I’m doing my first ever Christmas bazaar this Saturday from 9am-2pm at Knox Presbyterian Church in Milton Ontario. I will have ten copies of book one with me at a table available for $10 each. Payment via Square will be accepted as will cash.
e-transfers can be emailed to darcyhaldaneauthor@gmail.com
Canadian readers outside the Milton Ontario area can now order book 1 here for $20 each. Copies will be shipped when I have 10 orders. I am only set-up to receive e-transfers at this time.
The second draft (or first pass of edits) are now done. They took a little longer than expected due to work schedules, and some complicated, and unplanned dental work.
Some stats:
Book went from 233 pages on a first draft to 219 (a reduction of 14 pages)
Word counts- first draft: 117,171 to just under 109,000.
On the second draft I marked out some spots to add or extend scenes.
Other teases:
Tagline: All choices have consequences- It means what it says
I lean more into horror, and explore more of what ‘the cure’ is
This has switched to first person POV for the main character
Chronicles Of the Cure Book 1 is now just over a year old. I found that hitting publish was only the start of the journey; you had to promote, and market. That’s been no mean feat, given I’ve also maintained a regular job. I’ve sold eight copies, and I’m taking that as an indication I’m on the right track.
The beauty of self-publishing is the fact you do things on your own time., and to your own comfort level. I’ve found a little success at least in recognition-wise on X. I have that Facebook page for my author-related stuff. I’ve even stretched my own creativity and comfort level with TikTok, as well as doing the odd Instagram post. It’s been a challenging, fun, creative year. I’m hoping in year two of self-publishing to get into in-person distribution a bit more.
About Book Two…
I’d hoped to have it ready for the anniversary, but it didn’t work out like that. I switched the writing style to Ana’s perspective, and that’s taken some more planning . However, I really like how it turned out because it feels like she’s driving the story forward. Anyone who knows me, realizes that if I’m saying this, it’s a good thing.
The good news is that I think I’ve figured out an ending. So with editing, cover design, we’ll call February, a working deadline. At the moment, the story is going to be approximately 220 pages. The operating tagline is “choices have consequences…” It takes off after the end of book one with Ana.
It’s the Netflix show based on the book series written by Julia Quinn. Season three was based on the book Romancing Mr. Bridgerton- the tale of Colin Bridgerton (Luke Newton), and Penople Featherington (Nicola Coughlan)
This season was average in that it did a lot more wrong, than right. The structure didn’t do the show any favours- releasing an eight episode-season in two batches of four spoiled the story’s momentum. By season 3 the Bridgerton world was a familiar one to viewers. Getting back into it was like catching up with old friends. It was like episode four stopped mid-sentence while at the modiste.
The main love story was between Penelope and Colin, billed as the wallflower getting their day, as well as finding their voice. You can find that in almost all of the side stories. But, the show established a pattern with the focus on the main couple, with a hint of the what the next season will bring in the season finale. I feel like we didn’t get this season. They could’ve done a lot more with mama Featherington’s story, and weave that back into how Colin supports Penelope through her family’s legal troubles. And they could’ve stretched out the big Whistledown reveal a little more. Francesca’s storyline didn’t need to be in it at all. Or if it did, maybe a little less of it, maybe by doing the wedding off-screen, considering there’s a bigger story concerning the husband.
I don’t think they should’ve made Michael Michaela. I think if we’re looking to show acceptance, then use a character already on-screen. I’d have used Cressida, because she’s had everything stripped away from her. It would make sense if she broke away from her family and tried to find herself. Maybe her experiences soften her in some way. Maybe she wants to experiment to find herself, and matches with Francesca?? Besides, Benedict is already experimenting in that area.
I liked this season, but it felt like too much was hurried. The format of two four episode releases didn’t do the story any favours, and it could have been longer. My grade: 7/10.
Listening: I’m slowly making my way through Taylor Swift’s Tortured Poets’ Department. My favourite track on the album so far is Florida featuring Florence & The Machine. I appreciate her music, and her grasp of imagery and lyrics. My favourite Taylor Swift Song is still Right Where You Left Me
Watching: I’m watching the latest season of Bridgerton. It’s only eight episodes, and the producers have split it up into two sets of four. It’s weird because by three seasons it’s like taking a promenade and meeting up with old friends to catch up on their lives. No sooner have you said hello and they’re starting to tell you what’s going on in their lives, than it ends.
Reading: I recently finished Firefly Lane. I saw the series last year, and there was so much more in the books. Lessons of friendship, womanhood, and love. The eternal battle of career vs motherhood, and questions of having it all. I give the book a solid 8/10. Currently I’m reading Prehistoric; a book about the NBA’s Toronto Raptors’ origins.
What are you guys reading/watching or listening to these days? Comment below.
One of the big things I’ve done while writing book two, is to give myself permission to rewrite scenes. To writers this is a big deal, because it’s effectively giving yourself leave to make mistakes, and also the grace to fix them.
With me, what happens is I’ll be typing along and come to a point where I’ll get stuck. I’ll do a few other things, while the scenes play in the back of my mind. I’ll go through a few versions of a scene, until I realize it doesn’t work. Then I’ll go back to the previous point, rewriting the scene. Most of the time, it works out to be better than what I first had in mind.
This isn’t necessarily the approach for those who are determined planners, and outliners, who will not stray no matter what. However it introduces a more comfortable level of pantsing, for us plotters.
Is this something you do in your writing practice? Add your comments below.
As I mentioned here in a previous blog entry, I got a lot of my inspiration from the show The Vampire Diaries for the idea of “The Cure.” So the question of how to make it different followed, and that’s where the world-building started.
The idea of a cure spawned the thoughts of science. From there, it’s where a full civilization with its own governing structure, history, and traditions came in. I’m writing them with this ancient quality about them. The idea that they’ve seen the full spectrum of the human experience, and still go on as living witnesses to history. To an extent, that’s where the character Rodrigo comes from.
The mysteries in history interested me; these tales that nobody could explain, but present interesting “what if.” Anastasia Romanov is based on the Grand Duchess Anastasia. I grew up in the ’90’s when there were rumours that she’d survived. Even after experts confirmed her remains, it presents a case of what if? What would that look like? It’s where I drew inspiration from my antagonist as well.
Want to see how it turned out? Chronicles Of The Cure book 1 is available on Amazon, and Kobo. Read an excerpt before buying here.