[2008] Daniel Levin Trio - Fuhuffah

By request... Daniel Levin in cello, Håker-Flaten (The Thing) in bass, Gerard Cleaver in drums.





Buy it directly from Clean Feed here.

[2007] Peter Brötzmann, Paal Nilssen-Love & Mats Gustafsson - The Fat Is Gone

Three long songs, three renowned exponents of the contemporary european jazz scene. The Fat Is Gone gathers Paal Nilssen-Love and Mats Gustafsson (from The Thing) with one of the big legends of the German jazz scene (Peter Brötzmann), who displays his wildest, most intense musical side to be in par with the two Scandinavian improvisers, resulting in a very dense record, a must listen.

Buy it directly from Robot here.

[2005] The Thing - Live at Blå

Look at that smug Paal's face...
This is their first live album recorded around 2005, which has some songs from their debut album and Garage but mostly reinterpreted and loosened out. The live renditions of those songs (Awake-Nu being my favorite and one of the most recognizable songs) leave nothing to be desired from those epic sessions, filled with even more energy than the studio counterparts.
 

Buy it directly from Insound here.

[2005] Zu & Mats Gustafsson - How To Raise An Ox

If there was any doubt that Mats Gustafsson had the required talent to work alongside a jazz band with math-rock leanings (and therefore, constricted to a measure) while retaining the freedom of his intense sax delivery, How To Raise An Ox single-handedly dissipates them all. This incredible collaboration shows the best of Zu in terms of math-rock and free improvisation while leaving enough space for Gustafsson's short and energetic sax outbursts, complimenting without overshadowing the Italian collective.




Buy it directly from Atavistic Worldwide here.

[2011] Daniel Levin - Inner Landscape

Inner Landscape is Daniel Levin's first solo album, released via Clean Feed as many of his trio/quartet works. Fully improvised, this album is a stripped out display of his cello skills that have been already evident in his ensemble works but in here we get to appreciate them in full form, exploring the wide range of possibilities the stringed instrument has to offer with a dynamic, precise and beautiful delivery.




Buy it directly from Clean Feed here.

[2011] Fire! with Jim O'Rourke - Unreleased?

After two years of their first album, Fire! teams up with Jim O'Rourke to release the follow-up, 4 new tracks pushing forward the abrasive, repetitive style of the trio with his piercing guitar blasts and clever sound experiments. Intense collaboration, it adds up to another successful Gustafsson-related project in which O'Rourke collaborates, and already in constant rotation for me. Thoroughly recommended.

Buy it directly from Rune Grammofon here.

[2006] The Thing - Action Jazz

In what could be considered their best release (at least in my opinion), Action Jazz delivers the most intense performance of the trio, displaying a tightly orchestrated setup in each one of the songs. This time the band focuses in covers, from Ornette Coleman to Lightning Bolt, breaking apart with a fast, energetic interpretation of jazz and noise rock bands. Only the songs Better Living... and ...Through BBQ were originally composed by the band, and both are eclectic, free improvisations, ranging from tight, minimal outbursts to violent explosions of sax and metals.

Download it here: [V0]


Buy it directly from Robot here.

[2009] Fire! - You Liked Me Five Minutes Ago

Another Gustafsson-related project, and this time it's a mixture between psychedelic/noise rock and free jazz, full of piercing feedback and abrasive landscapes, adding up to the screaming sax. Heavily energetic, this album in particular shows a brand of jazz relying mostly in repetitive patterns, building up and collapsing with each passing minute.

Download it here: [V0][FLAC Part 1 Part 2] Updated!


Buy it directly from Rune Grammofon here.

[2009] Supersilent - 9

Back to the extremely low key improvisations, consisting mostly by fiddling with organs. This is definitely another album in the vein of 5 or 6 (specially 5), whose quiet, tense parts are more prominent than those with instrumentation. Dark and brooding, it still manages to retain the style of the band, despite having no percussion at all.

Downloaad it here: [V0][FLAC]


Buy it directly from Rune Grammofon here.

[2007] Supersilent - 8

Similar in vein to 7, less chaotic and with an emphasis in Helge Sten's electronic dabbling. Part of this session became part of what was later released as 11, the same free form drumming with Henriksen's slow and sultry trumpet can be heard here.

Download it here: [V0][FLAC]


Buy it directly from Rune Grammofon here.

[2005] Supersilent - 7

Live DVD release (only audio provided), following the continuity of their previous releases but straying away (once again) from the sound of their preceding album (heavily relying in electronic elements) in order to showcase their wide experience in free improvisation, clocking at 1h48min of live show.

Download it here: [V0][FLAC]


Buy it directly from Rune Grammofon here.

[2003] Supersilent - 6

Picking up where it left off, 6 retains some of the minimalistic style introduced in 5, but this time the electronic contributions of Helge Sten and Arve Henriksen's slow, sultry trumpet take over and gives the album a very melancholic, reflexive mood. It constantly toys with off-putting, bizarre synth melodies, overlapping and enhancing the dark atmosphere.

Download it here: [V0][FLAC]


Buy it directly from Rune Grammofon here.

[2001] Supersilent - 5

Another radical change of pace in their style, this release is very minimal in style. While there's several free jazz bursts that rise from the almost quiet delivery (in an excellent display of dynamics), this album requires a lot of attention since it keeps itself low key, consisting mostly on lengthy brass notes and short electronic bursts, even more prominent here than in 4.

Download it here: [V0][FLAC]

Buy it directly from Rune Grammofon here.

[1998] Supersilent - 4

Follow up of the 1-3 album which compiled 3 CD's into one (half live, half studio), 4 is an entirely studio album, single CD, which combines the free jazz output displayed on their first album with strong electronic elements and even vocalizations (by Henriksen), making it very different from their preceding release.

Download it here: [V0][FLAC]


Buy it directly from Rune Grammofon here.

[1998] Supersilent - 1-3

About time I posted Supersilent over here... And I'll try to post all their discography, chronologically.
This is the first release via Rune Grammofon of the collective conformed by Arve Henriksen (Food, Christian Wallumrød Ensemble), Ståle Storløkken and Helge Sten (Deathprod, Merriwinkle). 3 CDs of their very first material, full of unpredictable structures and almost no common melodies through live improvisation; part of instrumentation used for this album (and the ones following next) can be tell apart, but mostly it's a mix of timbres barely recognizable, reminding most of what AMM did many decades ago in a similar vein.
This album alone is a classic of the band, and a perfect start in the modern conception of free improvisation.

Download it here: [V0: Part 1 Part 2][FLAC]


Buy it directly from Rune Grammofon here.

[2008] Spunk - En Aldeles Forferdelig Sykdom

The darkest Spunk album, and pretty much in line with their preceding release Den øverste Toppen På en Blåmalt Flaggstang, it brings most of the bizarre elements of the group by straining as much as possible their instruments capabilities and delivering a somewhat offputting (yet entrancing) atmosphere. Their most cohesive work.

Download it here: [V0]


Buy it directly from Rune Grammofon here.

[2009] The Thing - Bag It!

Produced by Steve Albini, this is the latest The Thing album (by themselves), and the trio shows they're still good to go. Just as intense as their very first albums, this one is their most stripped down effort, sounding more like a live show recording in a cafe, with an intensity enough to incite dancing instead of anxiety.

Download it here: [V0]


Buy it directly from Robot here.

[2007] Smegma - Nattering Naybobs of Negativity

Nattering Naybobs of Negativity is one of the most representative albums (aside from their debut, Glamour Girl 1941) of this band, which has influenced several experimental and improvisational acts during 4 decades, including (but not limited to) projects related to Stapleton in general, and many others with improvisational backgrounds. And indeed, its extensive use of sample manipulation and bizarre free jazz and tape looping predates plenty of artists from back then, without sounding dated or less out there than late, well known projects. In this album the Zappa influence is quite evident, with its cartoonish samples and crazed ramblings with the pervert humor present in Uncle Meat, but instead of delving further into progressive rock, it loses itself in a free jazz craze, which fits the style nicely.

This is a 2007 reissue of the original 1987 release, which includes Morass (cassette), released a year later.

Download it here: [320][V0]


Buy it directly from Forced Exposure here.

[2001] The Thing - The Thing

Weirdly enough, this is the first Swedish band I ever post on my blog...
This is the unofficial first release of the trio that will later be known as The Thing, formed by Mat Gustafsson (sax), Ingebrigt Håker Flaten (bass, double bass), and the prolific drummer Paal Nilssen-Love (drums). A very intense debut, released under Mat Gustafsson's label, Crazy Wisdom (now defunct), which features one of the most energetic deliveries from Gustafsson in the sax (highly prominent throughout the whole album). Definitely a good start with a band that later featured collaborations with famous musicians such as John McPhee and Jim O'Rourke, denoting their strong improvising vein in each one of these.


Download it here: [320][V0]

Currently unavailable.

[2011] Thymolphthalein - Ni Maître, Ni Marteau

A somewhat unlikely ensemble coming from France and Australia, delivering a rhythmically complex sonic assault, revolving around electro-acoustic improvisation and electronic, self-made instruments to create tones hard to identify among the spastic array of fractured sounds. Surprising debut, recorded and performed live at the SWR2 New Jazz Meeting in France, 2009.

(meant to be played loud given its extreme frequency range, which perhaps could be benefited from a higher bitrate)

Download it here: [192][V0]

Buy it directly from Editions Mego here.