Showing posts with label Margaret Killjoy. Show all posts
Showing posts with label Margaret Killjoy. Show all posts

Jan 18, 2021

On fascism and anarchy

Cover for the Italian edition.
Expert from Mythmakers and Lawbreakers: Anarchist Writers on Fiction, edited by Margaret Killjoy, published in 2009 by AK Press.
Alan Moore: [...] it struck me that simple capitalism and communism were not the two poles around which the whole of political thinking revolved. It struck me that two much more representative extremes were to be found in fascism and anarchy.

Fascism is a complete abdication of personal responsibility. You are surrendering all responsibility for your own actions to the state on the belief that in unity there is strength, which was the definition of fascism represented by the original roman symbol of the bundle of bound twigs. Yes, it is a very persuasive argument: “In unity there is strength.” But inevitably people tend to come to a conclusion that the bundle of bound twigs will be much stronger if all the twigs are of a uniform size and shape, that there aren’t any oddly shaped or bent twigs that are disturbing the bundle. So it goes from “in unity there is strength” to “in uniformity there is strength” and from there it proceeds to the excesses of fascism as we’ve seen them exercised throughout the 20th century and into the 21st.

Now anarchy, on the other hand, is almost starting from the principle that “in diversity, there is strength,” which makes much more sense from the point of view of looking at the natural world. Nature, and the forces of evolution—if you happen to be living in a country where they still believe in the forces of evolution, of course —did not really see fit to follow that “in unity and in uniformity there is strength” idea. If you want to talk about successful species, then you’re talking about bats and beetles; there are thousands of different varieties of different bat and beetle. Certain sorts of tree and bush have diversified so splendidly that there are now thousands of different examples of this basic species. Now you contrast that to something like horses or humans, where there’s one basic type of human, and two maybe three basic types of horses. In terms of the evolutionary tree, we are very bare, denuded branches. The whole program of evolution seems to be to diversify, because in diversity there is strength.

And if you apply that on a social level, then you get something like anarchy. Everybody is recognized as having their own abilities, their own particular agendas, and everybody has their own need to work cooperatively with other people. So it’s conceivable that the same kind of circumstances that obtain in a small human grouping, like a family or like a collection of friends, could be made to obtain in a wider human grouping like a civilization.

So I suppose those are pretty much my thoughts at the moment upon anarchy. Although of course with anarchy, it’s a fairly shifting commodity, so if you ask me tomorrow I might have a different idea.

Apr 20, 2014

Alan Moore on... real life and fiction

Expert from Mythmakers and Lawbreakers: Anarchist Writers on Fiction, edited by Margaret Killjoy, published in 2009 by AK Press.

I think that stories are probably more than just useful; they are probably vital. I think that if you actually examine the relationship between real life and fiction, you’ll find that we most often predicate our real lives upon fictions that we have applied from somewhere. From our earliest days in the caves I’m certain we have, when assembling our own personalities, tried to borrow qualities - perhaps from real people that we admire, but as often as not from some completely mythical person, some god or some hero, some character from a storybook. Whether this is a good idea or not, this tends to be what we do. The way that we talk, the way that we act, the way that we behave, we’re probably taking our example from some fiction or prototype. Even if it’s a real person who’s inspiring us, it may be that they were partly inspired by fictional examples. And given that, it is quite easy to see that in a sense, our entire lives - individually or as a culture - are a kind of narrative. [Alan Moore]