At the behest of corporate copyright holders, media sharing sites like YouTube and SoundCloud have implemented listening algorithms designed to identify uploaded music. However, these “Content ID” systems are designed to presume all use is illegal use; every match is …
NXS #2 Promo Video Starting tomorrow night, I have a new invited work launching as part of NXS, an experimental publication from Amsterdam that “aims to explore the emotional and sensual side of hardware, software and algorithms that normally have …
The cover of NXS #2: Synthetic Selves Context This past summer I received an invitation to contribute to the European magazine NXS. NXS is an experimental biannual publication that: …aims to explore the emotional and sensual side of hardware, software …
You like my like of your like of my status is a sound and video installation. Each screen follows a progressive generative text pattern of increasingly “liking” each others’ “likes”. The text is spoken using a real-time speech synthesis engine, …
My work Not Pitch for baritone saxophone and computer-generated sounds has been recorded and released on CD by Rhonda Taylor.
Do we really need to hear more fake clarinets or to see more computer-drawn portraits? What about something new?
Jacob Barton will be performing the world premiere of my musical work titled Shift (2010), tonight (January 19, 2011) at the Contemporary Arts Center of Virginia in Virginia Beach, VA.
If you don’t speak will anyone see you? Do surveillance technologies modify the way we speak or think about ourselves in public? What happens if we can see conversation dynamics? Will it change the conversation? This work, titled Finding Your …
The pace of cuts in reality TV has been steadily increasing, and now often obfuscates the content it presents. In fact, this increase is common throughout temporal media and has been accelerating for years. I’m interested in the potential effects …