Journal

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Wednesday, March 4th, 2026

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If you wanted to make a really crude approximation of project management, you could say there are two main styles: waterfall and agile.

It’s not as simple as that by any means. And the two aren’t really separate things; agile came about as a response to the failures of waterfall. But if we’re going to stick with crude approximations, here we go:

  • In a waterfall process, you define everything up front and then execute.
  • In an agile process, you start executing and then adjust based on what you learn.

So crude! Much approximation!

It only recently struck me that the agile approach is basically a cybernetic system.

Cybernetics is pretty much anything that involves feedback. If it’s got inputs and outputs that are connected in some way, it’s probably cybernetic. Politics. Finance. Your YouTube recommendations. Every video game you’ve ever played. You. Every living thing on the planet. That’s cybernetics.

Fun fact: early on in the history of cybernetics, a bunch of folks wanted to get together at an event to geek about this stuff. But they knew that if they used the word “cybernetics” to describe the event, Norbert Wiener would show up and completely dominate proceedings. So they invented a new alias for the same thing. They coined the term “artificial intelligence”, or AI for short.

Yes, ironically the term “AI” was invented in order to repel a Reply Guy. Now it’s Reply Guy catnip. In today’s AI world, everyone’s a Norbert Wiener.

The thing that has the Wieners really excited right now in the world of programming is the idea of agentic AI. In this set-up, you don’t do any of the actual coding. Instead you specify everything up front and then have a team of artificial agents execute your plan.

That’s right; it’s a return to waterfall. But that’s not as crazy as it sounds. Waterfall was wasteful because execution was expensive and time-consuming. Now that execution is relatively cheap (you pay a bit of money to line the pockets of the worst people in exchange for literal tokens), you can afford to throw some spaghetti at the wall and see if it sticks.

But you lose the learning. The idea of a cybernetic system like, say, agile development, is that you try something, learn from it, and adjust accordingly. You remember what worked. You remember what didn’t. That’s learning.

Outsourcing execution to machines makes a lot of sense.

I’m not so sure it makes sense to outsource learning.

Tuesday, March 3rd, 2026

Will There Ever Be Another You by Patricia Lockwood

Patricia Lockwood’s No One Is Talking About This knocked me for six when I read it back in 2022:

It’s like a slow-building sucker punch.

Like my other favourite book of that year—A Ghost In The Throat by Doireann Ní Ghríofa—it’s hard to classify. I think it’s autofiction. Not quite autobiography. Not quite fiction.

Will There Ever Be Another You is also autofiction. I think. It might also be poetry (which shouldn’t be surprising as Patricia Lockwood is a poet after all).

I can’t say that this one had the same emotional impact of No One Is Talking About This for me but then again, very little could.

The writing feels very impressionistic, with each chapter trying on a different mode. It’s kinda Joycean …if James Joyce was stuck indoors during a global pandemic.

The narrative—such as it is—revolves around The Situation from 2020 onwards. That was a surreal bizarre time so it makes sense that this is a surreal bizarre book.

I think I liked it. I can’t quite tell. I just let the language wash over me.

Buy this book

Monday, March 2nd, 2026

The state of State Of The Browser

I went to State Of The Browser in London on the weekend. It was great!

I mean, it’s always great but this year the standard felt really high. All the talks were top quality. I’ve been at events with ticket prices a literal order of magnitude greater but with quality nowhere near this level.

Bramus got the ball rolling with an excellent presentation on CSS anchor positioning. Cassie closed the day with a great fun talk, making a game in the browser. In between we had accessibility, progressive enhancement, and other favourite topics of mine.

State Of The Browser isn’t just about the talks though. It’s very much a community event. For me, it’s like an annual get-together with some lovely people that I only get to see once a year.

But it’s not just a bunch of people who already know each other. Dave got a show of hands from people attending for the first time and it looked to me like around half the audience. That’s what you want at an event—a mix of the old and the new, the familiar and the exciting.

A personal highlight for me was spending lunchtime talking in Irish with my friend Paul from Ti.to. Bhain mé an-taitneamh as an deis Gaeilge a labhairt!

Dave handed over MC duties to Jake this year but he did do the opening and closing remarks. He’s always really, really supportive of other community events and encouraged everyone to go to Web Day Out.

He also pleads with people to buy their conference tickets early (it really does help us conference organisers sleep better) but if you’ve left it this late, you’re lucky that tickets are still available.

If you liked State Of The Browser, you’re going to like Web Day Out. And if you missed State Of The Browser and you wished you could’ve been there, you can make up for it by coming to Web Day Out.

The two events have a lot in common. Great talks, great people, and no mention of large language models.

I don’t know if it was a deliberate policy by Dave, but it felt so good to spend a day at a technology conference that wasn’t dominated by The Hype.

There were a few bits of slop in the slides of the first two talks (which always makes me cringe and wince—I crince) and Cassie threw some subtly hilarious shade during her presentation, but apart from that, the day was gloriously free of the A and the I.

No doubt some people will think that’s little more than sticking our collective head in the sand, but when the sand is this lovely, I’m okay with it.

Tickets for State Of The Browser 2027 are already on sale. Do what Uncle Dave says and get your ticket nice and early.

Wednesday, February 25th, 2026

A nice day

It’s the 25th of February and it’s a beautiful day here in Brighton. I had lunch sitting outside—that’s how unseasonably warm it is. Like a little whiff of Summer to remind us of what’s yet to come.

It’s also my birthday. The beautiful weather is an auspicious augery.

Mozilla also released a new version of Firefox. I was hoping for cross-document view transitions and scroll-driven animations for my birthday, but alas I may have to wait another year.

Later, Jessica is going to take me out for some excellent Japanese food before we head on to a session in a cosy pub. I can think of no better way to celebrate my birthday than playing a rake of jigs and reels.

I’m 55 now. It feels like a meaningful number. I think I’ve moved down an option in the select menus that ask for your age range.

I got letters in the post from my pension provider reminding me that 55 is the age when you can technically start taking money out of your pension. Something that retired people do.

I have to admit, this birthday has me entertaining retirement options. I’m already down to just three days a week. It wouldn’t take much to wind that down over the next few years. There’d be even more opportunities to savour the sunshine on a sunny day.

Anyway. Just pondering. You know, the kind of thoughts a 55-year old has.

Wednesday, February 18th, 2026

Counting down to Web Day Out

Not long now ’till Web Day Out — just three weeks!

It’s also not that long until the start of a new financial year so if you’ve got training budget that needs to be used this year, send your team to Web Day Out. Not only is it excellent value for money, it’s also going to have an incredibly high density of knowledge bombs per talk.

CSS! Progressive web apps! Web typography! Browser support! And much more.

If you like the sound of Web Day Out, you’ll also like State Of The Browser, which is just ten days away. In-person tickets for that event are now sold out, but online streaming tickets are still available.

Better yet, if you buy a ticket to Web Day Out, you automatically get a free online streaming ticket for State Of The Browser!

So get your ticket in the next ten days, enjoy State Of The Browser from the comfort of your own home, and then enjoy a trip to Brighton for Web Day Out on Thursday, 12 March. See you there!

Tuesday, February 17th, 2026

Magic

I don’t like magic.

I’m not talking about acts of prestidigitation and illusion. I mean the kind of magic that’s used to market technologies. It’s magic. It just works. Don’t think about it.

I’ve written about seamless and seamful design before. Seamlessness is often touted as the ultimate goal of UX—“don’t make me think!”—but it comes with a price. That price is the reduction of agency.

When it comes to front-end development, my distrust of magic tips over into being a complete control freak.

I don’t like using code that I haven’t written and understood myself. Sometimes its unavoidable. I use two JavaScript libraries on The Session. One for displaying interactive maps and another for generating sheet music. As dependencies go, they’re very good but I still don’t like the feeling of being dependant on anything I don’t fully understand.

I can’t stomach the idea of using npm to install client-side JavaScript (which then installs more JavaScript, which in turn is dependant on even more JavaScript). It gives me the heebie-jeebies. I’m kind of astonished that most front-end developers have normalised doing daily trust falls with their codebases.

While I’m mistrustful of libraries, I’m completely allergic to frameworks.

Often I don’t distinguish between libraries and frameworks but the distinction matters here. Libraries are bits of other people’s code that I call from my code. Frameworks are other people’s code that call bits of my code.

Think of React. In order to use it, you basically have to adopt its idioms, its approach, its syntax. It’s a deeper level of dependency than just dropping in a regular piece of JavaScript.

I’ve always avoided client-side React because of its direct harm to end users (over-engineered bloated sites that take way longer to load than they need to). But the truth is that I also really dislike the extra layer of abstraction it puts between me and the browser.

Now, whenever there’s any talk about abstractions someone inevitably points out that, when it comes to computers, there’s always some layer of abstraction. If you’re not writing in binary, you don’t get to complain about an extra layer of abstraction making you uncomfortable.

I get that. But I still draw a line. When it comes to front-end development, that line is for me to stay as close as I can to raw HTML, CSS, and JavaScript. After all, that’s what users are going to get in their browsers.

My control freakery is not typical. It’s also not a very commercial or pragmatic attitude.

Over the years, I’ve stopped doing front-end development for client projects at work. Partly that’s because I’m pretty slow; it makes more sense to give the work to a better, faster developer. But it’s also because of my aversion to React. Projects came in where usage of React was a foregone conclusion. I wouldn’t work on those projects.

I mention this to point out that you probably shouldn’t adopt my inflexible mistrustful attitude if you want a career in front-end development.

Fortunately for me, front-end development still exists outside of client work. I get to have fun with my own website and with The Session. Heck, they even let me build the occasional hand-crafted website for a Clearleft event. I get to do all that the long, hard stupid way.

Meanwhile in the real world, the abstractions are piling up. Developers can now use large language models to generate code. Sometimes the code is good. Sometimes its not. You should probably check it before using it. But some developers just YOLO it straight to production.

That gives me the heebie-jeebies, but then again, so did npm. Is it really all that different? With npm you dialled up other people’s code directly. With large language models, they first slurp up everyone’s code (like, the whole World Wide Web), run a computationally expensive process of tokenisation, and then give you the bit you need when you need it. In a way, large language model coding tools are like a turbo-charged npm with even more layers of abstraction.

It’s not for me but I absolutely understand why it can work in a pragmatic commercial environment. Like Alice said:

Knitting is the future of coding. Nobody knits because they want a quick or cheap jumper, they knit because they love the craft. This is the future of writing code by hand. You will do it because you find it satisfying but it will be neither the cheapest or quickest way to write software.

But as Dave points out:

And so now we have these “magic words” in our codebases. Spells, essentially. Spells that work sometimes. Spells that we cast with no practical way to measure their effectiveness. They are prayers as much as they are instructions.

I shudder!

But again, this too is nothing new. We’ve all seen those codebases that contain mysterious arcane parts that nobody dares touch. coughWebpackcough. The issue isn’t with the code itself, but with the understanding of the code. If the understanding of the code was in one developer’s head, and that person has since left, the code is dangerous and best left untouched.

This, as you can imagine, is a maintenance nightmare. That’s where I’ve seen the real cost of abstractions. Abstractions often really do speed up production, but you pay the price in maintenance later on. If you want to understand the codebase, you must first understand the abstractions used in the codebase. That’s a lot to document, and let’s face it, documentation is the first casuality of almost every project.

So perhaps my aversion to abstraction in general—and large language models in particular—is because I tend to work on long-term projects. This website and The Session have lifespans measured in decades. For these kinds of projects, maintenance is a top priority.

Large language model coding tools truly are magic.

I don’t like magic.

Thursday, February 12th, 2026

The Morrigan by Kim Curran

Every culture has its myths and legends. Greece has its gods and warriors. England has its stories of Arthur. Ireland has the Tuatha Dé Danann, The Ulster Cycle, and more.

But while the Arthurian legends and the Greek myths have been retold many times, the stories of ancient Ireland have remained largely untouched.

Kim Curran’s book The Morrigan takes on this challenge.

The blurb for the book compares it Madeline Miller’s Circe, which is a bold comparison. The writing in The Morrigan isn’t in the same league as Circe, but then again, very little is.

Structurally, the comparison makes complete sense.

Circe starts with the titular nymph in the world of the gods of Olympus before moving on to more mortal affairs, coming to a head with the events of The Odyssey, when Odysseus’s story dominates.

The Morrigan starts with the titular goddess in the world of the gods of the Túatha Dé before moving on to more mortal affairs, coming to a head with the events of The Táin, when Cú Chulainn’s story dominates.

I took me a little while to adjust to the tone, but once I did, I thoroughly enjoyed this retelling. It manages to simultaneously capture the bloody, over-the-top feeling of The Táin while also having a distinctly modern twist. By the last third, I was completely engrossed.

After finishing Circe I went on a spree of reading many, many modern retellings of Greek myths. Now that I’ve finished The Morrigan I want to do the same for the Irish legends.

But I can’t. Apart from re-reading a translation of The Táin, there’s not much else out there for me.

Kim Curran does have another book that’s just been released; Brigid (the goddess? the saint? both?). If it’s anything like The Morrigan, it’s going to be a must-read.

I hope these books are the first of many.

Buy this book

Tuesday, February 10th, 2026

Concertina

I watched a good film last night. Tornado from the same writer and director of the also-excellent Slow West.

Tornado is a Scottish Samurai Western set in the 1790s. Although it’s not likely that many Samurai would’ve been in Scotland during the sakoku period, I was willingly able to suspend my disbelief …until something quite minor happened on screen.

One of the characters is seen playing a concertina. “Hang on”, I thought, “1790s? That’s not right!”

And indeed, once the film was over I reached for my laptop and confirmed that the concertina is very much a 19th century invention.

Look, it’s not that I know when most musical instruments were invented, but I happened to know about the concertina’s origin because of a different technology.

See, the concertina was invented by one Charles Wheatsone. He invented quite a few things. He, along with William Cooke, more or less created the electric telegraph, around the same time as Samuel Morse.

I only know this because of the excellent book by Tom Standage called The Victorian Internet:

The remarkable story of the telegraph and the nineteenth century’s online pioneers.

Prompted by that book, I found out more about Wheatstone, including the fact that he invented the concertina. So that’s why I found myself slightly taken out of the action when watching that film last night. In the 1790s, nobody was playing the concertina in Scotland or anywhere else.

Today, though, the concertina is thriving, especially in Ireland. It’s particularly popular in County Clare. Though, as I’m writing this, I’m listening to the playing of a Kerryman, Cormac Begley.

I’ll be seeing him play tonight in the Brighton Dome where he’ll be providing the music for the superb Teaċ Damhsa production, MÁM. This’ll be my second time experiencing it. Táim ar bís!

Thursday, January 29th, 2026

Daughters of Sparta by Claire Heywood

Towards the end of 2025, I wrote:

I think I might change things up in 2026. Instead of waiting until the end of the year to write all the little reviews at once, I think I should write a review as soon as I finish a book. Instead of holding onto my reckons for months, I can just set them free one at a time.

I’ll get the ball rolling with the first book I read in 2026.

I’ve mentioned before that one interesting lens to apply to modern retellings of the Greek myths is how they treat deities. Are gods and goddesses real in this story? Or is it a non-interventionist tale with a purely human cast? In her book The Shadow Of Perseus, Claire Heywood wrote about Perseus, Medusa, and Andromeda without any supernatural characters. Having been impressed by that, I figured I’d go back to investigate her debut, Daughters Of Sparta.

The framing device is one I hadn’t come across before. It follows the diverging stories of sisters Helen and Clytemnestra, flipping back and forth between the two throughout their lives. I’ve read plenty of takes on the Trojan war, and I’ve read plenty of takes on Clytemnestra’s revenge, but I think this is the first time they’ve been combined like this.

Overall, it works. There are inevitable time jumps. Some time periods are bound to get more attention than others. And at some point, the narrative just has to wrap up, even though we know there’s pleny more that follows afterwards.

All in all, a good addition to the list of modern retellings of classical Greek stories.

Buy this book

Wednesday, January 21st, 2026

Web Day Out × State Of The Browser

If you’re the kind of person who likes Web Day Out, you’re probably also the kind of person who likes State Of The Browser.

Web Day Out is all about what you can in web browsers right now, with an emphasis on immediately practical techniques and technologies. State Of The Browser is similar, but with room for fun demos that push the boundaries.

State Of The Browser is on Saturday, 28 February.

Web Day Out is on Thursday, 12 March.

It would be a shame if you had to choose between these two excellent events.

Well, you don’t have to!

If you buy a ticket for Web Day Out you can get a whopping 50% off the ticket price for State Of The Browser. Or if you can’t make it in person, your Web Day Out ticket gets you a free online ticket!

You might be thinking, “Well, much as I’d love to go to both events, I don’t think I can convince my boss to give me two conference days.” Worry ye not! State Of The Browser is on a Saturday, so unless you’re working an extremely extended work week, you still only need to take one day away from your desk to go to two events.

So don’t delay: get your ticket for Web Day Out. Then you’ll get an email with details on how to get your 50% discount for State Of The Browser (or your free online ticket, whichever you prefer).

But wait! What if you already bought a ticket for State Of The Browser? Check your email. You’ve been sent a very, very generous discount code for Web Day Out to thank you for getting your ticket nice and early.

I’ll see you at State Of The Browser in London …and then I’ll see you at Web Day Out in Brighton!

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