John Hiatt and The Fugitive Popes: Chicago 1990 (FM) FLAC

The Vic Theater
Chicago IL
December 6th, 1990
"Complete Wild Blue Yonder"
FM (WXRT)>?>CD-R trade>EAC (secure w/ read offset)>WAV>FLAC frontend (level 5)>FLAC

Disc 1
01 Intro
02 Seven Little Indians
03 Stolen Moments
04 The Rest Of The Dream
05 Real Fine Love
06 Trudy & Dave
07 It'll Come To You
08 Your Dad Did
09 Paper Thin
10 Is Anybody There?

Disc 2
01 Back Of My Mind
02 Child Of The Wild Blue Yonder
03 Riding With The King
04 Memphis In The Meantime
05 Tennessee Plates
06 band intros
07 Slow Turning
08 Have A Little Faith In Me
09 Thing Called Love
10 Rock Back Billy
11 Heaven Help Us All (Stevie Wonder)

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John Hiatt and the Guilty Dogs: Austin 1994 (FM) FLAC

Continental Club, Austin, Texas
March 7, 1994
FM Broadcast - KGSR-FM

OU: The original show I have is labeled as March 6th, but a check at:
http://www.thejohnhiattarchives.com/main.html
shows:
03/06/1994 Continental Club,Austin, TX (Acoustic)
03/07/1994 Continental Club,Austin, TX (Electric)

OU: Since this is a mix of both acoustic andelectric, I'll go with what Emile says.
The audio quality is GREAT. Nice clean sound.
FRom the original seeded, where ever I got this from.....

Transfer: 1st gen. cassette>Wav>Cool Edit Pro (to clean up hiss)>Flac

OU: I've had these tapes floating around for about 10 years, only been played a few times so the quality has held up pretty well. When I started this transfer, I didn't think any copies of this existed, but I have since found 1 or 2 versions on the 'net. However, none appear to be the complete broadcast. I've left in all the interviews, crowd noise and on-stage patter. This is a really great show, the band is tight and John just sounds awesome. No artwork on this one, that's not really my bag, so any Hiatt fans out there, feel free to do with it what you will.

Disc 1
01. Interview/Intro
02. Trudy and Dave
03. Crossing Muddy Waters
04. Through Your Hands
05. Drive South
06. Angel
07. Interview
08. Real Fine Love
09. Old Habits
10. Child of the Wild Blue Yonder
11. Icy Blue Heart
12. Paper Thin
13. Memphis in the Meantime

Disc 2
01. Interview
02. Perfectly Good Guitar
03. Twenty One
04. Down at the Canebreak
05. Straight Out of Time
06. Thank You Girl
07. Interview
08. Something Wild
09. Blue Telescope
10. Permanent Hurt
11. Where Is the Next One Coming From?

Disc 3
01. Interview
02. Your Dad Did
03. Thing Called Love
04. Lipstick Sunset
05. Interview
06. Slow Turning
07. Have a Little Faith in Me
08. Georgia Rae
09. Band Introductions
10. The River Knows Your Name

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John Hiatt: Pittsburgh 1997 (Digital Soundboard) FLAC

(acoustic show w/ Davey Farragher of the Nashville Queens on bass)
Graffiti's
Pittsburgh, PA July 16, 1997
Excellent digital soundboard recording Another stellar recording from "The RS Archives" (a Mexminute/TheCommish production)

TheCommish notes: Really nice Hiatt show featuring pretty rare songs (Native Son, My Sweet Girl, After All This Time) PLUS a special piano version of "Sure Pinocchio", a personal favorite. Of course, the SOUND QUALITY is superb... it's like having Hiatt playing in your own living room. And for my money, the version of "Georgia Rae" (a song written about his daughter) is perhaps the best version I've heard anywhere; it sounds great in this duo's set.

Setlist:
101. Slow Turning
102. Real Fine Love
103. Ethylene
104. Native Son **
105. Sure Pinocchio **
106. Buffalo River Home
107. Little Head
108. My Sweet Girl
109. Memphis In The Meantime

201. Icy Blue Heart
202. Graduated
203. Tennessee Plates
204. Pirate Radio
205. After All This Time
206. Perfectly Good Guitar
207. Cry Love
208. Have A Little Faith In Me
209. Georgia Rae **
** - Hiatt on piano (guitar for all other songs)

Lineage: DAT master > Sony PCM-R500 (playback) > HHB CDR-850 (burning) > CDR, then CDR > EAC > WAV > Editing (see below) > FLAC Frontend > FLAC

Editing notes:
* Re-tracked show (combined WAV files in Nero, then re-split with CD Wave)
* Using Audacity, increased volume +2dB in right channel (all tracks)
* Increased volume on disc 1 (Tracks 101-109) by +4dB except for volume spikes in Track 103 (4:36 mark) and Track 106 (3:15 mark) and increased volume on disc 2 (all tracks) by +2dB
* Using Nero's wave editor, deleted 7 seconds of extra applause at end of Track 109 and applied fade-out; also deleted 7 seconds of extra applause at beginning of Track 201 and applied fade-in
* Deleted small gap between Track 207 and Track 208

About "The RS Archives":
The RS Archive consists of a selection of live recordings made by a great individual who passed away in 2005.
RS worked in the music industry in many capacities….a music fan….a musician….a sound engineer. He was considered one of the best behind the mixing board. I was honored to have known him for practically 35 years. There was no one like him….he was a wonderful human being. Everybody loved him. He was a level-headed guy who knew what sounded good and what didn't. He could conceive and design sound systems from scratch in his head to meet the artist’s needs. Whatever they wanted, he could do.
For years, he mixed music at the annual Grammy Awards and the American Music Awards television show. RS worked closely for years with Daryl Hall and John Oates, Juice Newton, Anita Baker, Mariah Carey, Tears for Fears, Crack the Sky, Kid Creole and the Coconuts, Aretha Franklin, Pink Floyd, Whitney Houston, Bette Midler, Ann Murray, Michael Bolton, Kenny G, Tony Bennett, Johnny Cash, Eric Clapton, John Fogerty, Bonnie Raitt, Frank Sinatra, John Hiatt, Little Feat, Little Village, and Waylon Jennings…..to name a few.
He had a huge reputation in the business, and that's why he was chosen to work with such budding clients as Mariah Carey. With the major stars, he was one of the preferred engineers they choose to work with. A particular client of RS who had a reputation for firing sound engineers with great regularity was Anita Baker, whom he won over not only with his technical abilities and personality, but with his refusal to put up with her criticism. He quit a few times but always came back because she loved the way he mixed her music. He could coddle difficult and temperamental celebrities, and they respected his work. He was able to kick back and get along with them. Even though he knew these people, he was a very modest man.
So now, it is time to honor him by sharing some of the many recordings he made while on the road. All are perfect (or near perfect) soundboard recordings made from the master cassettes or master dat tapes. Unfortunately, I am not able to identify the original equipment these tapes were made on, however I can say that for the transferring process, the cassette tapes were played back on a Nakamichi CR-7A, and the dat tapes on a Sony PCM-R500. They were all burnt onto cdr using a HHB CDR-850. Please enjoy these tasty gems!

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