Tag Archives: fight

I Hate Writing Combat Scenes

15 Jun

You’re building a mystery, you’ve finally cornered the big bad, and then… a fight breaks out. It’s the natural conclusion, climax, or just necessary scene to push the story forward. And that’s where my fingers freeze on the keyboard. Because the last thing I want to do is write combat. Why? Why is it that the combat the hardest thing to write? Well, the simple answer is that it’s hard.

“Write what you know.” That’s the maxim given to every writer who’s having trouble trying to get past the blank page that has been tormenting them from the start. I’ve been in exactly two fights in my life. The first time, I just sat on the guy until they stopped bugging me and the second, I threw him into a locker. So I can’t say that I know combat.

Conversation? Sure, it can be just as uncomfortable as fighting, but at least I’ve done it before. I have conversations every day. So once you know who your characters, you can pretend how they would say things, what sentence follows another, and the final objective that you’re trying to reach. The more often you write conversational scenes, the easier they are, especially if they’re with the same characters that you’ve already developed.

Fighting? It’s not as easy to predict what someone will do, how they will react, how tough they are in taking a shot and how tough your character is in receiving it. Plus, since I haven’t been in that many fights, what I say happens may come across as simply bad. Two months of martial arts training is not enough for me to say “Oh, yeah, that would be so effective.”

Now… there is a way to cheat yourself out of the fight scene. Both of which were used successfully by one of my favorite authors, Colleen McCullough (of blessed memory). When she was writing her Masters of Rome series, which involves a lot of battles, she would just skip to the end. There would be the buildup, the initial rush, and… then the characters would be left with the aftermath of what they did.

Colleen also used to show you things in the distance as well. This is especially useful for large scale combats, where her main characters were simply the generals, so they rarely get in deep with the mud and blood. Or if the battle is coming towards you, simplify or blur the action (which is realistic), and get it done as fast as possible so you get to the aftermath.

But as I said, that’s cheating. So I’ve learned a couple tricks to get me through the combat that I’ve been avoiding typing on my word processor. First is easy; combat is personal. If you’re only showing the battle from one person’s perspective, you can fill in the emotions, the pain… hey, I know all about that! Then it becomes less about the moves and the actions and more about your experience in the crucial moment.

The second is what I’m currently doing in my Potter-verse adjacent story, No Such Squib. When magic is involved, no one can say “That couldn’t possibly work,” because… you know, magic. The only person who can definitely say that the magic works or not is the person who defined the rules of that magic, i.e., me. Here’s the best part, “magic is a force multiplier.” One wizard can fight off one-on-one, or against multiple witches, depending on how tough they are. And once again, who can say the relative toughness of the individual wizard? Me.

If you gotta write what you know, you might as well make it as easy as you can for yourself, because writing is tough enough as is. However, I think my results speak for themselves, but I’ll let you be the judge of that. A month ago I finished No Such Wizard, my most recent novel. Lots of magic, fighting, talking, and fighting with magic. If you’re a dedicated Kindle user like I am, it’s only $0.99. Check it out. If you’re a cheapskate like me, I still want you to read it, but you can check it out on An Archive of Our Own (AO3) with simpler formatting, but the words are all the same. Let me know what you think!

Writing Better Fight Scenes

28 Nov

Today’s post comes from Editor Ed, a long-time friend of mine who is also a small press publisher, editor, and author in his own right. You can find his books at Pickman’s Press.

As an editor, I read a lot of stories—including a lot of bad ones.  Badly written fight scenes are a personal pet peeve of mine.  As best, I’m simply bored.  At worst, I get confused, can’t clearly visualize what’s happening, and grow frustrated. 

Consequently, I spend a lot of time pondering why one fight scene worked while another, similar fight scene didn’t.  So here are six little writing tweaks you can use to keep your fight scene action quick, clean, exciting, and most importantly, readable.  These might seem like tiny nit-picky changes, but a few dozen such changes can have a huge cumulative effect.

1.  Be careful with pronouns. 

This is the most common problem I see. Pronouns can confuse readers and make them lose track of who’s doing what, especially in fight between two people of the same gender.  For example, “he punched him” is unclear.  “Bob punched Mike” is much clearer.  After writing your fight scene, check it carefully for any ambiguous pronouns, and replace them with names.

2. Keep cause and effect in the right order. 

This is the second most common problem I see.  Although this may seem obvious, some writers like to reverse the order, describing the effect and then explaining the cause.  For example, “Suddenly Mike screamed and fell to the ground, for he had been stabbed in the back”.  This is awkward for the audience, who has to reverse the cause and effect in their mind before they can properly visualize it, causing a brief snag in the flow of action.  Also, sometimes the effect makes no sense without knowing the cause, and the audience has a brief moment of utter confusion, wondering why in the world Mike is screaming.  Writing “suddenly Mike was stabbed in the back, screamed, and fell to the ground” is much easier to understand.

3.  Use short, simple, common language whenever possible. 

A fight scene is NOT the time or show off your big vocabulary of long, complex, or obscure words.  When you use words the average reader doesn’t know, you’re creating a brief instant of confusion and incomprehension for the audience, a “speed bump” that slows down the action flow while they re-read the word, trying to figure out the meaning from context.  Using long, multi-syllabic words can also slow down the action, as it takes longer to convey the same amount of information. As a general rule, try to avoid any word with more than three syllables, and if you can replace a three-syllable word with a one-syllable word without altering the meaning of the sentence, do it. 

4.  Use short, simple sentences

This keeps the action flowing quickly and adds a sense of urgency.  Avoid joining any more than two sentences with a comma, as this forces the reader to keep more information in their head (and mind’s eye) simultaneously, slowing down their visualization.  If you can separate compound sentences without adding extra words, do so.  Look for excessively wordy sentences and simplify them.  Finally, look for awkwardly phrased sentences and reword them to read more smoothly.

5.  Use the strongest verbs possible. 

This is a cheap trick, but it works.  Find any weak verbs and replace them with stronger, more dramatic ones.  For example, use “slash” instead of “cut”, “scream” instead of “yell”, or “dash” instead of “run”.

6.  Whenever possible, use present tense or tense-neutral verbs instead of past tense. 

For example, “Bob was screaming, punching Mike again and again” works better than “Bob screamed and punched Mike again and again”.  This gives the action more immediacy—it reads like it is happening now, like the reader is in the middle of the action and watching it happen in real time.  Overuse of the past tense can make the reader feel one step removed from the action, like they’re sitting around a campfire listening to grandpa tell the story of an old battle.

What do you think? Do you find yourself falling into these mistakes? Is there a trick that we didn’t mention? Tell us in the comments below!

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