the stress of keeping up with everything finally became too much and I almost walked away from it all. So now I mostly stick to Twitter and Facebook; although I am being told I should really be on Instagram as well. Sigh! I admire anyone who manages the balance of social media with their writing. As for anyone who can produce an interesting blog or a long and insightful review of another author’s book every day, I am in awe. In the early days of my foray into this strange world, I was told that one should follow, promote and discuss only those who write in the same genre, but I can’t see how that is possible. Because I am helped by a disparate array of people I’m very conscious of trying to promote other authors, whatever they write. And a friend once told me not to forget that important word “social”, so, if someone mentions my books, I try to do the same. Then, before I realise it – I’ve lost a couple of hours.

As you may be able to tell, I’m getting stressed out just trying to explain why social media stresses me out! Ha-ha! Perhaps, one day, I’ll stop myself for “scatter gunning” online and work out the best way to promote my books.

D.G. – Your social media dilemma is one many of us writers contend with Judith. I too believe spreading ourselves everywhere becomes too thin and spend most of my social media time on FB and Twitter too. There are only so many hours in a day right?

 

Would you like to share with us what upcoming projects and/or ideas for books you’re working on?

Well, I hope that once this strange situation that we’re living through at present is over, I will be able to go out to all of the events which have been postponed and I’ll promote my latest book, The Memory. It’s had some wonderful reviews online and, although in a way, I was quite apprehensive about it because it’s so different from my previous books, I’m thrilled by the way it’s been received.

As for future plans, I do have another book coming out with my publishers, Honno, in February 2021. It’s called The Heart Stone, and is a return to my usual genre, historical family saga. It’s based around WW1, the aftermath of a world war, and the struggles of the nineteen twenties.

As for writing, I am at the moment working on two projects. I’m around 40,000 words into a book which centres around three women who work in a cotton factory in the nineteen fifties; a decade when the trade was declining

in the UK. It’s as much about the individual lives of the women as what is happening in the industry. But, of course, as with any character, they don’t live in a vacuum, so world events also affect the relationships within their families and circle of friends.

But that book has been interrupted by a memory that came back to me during one of my sleepless nights. Remembering an event from a long time ago has led on to a story of two sisters and something they were involved in when they were in their early teens. One of them takes the blame for an incident and it’s a secret that lasts for years and has consequences.

The other project which has been put on hold is an anthology that one of my adult classes is producing. I’m very proud of all the hard work the students have put into their writing over the last year so I’m eager for it to be published and to show what they can do. I think it proves that it’s never too late to start writing.

D.G. – Well, that’s one full plate Judith! And the book about sisters and secrets is already intriguing me! I look forward to that book too!

 

Judith shares an Excerpt of: The Memory

 

I was eight when Rose was born. All that summer I’d watched as my mother’s stomach grew larger and rounder. As she moved ever slower, each foot ponderously placed on the ground beneath her. As her face grew tighter with rage and bitterness.

‘She’s tired, Irene,’ Dad said when I asked him what was wrong. We were in the park. It was the week before the autumn term started. The long summer days were behind us, there was a slight chill in the air, but we were making the most of the time that was left.

Thinking about what Dad said, I slowly pushed my foot against the ground. I knew it was more than that; Mum was angry about something.

Normally in summer we went for a week to the seaside. Usually Southport or Morecambe but we hadn’t been anywhere for a holiday that year. Or even for one of our picnics at Bramble Clough, a dip in the hill where a tiny stream gurgled through rocks and crannies, bordered by wimberry bushes and dried heather. Where we’d sit on Dad’s tartan blanket and eat beef paste butties and drink lemonade.

Bending and stretching out my legs to make the swing move, I looked around. It was that time of day when mums had already taken the younger children home for their teas. Over by the river on the far side of the large grassed area, some boys were messing about. They were hanging upside down on two tyres fastened to ropes slung over branches on the trees on the bank. After a hot summer, little water flowed over the grey boulders and shale on the riverbed. At least they wouldn’t get wet if they fell in. I recognised Sam Hargreaves. He’d been my friend since our first year at Hopfield Primary School. And he helped his father deliver newspapers to our house, in holiday time.

I was so high on the swing that the chains slackened and jerked as I passed the bar they were fastened to. Arms straightened, I leant backwards so I had an upside down picture of Dad sitting on the bench, legs straightened, ankles crossed. He’d taken off his jacket and tie and pushed his trilby to the back of his head. He was cradling his pipe in his cupped hand.

‘Looks like the smoke from your pipe is falling down instead of up,’ I said, ‘looks funny.’ I saw him smile. It made me feel good. So I decided it would be all right to say what was bothering me. ‘Why is Mum tired?’ I asked, ‘She doesn’t do much.’ She’d even stopped our Sunday afternoon baking cakes and biscuits times, which was something we’d done for as long as I could remember.

He’d frowned at that but only said, ‘Now, now, love.’

I swung in silence, my hair sweeping the ground at the lowest point. The bit of the park we were in: the concrete area that held the swings, slide and the iron spider’s web roundabout, was deserted.

‘She is doing something, you know,’ Dad said eventually, ‘she’s growing your little brother or sister.’ He rubbed his knuckles on his neck, looked uncomfortable; or maybe it was the upside down image I had of his smiling mouth.

I thought it was a silly thing to say. ‘Isn’t she happy doing that?’ I sat up, scraping the soles of my shoes on the ground to slow the swing.

‘Of course she is.’ But he wouldn’t look at me. Instead he concentrated on his pipe and flicked the lighter into the tobacco which already glowed red. ‘She’s looking forward to us having an addition to our family.’ He sounded odd, saying those words and I could tell he was embarrassed about something because his ears were red.

‘Your ears have gone red,’ I told him. ‘And your nose is growing – so I know you’re fibbing. Nanna said Mum has a face like a smacked backside these days; I heard her say that to her friend last week.’ She’d actually said “arse” but I didn’t dare repeat that, I’d never heard Dad swear, not even “damn”, which I’d heard Mum say a lot over the last few months. And if I did say it, he might not let me go on my own again to Nanna’s flat on the Barraclough estate.

‘Enough.’ His tone was sharp, sharper than he ever used on me.

My eyes stung and I twisted the swing’s chains round, pushing on the ground with the toes of my shoes until I almost couldn’t reach any more and I was higher than him. I didn’t want him to see I was crying. I lifted my feet and was flung around and around. I was dizzy when it stopped. ‘That made my eyes water,’ I said, defiantly, pushing a finger under the frames of my glasses to brush away the tears.

‘Time we went home,’ he said. And then to show he wasn’t cross, ‘we’ll get an ice cream.’ He pointed with the stem of his pipe towards the entrance of the park where the tinny sound of ‘Greensleeves’ emerged from inside the white van decorated with cartoons. ‘I’ll race you.’ He stood, took off his hat and folded his jacket over his arm. ‘Go on, I’ll give you a head start.’

I didn’t need telling twice. I was off. He let me win, of course.

I loved my Dad.

 

Thank you for being here today Judith. You know I’m a big fan of your books and writing. I look forward to reading your newest coming up soon and no doubts, I’m sure some of my readers here will be just as eager to read.

 

Find Judith on Social Links:

Judith Barrow Author MA BA (Hons) Dip Drama https://judithbarrowblog.com/

https://judithbarrow.blogspot.com

https://www.facebook.com/judith.barrow.3

https://www.honno.co.uk/authors/b/judith-barrow/

 

@DGKaye2020

 

Streets Ahead Street Team Promotion: Words We Carry, by D.G Kaye | Stevie Turner

Thanks to Stevie Turner, who leads our Streets Ahead Authors Promoting Authors group, for sharing my book this week – Words We Carry.

 

 

Streets Ahead Street Team Promotion: Words We Carry, by D.G Kaye

 

 

As part of this week’s Streets Ahead Street Team promotion, I’m sharing D.G Kaye’s book ‘Words We Carry:  Essays of Obsession and Self Esteem’:

 

Words We Carry, D.G. Kaye

Available at all the Amazons

 

Words from the author:

“I have been a great critic of myself for most of my life, and I was darned good at it, deflating my own ego without the help of anyone else.”

What do our shopping habits, high-heeled shoes, and big hair have to do with how we perceive ourselves? Do the slights we endured when we were young affect how we choose our relationships now?

D.G. takes us on a journey, unlocking the hurts of the past by identifying situations that hindered her own self-esteem. Her anecdotes and confessions demonstrate how the hurtful events in our lives linger and set the tone for how we value our own self-worth.

Words We Carry is a raw, personal accounting of how the author overcame the demons of low self-esteem with the determination to learn to love herself.

 

You can read Reviews Here.

 

Note: Authors are welcome to join us at our Streets Ahead Team on Mewe, where every week an author’s book of choice is featured and promoted on social media by all other authors in the group.

 

Original Source: Streets Ahead Street Team Promotion: Words We Carry, by D.G Kaye | Stevie Turner

Smorgasbord Blog Magazine – The #Travel Column with D. G. Kaye – #Cruises – Part Two – Ship Tips | Smorgasbord – Variety is the spice of life

Friday blogshare

 

 

Today I’m sharing my latest post – Part 2 of the Cruise series, where I write a travel column over at Sally Cronin’s Smorgasbord Invitation. In today’s article you will find everything you need to know about booking cabins, excursions, shopping aboard and some personal tips I’m sharing. Hop on aboard and visit me over at Sally’s blog.

 

Travel Talk with D.G. Kaye

 

 

Smorgasbord Blog Magazine – The #Travel Column with D. G. Kaye – #Cruises – Part Two – Ship Tips

 

Delighted that D.G. Kaye – Debby Gies is now a regular contributor to the blog with her new Travel Column. Debby is a non-fiction author who has received wonderful reviews for her inspirational memoirs. She also is a seasoned traveler and her book Have Bags Will Travel is packed with useful information and entertaining stories of her own adventures.

Last time Debby shared some important information on cruise lines, the various standards of cabins available, and the best place on the ship to be if the weather is a bit choppy.

You can read that post in the directoryhttps://smorgasbordinvitation.wordpress.com/the-travel-column-with-d-g-kaye/

 

 

Cruises – Part Two – Ship Tips

In my first post in this series I covered what to look for when considering booking a cruise. Today I’m going to cover some of the activities available while on a cruise, and some tips on how to save money when booking those activities.

Packaged Deals

Many cruise lines offer package deals you can purchase pre-cruise or while onboard such as beverage packages. Yes, it’s true that soda pop, tea, coffee, and some juices are free to drink while onboard, but beer and alcohol, bottled water, specialty drinks and coffees, smoothies, etc. are not part of free.

If you’ve re-booked a cruise on a previous sailing or if you luck into a promo offer at the time of your booking, often cruise liners will offer you bonus incentives at bonus pricing. With Celebrity, their promos change often and depending when you book you will be offered to choose 2 or 3 packages to add on to your cruise FREE. The choices can be anywhere from a drink package (including alcohol), your tips paid for the entire cruise, a $200 – $300 onboard credit (my fav!), or free wifi (rare but I managed to catch one). So do make sure to check on the special offers to get the best bang for your bucks while booking. You can always book a drink package of your choice once onboard, but typically, you’ll get a better deal when pre-booking your packages.

Note: I highly recommend if you aren’t offered a free drink package, to buy one at a reasonable price comparatively to paying for each drink you consume on the whole cruise. Without a prepaid all you can drink package the price of alcoholic beverages and any specialty drinks can add up to well over $1000 if you’re taking a 2 week cruise. For example, premium bottled water will run you close to $4 a bottle. On a hot pool day I have no trouble drinking at least 6-8 bottles a day. And that’s not counting a specialty coffee in the afternoon and a cocktail or two before dinner then wine with dinner. I would have no problem spending at least $80 a day just in beverages!

Tipping

When purchasing drinks, sundries or any other service related product while onboard, you just use your ship card to make those purchases. The card is your method of payment for anything purchased onboard without having to carry money around. When purchasing service related products, you can expect to see a service charge added to your bill if your purchase isn’t included in a package.

You will also be expected to leave tips at the end of your cruise to your cabin steward and restaurant staff who have served you nightly in the dining room. These tips are pre- calculated on a daily basis and will vary from ship to ship but will typically run at approximately $12 a day per person. This is where choosing the ‘tipping package’ will save you a few hundred dollars, already paid for. Some passengers get angry over this tipping charge and if you find it a problem, you can always go to the front concierge desk and ask them to remove the charges from your room bill. But I will state that the staffers work hard and many long hours daily, so my take is that it’s relatively cheap to tip those amounts compared to if you were to tip every single time you were served food or ordered a drink. . . Continue reading

 

 

Source: Smorgasbord Blog Magazine – The #Travel Column with D. G. Kaye – #Cruises – Part Two – Ship Tips | Smorgasbord – Variety is the spice of life

Smorgasbord Christmas Party – Guest author D. G. Kaye with Childhood Christmas Wishes and My First Biggest Tree | Smorgasbord – Variety is the spice of life

 

Blog sharing

I was thrilled to be invited to Sally Cronin’s Smorgasbord Invitation blog and share a Christmas story of my own. Sally is running a Smorgasbord of Christmas reading, music, books and authors, and various entertainment. I hope you enjoy my story and when you continue reading at Sally’s blog, have a look around and see all the goodies she has going on, something for everyone.

 

“Today’s guest is no stranger to many of you as Debby Gies, author D.G. Kaye speeds through the Internet like a express train, promoting all of us with elegance and sincere friendship. She is a terrific supporter of Indie authors and you will find interviews, reviews and posts on life at https://atomic-temporary-200280624.wpcomstaging.com

 

Childhood Christmas Wishes and My First Biggest Tree by D.G. Kaye

 

As each December approached, I’d take in the views of the glorious glow of Christmas lights and decorations sprouted everywhere, from the street light posts to the homes we’d pass while driving by them, sparkling in all their glory. I was a child and wanted so badly to be part of Christmas.

Coming from a family that didn’t practice much of religion, and having Orthodox Jewish grandparents on my paternal side, didn’t afford me the luxury of having a Christmas tree. This didn’t mean that I didn’t love Christmas and all special festivities I’d witnessed on TV and from visiting friend’s homes who celebrated. I envied the kids who spent fun times with their families, doing traditional holiday things such as wrapping presents, singing carols and most especially, decorating the tree. Oh how I longed to have a bright and sparkly Christmas tree in my home.

When I was very young I didn’t understand why I couldn’t be a part of the festive season, and nobody explained religion to me, other than being told by CONTINUE READING . . .

 

Source: Smorgasbord Christmas Party – Guest author D. G. Kaye with Childhood Christmas Wishes and My First Biggest Tree | Smorgasbord – Variety is the spice of life

Who Has a New Book? – Guest Interview with Christoph Fischer

 

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Today’s featured guest is the talented and compassionate writer, blogger and multi – award winning author, Christoph Fischer.

christoph-fischer-225x300

 

I’m thrilled to have Christoph here to share some of himself and his time talking about his writing and his newest book, The Body in the Snow.

 

About Christoph:

 

Christoph Fischer is an Independent writer from Germany, based in the UK.

Christoph Fischer was born in Germany, near the Austrian border, as the son of a Sudeten-German father and a Bavarian mother. Not a full local in the eyes and ears of his peers he developed an ambiguous sense of belonging and home in Bavaria. He moved to Hamburg in pursuit of his studies and to lead a life of literary indulgence. After a few years he moved on to the UK where he now lives in a small town in West Wales.  He and his partner have three Labradoodles to complete their family.

Christoph worked for the British Film Institute, in Libraries, Museums and for an airline. ‘The Luck of The Weissensteiners’ was published in November 2012; ‘Sebastian’ in May 2013 and ‘The Black Eagle Inn’ in October 2013 – which completes his ‘Three Nations Trilogy’. “Time to Let Go”, his first contemporary work was published in May 2014, and “Conditions”, another contemporary novel, in October 2014. His medical thriller “The Healer” was released in January 2015, his latest historical novel “In Search of a Revolution” in March 2015 and his latest thriller “The Gamblers” in June 2015.

He has written several other novels which are in the later stages of editing and finalisation.

Find more about him on ChristophFischerBooks

Christoph Fischer is also a reviewer of independent books and on his recommendation pages on this site he features interviews and reviews of the books that have most captured his attention and appreciation by genre.

 

Christoph is a multi-talented writer who is known for his award winning books such as: Ludwicka, The Luck of the Weissensteiners, The Healer, The Gambler, just to name a few. He is a dedicated supporter of Indie authors and a most versatile writer, quickly becoming a multi-genre writer from historical and contemporary fiction, and now with his latest book, he dives into the cozy mystery genre.

 

body-in-the-snow

 

                                            Get This Book Here!

 

The Blurb:

Fading celebrity Bebe Bollinger is on the wrong side of fifty and dreaming of a return to the limelight. When a TV show offers the chance of a comeback, Bebe grabs it with both hands – not even a lazy agent, her embarrassing daughter, irritating neighbours or a catastrophic snowfall will derail her moment of glory. But when a body is found in her sleepy Welsh hamlet, scandal threatens.
Detective Sergeant Beth Cooper has a string of unsolved cases to her name. Her girlfriend left her and she’s a fish out of water in rural West Wales. Things couldn’t get much worse – until the case of the Body in The Snow lands in her lap.

 

Can Beth solve the case and save her career and can Bebe make her comeback? All will be revealed in this light-hearted, cosy murder mystery by best-selling and award winning historical and crime fiction novelist Christoph Fischer.

 

Let’s get more personal and learn a little bit about Christoph!

 

  1. You have so many successful published books, cranking them out at lightning speed it seems. I think we’d all like to know how you manage your busy life between writing, blogging and promoting your books, as well as other books of fellow authors?

 

I’m not sure how it all works out sometimes, myself. There are days when I feel time is stretching to help me. But, I’ve had a little head start by having finished seven of my novels before I published the first one. So, I’m not writing as much new materials as it seems. I have a deep passion for books, though, and I truly enjoy all that I do, which helps to get things done. I would like to do even more, so I keep going as fast as I can in the hope I get a little spare time for new projects. I guess I will sleep when I’m dead 😉

 

  1. Tell us a little about how and when you decided you wanted to become a published author.

 

I point blank refused to spend a lot of money on printing and sending off drafts and begging letters to agents or middle men to those agents. Without the right contacts the system seemed hopeless and a waste of time. Writing was always more like a hobby to me. After I had completed seven novels my friend and gifted cover designer Daz Smith suggested repeatedly that I self-publish one book to see if it would find an appreciate audience, which I did in 2012. My (relative) success took me by surprise and so I kept going.

 

  1. Do you have a set regiment you adhere to for writing time?

 

When I have an idea, I write and write until the first draft is done. I start early in the morning and go for as long as I can, only stopping to walk the dogs and eat. The story needs to come out and everything else becomes secondary. I prefer to write early in the morning but for that first draft, any time will do.

 

  1. Do you have some advice you can offer to new authors and writers you’ve found instrumental in becoming a successful author?

Invest in a professional editor and cover designer! The biggest prejudice against us indie authors is that we’re sub-standard and these two areas are most often mentioned as our shortcoming in comparison to traditionally published books. It’s worth it, because readers will judge us by the same standards and only pick up a book that looks good and that doesn’t feature lots of typos.

 

  1. As a writer who has written a few sequel series books, do you have some advice about how to engage readers in a sequel who may not have read the first book, without divulging too much backstory to get them up to speed?

 

I personally try to tell only what is really necessary for the sequel. Backstories are part of a previous book which can still be read and this should never get in the way of the new plot. After reading a second in the series, I often go back to the first. I love it when I find things there that I haven’t been told already, so I try to work on a tight ‘need-to-know’ basis.

 

  1. Many of your books are in the genre of historical fiction dealing with stories taking place in world and civil wars. Do you think because you were born in Germany and your compassionate nature, this led you to write your best selling trilogy – Luck of the Weissensteiners, Sebastian, and The Black Eagle Inn?

 

Those three books were close to my own family background, so being born in Germany had everything to do with them. Compassion is what makes us human and I couldn’t imagine reading the source materials and not think of how the people at the time were affected. The human factor is what interests me the most when researching.

 

  1. Much of your writing entails compassionate stories dealing with human condition and emotions, adversity, flawed people and even Alzheimer’s disease. Are any of these books taken from real life stories or people you know?

 

Many of my stories had a point of inspiration from real life stories and people I know. For example, we had Alzheimers’ cases in mine and my partner’s family. I had to read up about the disease and watched a lot of documentaries. This led to the desire to write about the topic, but not about the actual people I knew.

 

  1. What inspired you to jump into a completely different genre with your newest book, The Body in the Snow, a cozy mystery? And do you anticipate you’ll be writing more in this genre?

 

A few years ago I was snowed in at home with a power cut. My partner and I joked how our village would be the perfect setting for an Agatha Christie style murder mystery where none of the suspects can get in or out. Since then the idea has lingered. I’ve always had two fun characters in my head that didn’t fit into my serious dramas. They finally got their own book.

I have a lot of ideas for the faded singer and amateur sleuth Bebe Bollinger, so a series is definitely  in the cards.

 

  1. Your newest book, The Body in the Snow is acquiring rave reviews. Can you tell us a little about the book and perhaps share a snippet of an excerpt?

 

The Body In The Snow (A Bebe Bollinger Murder Mystery)” is a cozy murder mystery set in rural Wales during a snow storm. A reluctant fading singer, desperate for a comeback, gets involved in a murder investigation in her village. This all happens during the snowstorm of a century, which traps her with odd and quirky neighbours, a murdered body and a desperate detective

Excerpt:

 

She needed to take her mind off her troubles and decided to have a drink in the trendy bar next door. It was full of recording hopefuls and producers talking about contracts and demos, with more names being dropped than you’d find in a copy of Rolling Stone. It was enough to set Bebe’s teeth on edge.  She knocked back a Bloody Mary but the presence of so many young starlets with their ‘sponsors’ – usually twice their age – only made her feel worse, so she soon left and headed instead, to a piano bar not far from the studio. Maurice occasionally worked here. The lighting was low, so nobody would recognise her and she could take a moment to get over her worries and anger. There seemed to be a kind of tea dance or cabaret act in progress. Someone sang a very bad rendition of That Ole Devil Called Love – another Alison Moyet hit. Bebe had enough and turned round, ready to go back to her car and be done with London, when she heard a shrill voice screaming her name.

 

“Bebe Bollinger? Oh my god, it’s her!”

 

Instantly flattered and in a better mood she turned around and saw two middle-aged gay men with moustaches and jeans and leather attire fall over themselves to run after her. She couldn’t suppress a smile.

 

“We’re such big fans,” the two men gushed in unison and grabbed her hands “You must come inside and sing for us,” one of them insisted. “Please, please, please!”

 

Her face flushed with happiness.

 

“Darlings, my manager won’t let me sing without his cut,” she said evasively. “You need to book me properly sometime. I’d love to sing for you.”

 

She blew them an air kiss with her free hand and tried to free the other one, but her admirers didn’t loosen their grip.

 

“Just the one,” they insisted. “Losing My Mind. Please!”

 

Bebe turned her head left and right. The road was deserted, nobody had seen her; she could do this. This spontaneous gig was exactly what the doctor had ordered.

 

“Fine,” she said.

 

They led her into the piano bar where a crowd of drag queens were holding a karaoke event. Some of them had impeccable make-up on, Bebe noticed. It put her to shame. Glitter, feathers, disco-lights and size 11 heels – this place had it all.

 

“You look fabulous darling,” one of the drag queens reassured her.

 

“You think?” she asked. “People keep telling me I’m too old.”

 

“Nonsense,” her admirer said and waved his hand dismissively to the side. “Jealousy, that’s all it is.”

 

Here, she was a star and treated like royalty. Drinks were ordered for her, she was begged for autographs and people were reminiscing about their favourite moment in her career.

 

“Remember that time you were on Top of the Pops?” a guy asked her. He had a grey woollen vest on and wore thick glasses, like her. He looked like a librarian.

 

“Which time?” she said. “I managed a few gigs there, thank god.”

 

“The show with Renee and Renato,” he said. “You sang right after them and they stayed and brought you flowers afterwards, remember? Cabanero was your song. I remember it well.”

 

She looked at him with astonishment. Even she had forgotten about the flowers from Renato. Renee was nowhere to be seen. “Aren’t you a darling,” she said and kissed him on the cheek.

 

The man shrunk shyly and played nervously with his glasses.

 

“Bebe Bollinger to the stage,” the DJ called out, “Or we’ll all loose our minds.”

 

Her heart pounded with joy.

 

She sang four of her songs – pleased to see that almost her entire repertoire was in that karaoke machine. She made a note to get one of these things herself. It seemed a lot easier than her recording in the basement.

 

“So what is new with you?” another drag queen asked after the show. “Are you going on tour again sometime? I’ll be at every show.”

 

“He’s not joking,” said a stunning-looking woman, half Bebe’s age. “He really is your number one fan.”

 

“Well then I’m very pleased to meet you,” she said.  “And thank you for sticking by me.”

 

She found it very difficult not to spill the beans about her Engelbert gig or ask these fans about their opinion on her further career plans. As loyal as these guys were, they were only a fraction of the music market and she needed to think bigger.

 

“Come back soon,” the DJ said when she made her goodbyes.

 

 http://smarturl.it/BodyInTheSnowBB 

http://bookShow.me/B01LVYRI9L.

 

Thank you so much for guest appearing here today, Christoph. It was lovely getting to know more about you and your writing. As you know, I love your writing and am a dedicated follower of all your writing and thank you for being such a strong supporter of the Indie community.

Please visit Christoph at his blog where he shares, not only his work, but the work of fellow authors, book reviews, and keeps us abreast of oncoming bookfairs and events. He also has another blog, which gives us some greater insights into his books, Christophfischerbooks.com

 

Find Christoph and all of his books on his Amazon Author Page 

 

Connect with Christoph on Social Media:

 

Website: http://www.christophfischerbooks.com/

Blog: http://writerchristophfischer.wordpress.com/

Goodreads: https://www.goodreads.com/author/show/6590171.Christoph_Fischer

Amazon: http://ow.ly/BtveY

Twitter: https://twitter.com/CFFBooks

Pinterest: http://www.pinterest.com/christophffisch/

Google +: https://plus.google.com/u/0/106213860775307052243

LinkedIn: https://www.linkedin.com/profile/view?id=241333846

Facebook: http://www.facebook.com/WriterChristophFischer?ref=hl

 

 

D.G. Kaye, Author | TINA FRISCO – Meet the #Author

news interview

 

I’ve been interviewed over at author/blogger and great sharer of everything writing, Tina Frisco’s blog. Please come over and visit us there.

 

Welcome, Debby!

 

“Hi Tina. I’m excited to be here guest appearing on your wonderful blog and mingling with some of your readers. Thank you so much for having me here today.”

 

“Debby, it’s my great pleasure to have you here. We’re looking forward to learning more about you, your writing process, and your outstanding and informative books.”

 

Tell us a little about yourself. 

 

I’m a nonfiction/memoir writer and blogger. All of my books are written from my point of view, taken from experiences I’ve encountered. While my memoirs, P.S. I Forgive You and Conflicted Hearts are of serious subject matter, I do like to inject some humor in some of my other writings. . . Continue Reading Here

 

Source: D.G. Kaye, Author | TINA FRISCO 

We Are Not #Broken – You Are Not Broken |Dorothy Sander

 

Reblog and featuring

Today’s reblog is from Dorothy Sander and her wise words about healing ourselves. We are not broken, we are on a journey of discover, learning, growing, exploring.

We Are Not Broken

Feeling and believing that we are broken or don’t measure up in some way…that we are flawed…inadequate…and in need of fixing…is an illusion. You are not broken. Perfection is a fantasy.  As human beings we have the ability to see, to conceptualize, a more perfect something. It’s an ability that drives us to create and learn and explore. 

Perfection is a fantasy.  As human beings we have the ability to see, to conceptualize, a more perfect something. It’s an ability that drives us to create and learn and explore. We’ve begun to use this ability to destroy ourselves.

I don’t believe we were born to exploit ourselves or each other, and yet, that is exactly the nature of the life in which we believe ourselves to be trapped. It’s no different from living in a cult. Our culture is a cult. Think of it. Think about how hard it is to go against the norm. We believe in many ways that we are powerless. We are powerless only insofar as we believe we have no choice. . . Continue Reading

 

Source: We Are Not Broken – You Are Not Broken |

What Makes Bad #Writing? | BREVITY’s Nonfiction Blog

Festisite Reblog

I came across this interesting article On Brevity’s Nonfiction Blog. The article speaks of writing a compelling story, not just what we as writers feel would be a great story, but what it takes to make it a good story.

 

We’ve all read a bad book. Most of us have read a bad published book; many of us have read a bad manuscript, perhaps a friend-of-a-friend’s, that we were obligated to read to the bitter end. And then tell the author something noncommittal and encouraging. . . Continue Reading

 

Source: What Makes Bad Writing? | BREVITY’s Nonfiction Blog