Wednesday, April 22, 2026
Friday, September 05, 2025
Monday, August 05, 2024
Tuesday, November 14, 2023
Thursday, April 13, 2023
Video - Perseus Against the Monsters (1963)
Tuesday, December 27, 2022
Wednesday, October 05, 2022
What I Watched In September 2022

I’m a fan of George Miller’s work but was surprised to learn
about THREE THOUSAND YEARS OF LONGING (2022). I guess after the adrenaline rush
of the last Mad Max film I had forgotten how good a director he can be when the
story isn’t being told in high energy action form. This new film has Tilda
Swinton as an introverted professor and Idris Elba as the (no joke) djinn she
accidentally summons into her life. I find it hard to imagine two such dissimilar
concepts filling the same cinematic space in my head but I swear this intimate
romance is the best film I’ve seen all year much as FURY ROAD was in 2015.
In a way this movie was made for film nuts or insatiable
readers intent on devouring stories in an attempt to understand them and,
through them, understand our own emotions, desires and needs. Swinton’s
character is smart enough to know that the ‘three wishes’ she is presented with
are more likely a curse than a gift, but the newly freed magical creature must discharge
his duty or be once again a prisoner. So, we watch the cautious woman and the
sympathetic Djinn work to find the best solution to their mutual problem. This
plays out as a series of beautifully told tales of past events in the Djinn’s
life that illustrate the mistakes and tragedies that had him in his bottle
prison for so long.
This is a gloriously emotional film that I encourage
everyone to see. It is a romantic fantasy that doesn’t insult your intelligence.
It is a fable that contains books of wisdom to impart. It is an exciting,
engaging look at the realities of life, aging, acceptance and how letting go of
someone you love can make you the happiest person alive. THREE THOUSAND YEARS
OF LONGING (2022) presents a vision of life that is glorious and wonderful. It
has reaffirmed my love of this world and the very flawed people around me. See
it.
THREE THOUSAND YEARS OF LONGING (2022) – 9
THE BLOB (1958) -7 (rewatch on the big screen!)
MANIAC (1963) – 7 (twisty Hammer thriller)
BENEATH THE PLANET OF THE APES (1970) – 8 (rewatch on Blu)
HOTEL FEAR (1978) – 7 (fascinating Italian drama)
WE’RE ALL GOING TO THE WORLD’S FAIR (2022) – 7
HUNCHBACK OF THE MORGUE (1973) – 7 (rewatch on Blu)
HALLOWEEN KILLS (2021) – 7 (rewatch on Blu) (extended
version)
THE HOUSE ON THE BAYOU (2021) – 6 (interesting horror
thriller)
SANTO VS THE RIDERS OF TERROR (1970) – 5 (rewatch) (aggressively
odd Santo tale set in the 19th century)
BILLION DOLLAR BRAIN (1967) – 8 (Harry Palmer dealing with
mad Americans)
DOWN THREE DARK STREETS (1954) – 6 (Noir FBI tale)
CHICAGO CONFDENTIAL (1957) – 6 (DA Brian Keith convicts the
wrong man)
FIVE STEPS TO DANGER (1957) – 6 (Interesting crime tale with
Sterling Hayden)
VAMPYRES (1974) – 8 (rewatch on Blu)
ARE YOU IN THE HOUSE ALONE? (1978) – 5 (OK TV movie –
overlong)
THE BROTHERHOOD OF SATAN (1971) – 8
LET’S KILL UNCLE (1966) – 6 (fun William Castle black
comedy)
THE DEVIL INSIDE HER (1977) – 6 (completely insane possessed
baby film w/Joan Collins)
HOCUS POCUS 2 (2022) – 6 (better than the first)
Monday, May 30, 2022
HAWK THE SLAYER (1980) Returns!
I'm not going to pretend that HAWK THE SLAYER (1980) is a good movie. In fact, it is famous for being pretty darned bad! But it has a low budget charm that I find kind of endearing and it appears that I am not alone. The original filmmakers have tried off and on for decades to raise funding for another film with a failed 2015 KickStarter campaign being the most recent attempt. But now writer Garth Ennis and artist Flint Henry have joined forces to return to the fantasy world created by this underseen epic for a sequel tale in comic book form. So the story that fans have been waiting to see for forty-two years finally arrives this year not on the big or small screen but from Rebellion Comics in Britain. I cannot wait to read this book knowing that in some ways it can only be better than the film that inspired it. 













































