Never Give Up! Five Steps to a Book Contract

Wednesday, November 13, 2019

Friends please Note: this blog appeared today, Nov. 13, 2019, on Seriously Write https://seriouslywrite.blogspot.com/ -a great help to writers!   Invited by author Sandy Ardoin  https://www.sandraardoin.com/  Check them out!

Never Give Up! By Elva Cobb Martin

Have you ever thought of giving up on getting your book finished and published? Well, I want to encourage you. Never give up that dream. God is in the business of helping you finish what He has begun in your heart, according to Philippians 1:7 “Being confident of this very thing that he which has begun a good work in your will perform it...”

I wrote my first novel, Summer of Deception, after attending a writers' conference. Once I started submitting it to publishers and agents, it was rejected 26 times. But I kept revising and rewriting. Meantime, my husband and I were called into full-time ministry, and the manuscript went into my attic for the next 20 years. End of story. Right? 

Nope. Summer of Deception, an inspirational romantic suspense, was contracted and published in 2017, thirty years after that first draft. It has spent time on Amazon’s 100 Best Sellers’ List for Women’s Religious Fiction. A prequel, In a Pirate’s Debt, the story of the pirate ancestor of the hero in Summer, soon followed. 

https://amzn.to/33Npc2L

Book 1 in my new Charleston Brides series, Marisol, released this week, depicts a heroine who would not give up. She epitomizes this spirit of not giving up when greatly tempted by circumstances. 

My Five Steps to a Book Contract

Step 1 – Keep God’s Confidence in Yourself and Never Give Up

Many may reject your manuscript, but someone will love it, if you don’t give up.

Step 2 – Hone Your Craft (Check out my Planning Your Novel blog series at http://bit.ly/2HbB5qM)

Carve out praying time, writing time, sharpening craft time, and reading time in your genre.

Step 3 – Find Writing Workshops and Critique Groups

How about your local American Christian Fiction Writers’ Chapter?

Step 4 – Help Other Writers

This is a spiritual principle. You will reap help you need when you sow into others.

Step 5 – Learn how to Submit to Editors and Agents

 Follow their submission guidelines.

Can you add to my list? What helped you not give up?

~~~~~~

Elva Cobb Martin,  a mother and grandmother, lives in South Carolina with her husband and a senior mini-dachshund named Lucy, and a sea green bird named Atticus. She is the upcoming president of her state chapter of American Christian Fiction Writers, a retired teacher, minister, and now calls herself a full-time writer. Better make that rewriter. A life-long student of history, her favorite city, Charleston, inspires her stories of romance and adventure. She desires to share exciting love stories of courageous characters and communicate truths of the Christian faith to bring hope and encouragement.

Planning Your Novel - Part 9 Choosing the Best Opening Scene

by Elva Cobb Martin

How are you coming with your dream novel you want to write? I hope this series of blogs describing my journey helps you. We've covered eight other topics you can find in the archives. Today I want to share about what may be the most important scene to plan in your entire novel--that opening scene you hope will hook editors and readers.

I do a lot of thought and planning and getting advice from other writers about my opening scene. Trust me, it gets changed a lot. ( :

Here are the three different opening scenes I polished up over the last months of planning.Can you guess which one I have used in my final work?  Just yesterday I sent my proposal and first three chapters to my agent to send to editors, and breathed a sigh of relief after working all summer on this. Do pray God will divinely connect me to His best choice of editor and publisher for this projected inspirational historical series.

Here are the three opening scenes from which I chose one to send out in my proposal. I am also giving you the premise, pitch and two back cover tags lifted from my proposal to get you into the scene. You can find articles on each of these in my recent archives.

Premise of Spanish Rose

Love, forgiveness, and determination can overcome the most appalling experiences and poor choices when God is invited into the equation.

Pitch: Marisol Valentin flees the murder of a Spanish nobleman who molested her by sailing to the New World only to realize no one but God can turn good out of evil when her exposed past threatens to destroy all her dreams of love and security.

Back Cover Tags:  1) Loving Her Can Wrap the Chains of the Inquisition Around His Neck.  2) Can Love Overcome the Past and Ignite a New Beginning?

Beginning #1

Chapter 1       Charles Town 1740

Cloaked in the early morning shadows of the cemetery, Marisol Valentin watched Captain Ethan Becket place flowers on his wife’s grave. Her heart hammered so hard she feared he might hear. He had left Charles Town as the grieving minister of the small Presbyterian Church and returned as privateer captain of his own ship.

       His bronzed face, thicker arms and chest only hinted at the greater change she sensed beneath his seaman’s demeanor. How had this gentle man become what many would call a pirate?

Ethan turned and she shrank behind a monument.

“Marisol.” His deep voice rooted her bare feet in the dew-laden grass.

He strode toward her. “I’m glad you followed me. “I have something to tell you.”

Trembling, she looked up into his bearded face and startling grey eyes.

“You must know how much I appreciate your care for  Joshua these past few weeks. A smile tugged at his thin lips beneath his mustache.

She nodded and heat climbed her neck at his closeness. A scent of sea, leather and spice tantalized her senses.

“My parents will be immigrating to Charles Town, along with my Cousin Emma. They will take over Joshua’s care.”

Joshua. His child she’d grown to love. Her heart fell and the blood drained from her cheeks. What was he saying? Was he selling her indenture paper?

He searched her countenance and his forehead furrowed. Then he laid a broad, warm hand on her shoulder. “But in no wise are you to fret about your future, Marisol.” His frown relaxed. “I am going to arrange your freedom from any indentured obligation, and I’ll help return you safely to your home and family. Wherever that is.”

Marisol averted her face and tried to swallow, but her mouth dried up like a potsherd. She could never return home. 

Beginning #2

Chapter 1   Charles Town, 1740  

Hidden deep in the ship's hold, Marisol Valentin rocked her sleeping charge on her lap. If only she could keep her one-year-old Samuel quiet and their presence secret for a few more hours. Once they were well out to sea, surely Captain Becket would not turn back to Charles Town. Would he be furious she’d stowed away and with her son he had adopted?

Reverend Ethan Becket, now Captain Becket of his own ship, a French merchantman. Just thinking her indentured master’s name, not to mention his new status, caused Marisol’s heart to jump in her chest and her breath to catch. But the next moment, moisture gathered in her eyes and her shoulders slumped. Her secret past weighed like a sack of stones on her back.        Samuel whimpered and awoke. Shaking aside her troubled thoughts, Marisol looked down into the bright eyes of her toddler, his rosy face and dark hair a perfect blend of her English and Spanish heritage. Thank God no resemblance of her attacker showed up in the child's looks. That face she longed to forget.

 “Good morning, little man,” she whispered and kissed him on the cheek. “We’re on an adventure with Captain Becket. You’re on a real ship. Feel the movement? Hear the waves lapping the hull? Isn’t it wonderful? You’ll get to be with your adopted father every day.”

And so will I. But what chance would a soiled piece of goods like her ever have with a man like him?

                                      ***         

Beginning #3

Chapter One    Cadiz, Spain, 1740   

Marisol Valentin fought her way to consciousness on the barn floor under her attacker. Managing to free one hand twisted behind her, she wrenched the knife from her boot and thrust it deep into the man arched over her. He uttered a curse, then his eyes glazed over, and he fell forward. She spit out the cravat he’d stuffed in her mouth and pushed his heavy, lifeless form from her. Her hands came back wet and sticky. The acrid odor of blood replaced the sweet scent of hay and horses and her stomach roiled. She groaned and sat up, holding her palms outstretched. She wiped them on her torn skirt and struggled to stand.

 After pulling her clothing together as best she could, she peered at the still form lying beyond her. Diego Vargas, nobleman of Cadiz, would never harm another maiden. But that would not help her now. He had ruined her for life. Tears coursed down her cheeks. Then her lips curled and her fists clenched. He got what he deserved, and she was not sorry. Even if she hanged for it. But la policía would have to catch her first.  

Marisol pressed her wet face on the neck of her beloved mare and said a hasty goodbye. She stumbled across the dark stable yard, and up the back stairs of the hacienda. Bursting into her bedchamber, she shoved the door closed, and leaned against it.

 “Oh, my lady.” Her maid dropped the gown she was laying out on the bed and hurried to her side. “What has happened?”

                                    ***

Which opening do you like the best?  Thanks for stopping by. Do leave a comment and share on your social media.

Blessings,

Elva Cobb Martin

                                                

My Journey to a Book Contract - Part 9 Preparing for Editors and Agents

by Elva Cobb Martin  @ElvaCobbMartin

You can master all kinds of writing craft but if you don't learn how to submit to editors and agents, you might never get that dreamed of open door to a book contract and great adventure.

Recently I learned about some excellent editing programs that can help you polish a manuscript before submitting to an editor or agent. Google these editing program names: Autocrit, Hemingway, Grammarly to see what might work for you.

Once you have your ms in what you think is your best form, you should read publishers or agents submission guidelines carefully and do exactly what they say to submit. It's amazing how many don't think they need to follow submission guidelines. You can google any publisher, editor or agent's name and go to the link for Submission Guidelines. All this study is vital before submitting.

Attend writers' conferences! At writers' conferences, the editors and agents will write in their class sections in the syllabus what type manuscripts they are currently interested in. See where yours would fit and make an appointment with that editor or agent, and sit at their table. In this picture I am at a dinner seating with MacGregor Literary Agent Erin Buterbaugh at the Blue Ridge Mountains Christian Writers Conference at Ridgecrest, NC.

For editors and agents you need to learn what One Sheets are, query letters, book proposals, pitches/loglines, tags. You can google these terms and find a lot of information. Appointments at conferences are only 15 minutes so you have to have your pitch ready to go and hopefully, a One Sheet. Don't know what a One Sheet is or like to see a sample? Leave a comment and ask for a sample to be sent to your email address as an attachment. Don't forget your email address! An appointment with a Prism Book Group editor at the 2015 conference I attended at Blue Ridge, and my carefully crafted pitch and One Sheet, led to my first book contract --for Summer of Deception  released in March 2017.

Pitch or Logline
This a one or two sentence nutshell that explains what your story is about and HOOKS the reader or editor.

Sample 1: Jacob Marshall must avenge his father's honor by implicating Serena Jones' Father only to realize revenge often hurts the innocent.

Here's a simple work template to write your pitch:

(Your protagonist) ______________MUST________________ (critical plot goal BY_______________ (action or conflict with the Antagonist) ONLY TO REALIZE ________________ (what the character learns about life that helps him change his goal during the journey of book or come to a satisfactory ending.)

Here's my pitch I wrote for Summer of Deception using this template, and I pitched this book to Prism Book Group:

Rachel York tries to unearth the truth about her brother's reported death by taking a position at a Carolina tea plantation, only to realize the truth may destroy her new found love and could even cost her life.

Tags
A tag is a much briefer hook, like back cover copy's first line or two in large print, or movie bylines.

To boldly go where no man has gone. (Star Wars)
Don't go in the water. (Jaws)
Seth Kincaid remembers almost everything . . . except getting married. (novel tag)
Power comes with a price (The List by Robert Whitlow)

My tag for Summer of Deception:
A wounded warrior . . . a woman searching for truth.

Rejections happen to all! Never forget this. Summer of Deception was rejected 26 times over several years, but I kept honing my craft, rewriting and submitting. Here are some comments I received with rejections:

Too much telling. (White Rose Publishing)
Too wordy - too much description (Agent sue Seymour)
Too long for publisher's guidelines (Editor Yvonne Lehman)
Not a fit for us. (Harlequin Love Inspired)

Make up your mind. YOU will not give up! Track your submissions by date, person submitted to and their response. Keep a Writing Log Notebook as you progress with your writing daily or weekly.

So glad you stopped by today! Did any of this help you? Do leave a comment and share on your social media if helpful.


Here's my scripture prayer for you and all Christian writers:
Make our words "like a gushing stream, (sparkling, fresh, pure and life-giving.)" Prov. 18:4b Amplified Bible

This is the last part of this series on my "Journey to a Book Contract." Now, as Randy Ingermanson would say: "Go write a heartbreaking work of staggering genius."

Onward in His Steps,
Elva Cobb Martin

My Journey to a Book Contract - Part 8 Importance of Conferences, Writing Groups and Writers' Blogs

by  Elva Cobb Martin  @ElvaCobbMartin

I've not blogged for several weeks due to being busy with book edit rounds! It's been a crazy summer and start of fall editing TWO books with two different editors. I will eventually share some great things I've learned, including how important good editors are. They do make our books much better.

Today I want to share the next step to my first book contract. 

Writing conferences, writing groups, critique partners and following good writing blogs have all been part of helping me finally gain a book contract.

As a writer you may feel like or wish to be a loner, but this is not going to fly well today. Networking is important. Many people helped me along the way to a contract. I appreciate them all and hope I, in turn, have helped others.

Writing Conferences

Some great coming conferences I've attended or can recommend, along with their links are: 

• Feb. 17-19, 2017, Asheville Christian Writers; Conference. (formerly Boot Camp)  http://ashevillechristianwritersconference.com/

• Feb. 22-26, 2017,  Florida Christian Writers’ Conference, Lake Yale Conference Center,  Leesburg, Florida    http://www.floridacwc.net

• March 10-11, Carolina Christian Writers Conference, Spartanburg First Baptist    www.fbs.org/writers

• May 21-25, Blue Ridge Mtns. Christian Writers Conference, Ridgecrest  http://www.blueridgeconference.com/2017-info

• Sept. 21-24, ACFW Premier Christian Fiction Conference, Texas  www.acfw.com/conference

I consider money spent for conferences, which I have to carefully plan and budget for, is an investment in my writing success. And I keep detailed records for tax deductions for all my writing expenses, including conferences.

My first book contract offer for my inspirational romantic suspense novel, Summer of Deception, actually came after I attended and pitched it to a Prism Book Group editor at the Blue Ridge Mountains Christian Writers Conference. I had 26 rejections of query letters and partial submissions by email before that. Of course, I kept improving my craft after each rejection, but I think the face-to-face contact helped slide me over into a book contract offer. Summer of Deception will be  released  March, 2017.

Writing Groups

Along with conferences, I have been blessed by my participation in several writing groups: our ACFW-SC chapter of which I am president; Cross N Pens, which meets in Simpsonville, SC, and Yvonne Lehman's writing group which I attend when I can in Black Mountain, NC. The critique times in these groups helped me plough through quite a few craft items I needed to improve.

Great Writers' Blogs to Follow:

http://www.thewriteconversation.com

http:/www.seekerville.blogspot.com 

http://www.writerswrite.co.za 
http://www.romanceuniversity.org

I skim these blogs and print out the ones I need to study further. 

Which conferences, writing groups, or blogs have helped you along the way?

All the above things have helped me gain a book contract. But I will never discount the fact that finding time to daily study the Bible and pray over my writing have been the key to any success I've enjoyed and much smoother sailing.

Yes, my second novel, you guessed it, is from the pirate era! In a Pirate's Debt is to be released by Lighthouse Publishers of the Carolinas next May.

So glad you stopped by. Do leave a comment and share this on your social media if you think it helpful to others.

Elva Martin

My Journey to a Book Contract - Part 7 Internal Dialogue Editor's Notes

by Elva Cobb Martin

Today I am sharing some internal dialogue notes from the Prism editor of  my romantic suspense novel, Summer of Deception, which is to be released in March, 2017.

What do you think the characters in the pictures below might be thinking?

Secret: My hero for my next novel. Ethan Wentworth. He's begging me to tell his story.

Internal Dialogue and Italics – Notes from Susan Baganz, Editor, Prism Book Group

   Internal dialog is the way someone talks to themselves in their minds, it’s not just mere thoughts)

1) Just plain thoughts are not italicized.  

     

     Was this a manipulation?  

     Good gravy. Was this the way the Marines landed?  

    

2)When the character is actually talking to himself, that should be italicized. 

   

      It was just a nightmare. It was just a nightmare.

      Get out of my way, please.

      Not expecting her?

      A pleasing fragrance emanated from her. Musk or lavender?

3) Silent prayers are italicized.

     God help me.

     Lord, thank You for this wonderful summer position, but I’m going to need Your help big time to sit at table with this man every day.

4)  Third person past tense versus first person present tense in thoughts. (This was an eye opener for me)

         

     Incorrect: Wipe the silly smirk off your face. (Simple thought of character I had in italics)

    Corrected: She longed to wipe the silly smirk off his face.

    

     Incorrect: Yes, what is preventing me?

     Corrected: Yes, what was preventing her?

      Incorrect: So you don't care a thing about Morgan, Mr. Barrett? And you think marijuana shouldn't be legalized, but you've stashed a fortune in cocaine in your attic.

     Corrected:  So he didn't care a thing about Morgan. And he thought marijuana shouldn't be legalized but he stashed a fortune of cocaine in his attic. 

Please share any tips you have about internal dialog, and do share this blog on your social media if it proved helpful.

Elva Cobb Martin

My Journey to a Book Contract - Part 6 Deep Point of View

by Elva Cobb Martin

Part 6 - Master Deep Point of View (DPOV)

I highly recommend you purchase a copy of Rivet Your Readers with Deep Point of View by Jill Elizabeth Nelson! It is a small book but a great help in mastering DPOV.

DPOV draws the reader into the arms and head of your character.

Mastering DPOV often eliminates most problems with show/don’t tell and italics.

Here are some quick pointers:

♦  Never say he/she thought, felt, knew, wondered, realized, decided. 

Simply write what it is.

    Wrong: He understood how much this would mean to her. He knew she’d be worried.

    Right: This would mean a  lot to her. She would be worried.

♦  Don’t name the emotion, describe it instead.

     

     Shallow: Jealousy flashed through me.

     Deep: Heat boiled my insides. If that wimp could win a trophy, where was mine?

♦  Describe physical effects on the body: 

         Anger: His hands formed into fists.

       Nervous: Sweat popped out on his palms. His throat closed.

♦  Ditch Prepositional telling phrases (of, with, in)

     

     Shallow: Desiree’s skin prickled with pleasant excitement.

      Deep: Shadows deepened. The place reeked of ancient secrets.   Desi's skin prickled.

♦  Don’t use he/she saw, tasted, smelled, heard. Simply state what he saw, tasted, smelled or heard.

     Shallow: He could see the tip of the dog’s nose peeking out of the                            closet.

     Deep: The tip of the dog’s nose peeked out of the closet.

     Shallow: He tasted bile. 

     Deep: Bile rose in his throat.

Do you have some tips to help master DPOV? Please leave a comment and share on your social media if this blog helped you.

Elva Cobb Martin

My Journey to a Book Contract - Part 5 Show Don't Tell

by Elva Cobb Martin

Show/don't tell is a biggie for us writers to master, and I keep working at it, believe me. Randy Ingermanson has helped me a lot. Here is an excerpt from his blog archive at https://www.advancedfictionwriting.com

How to Show/Not tell 

by Randy Ingermanson

 1) Action: Anything your characters do, shown in real time. 

• Jake swung the bat into the kidnapper's head.

 2) Dialogue: Anything your characters say, shown in quote marks.

      "Take that, you scurvy dog!" Jake shouted.

3) Interior Monologue: Anything your chracters think, whether a verbatim record of the thought or a mere statement of it. Verbatim thoughts are often shown in italics, whereas indirect thoughts never are.

    And if you ever touch my daughter again, you're dead.

    What were these idiots thinking, to mess with the daughter of a Navy Seal?

4) Interior Emotion: Anything your characters feel. This is best done by showing direct physiological reactions which can be interpreted as emotions.

      Another rush of adrenaline boiled up in Jake's stomach.

5) Description: Anything your characters can see, hear, smell, taste, or touch.

     Two gunshots range in quick succession. The bare light bulb in the basement exploded in a curst of darkness. Cold air rushed over Jake like a river. He smelled gunpowder so strong he could taste it. The small red dot of a laser aiming device raced across the floor toward his feet.

What has helped you show/not tell? Please leave a comment and share this blog on your social media by clicking on the icons below.

Elva Cobb Martin

My Journey to a Book Contract - Part 4 Master GMC and MRU's

by Elva Cobb Martin

We continue "My Journey to a Book Contract" and honing your craft. This is Part 4. You can access Parts 1-3 in our archives.

Master “Goals, Motivation, and Conflict” 

(check out a great book with same title by Debra Dixon)

Your hero, heroine and even other characters should have a:

        Goal – What they want

        Motivation – Why they want it

        Conflict – The why not (what stands in their way)

   

   Internal and External Needs evolve into Goals, Motivation, Conflict which drive the story.

           Carolyn Greene says inner conflict is what gives characters’ something to think about.

           External conflict propels the plot and gives characters something to do.

           Inner needs can be universal and intangible: respect, acceptance, security, safety, love

           External needs should be tangible and resolvable:  justice, revenge, the truth, job promotion   

Example: Kirsten Arnold wrote on a Seekerville blog comment her idea at Internal and external GMC & logline.

Log Line/Pitch: A rugged Alaskan hunting guide must save the younger brother of the woman he loves while learning to accept the forgiveness that can set him free and open the door to love and life. 

    

Who: Cooper Maitland: Alaskan outfitter/hunting guide

External GMC: Cooper wants to help the FBI catch drug traffickers operating as Alaskan fishermen, and save Bryce Wallace the kid brother of McAye Wallace the woman Cooper loves.
Internal GMC: Cooper wants to forgive himself and accept God’s forgiveness for the terrible mistake he made that cost McAye’s sister her life. His love for McAye stands in the way, because it serves as a constant reminder of his past and keeps him mired in guilt.


Master MRU’s - Motivation Reaction Units

(Should be in this order but don’t have to include all 4)

  1) Physical or gut level

  2) Thought

  3) dialog (can be combined with action)

  4) action

Incorrect Order (example from my draft of Summer of Deception)

Rachel looked at him for a long moment. First the housekeeper, now this man. Wasn’t anyone expecting her? A sting shot through her empty stomach. But she shook off her uneasiness. Everything could be cleared up in two seconds. She dug in her handbag. “Mr. Barrett offered me a summer position. I have his note here.”

Corrected Order: 

A sting shot through Rachel’s empty stomach. Wasn’t anyone expecting her? First the housekeeper, now this man. She looked at him a long moment and cast off her uneasiness. Everything could be cleared up in two seconds. “Mr. Barrett offered me a summer position. I have his note here.”

She dug in her handbag.

What helped you master GMC or MRU's? Please leave a comment and share this blog on your social media by clicking on the icons below.

Elva Cobb Martin

My Journey to a Book Contract - Five Vital Steps (Part 3 Theme)

Howdy Writer Friends, 

Today I continue my series on "My Long Journey to a Book Contract - Five Vital Steps."
You can get the full blogs in my archives on Part 1 and 2 but here is a fast review:


Here are the five steps I listed in Part 1:

1) NEVER give up!
2) Keep Honing Your Craft
3) Importance of Conferences and Writing Groups
4) Help Other Writers 
5) Learn how to Submit to Editors and Agents

In Part 2 I covered four ways I've learned to plot a novel. 

Today, in Part 3, I continue with "Honing Your Craft" and important things I learned that helped me on the way to a contract. 

Plug into a Theme - A story’s most basic element

The author’s worldview, their core values and outlook on life, drive the theme. Here are 10 central themes in film and books constantly repeated which describe an opinion about society, human nature, God, or life in general.

1) Good vs. Evil   - Star Wars, The Chronicles of Narnia,

         The War Room

2) Love Conquers All   - The Notebook, Love Comes Softly                      series, The Passion

3) Triumph over Adversity – The Blind Side, Facing the Giants

4) Individual vs. Society – Schindler’s List, The Elephant Man

5) The Battle – Braveheart, The Patriot, Attila

6) Death as a Part of Life – The Shack, Driving Miss Daisy

7) Revenge – Cape Fear, Revenge of the Nerds

8) Loss of Innocence – Sixteen Candles, Toy Story 3

9) Man vs. Himself – Gone with the Wind,The Godfather

10) Man vs. Nature –Jaws, Armageddon, Jack London stories,               Survivor shows

A quick check of stories in the Bible will reveal many universal themes. In fact, the Bible hasn’t left out any nitty-gritty issues mankind faces.

■ Husband and wife join in wrongdoing (Adam/Eve, Ahab/Jezebel, Ananias/Sapphira)

■ Jealousy/sibling conflict (Cain/Able, Rachel/Leah,                       Joseph/brothers)

■ Love/hate triangles (Abraham/Sarah/Hagar;                                     Jacob/Leah/Rachel)

■ Arranged marriages (Isaac/Rebecca, Jacob/Leah/Rachel,               Christ and His Bride

■ Rape (Dinah and Shechem; Tamar and Ammon)

■ War and its mighty men (Joshua, David, Gideon, Samson)

■ Women’s rights (the daughters of Zelophehad Joshua 17:3-6)

■Adoption vs. Infanticide (Moses)     

■Adultery/Murder (David/Bathsheba) (Hosea)

■ The perfect love story – Ruth and Boaz

■ The Wrong Kind of Sex  – Sodom & Gomorrah, the Levite’s concubine (Judges 19), Samson & Delilah

■ Redemption and Forgiveness – (the Prodigal Son and                        numerous stories)

Because I'm an inspirational writer, I want my novels to reflect my Christian worldview, core values and outlook on life, through whatever theme I choose. That's the legacy I want to leave with my readers and future generations.

Can you discern the writer's worldview in the movies and/or books you have read recently? So much being written and filmed today is in a secular worldview, but I do love to read and view stories with a strong Christian worldview. How about you?

What is your theme in your current WIP? Can you add to our theme list? Please leave a comment and share this blog on your social media if it helped you.

Elva Cobb Martin