Friday, September 11, 2026

Wildife Artist of the Year 2026 - Winners


I've now got all the names of those who won their categories - plus, of course, the overall winner and the runner up (which I did know).

  • All quotations come from the Wildlife Artist of the Year and/or website unless otherwise stated.
  • I'm assuming the description of the art is by the artist (until anybody tells me otherwise)
  • I'm going to use the text provided to me by the David Shepherd Foundation as to the Judges' reasons why an artwork won an award
  • Plus some of the pics come from the dswfwildart Instagram account
  • the rest are my pics.
The judging panel is made up of art professionals, artists and conservationists.

Note: I only do this for long-running and prestigious art competitions which attract an international entry! That's because not everybody can get to the exhibition.


For my photos of the exhibition see an album on my Facebook Page - Wildlife Artist of the Year 2026

Overall Winner of "Wildlife Artist of the Year"

Stefano Zagaglia - Evanescence the Biggest


This brings a
  • £5,000 cash prize,
  • the official title, and
  • a £5,000 conservation donation made in the winner's name.

WINNER OF WILDLIFE ARTIST OF THE YEAR 2026
Evanescence - The Biggest
oil on canvas, 100cm x 100cm
Stefano Zagaglia

The Label in the exhibition states
The elephant slowly emerges from the white, a powerful yet fragile presence. Only a portion of Its body is visible, while the rest dissolves in the light, suggesting a presence that might vanish. The tusks, a symbol of its strength and its doom, become the focus of the gaze. A reminder of how great and majestic this species is, but also how vulnerable it is to human actions.

This was the Judges comment

"A winning artwork isn’t always the loudest. Sometimes it is the one you cannot stop looking at, and in that context the artist of this beautiful piece has presented the Elephant, our largest living land mammal whose quiet strength never needs to shout. Stefano has brilliantly embraced the subject, most importantly the category and this competition in all its glory."
- WAY 2026 Judge

About the Artist


Stefano Zagaglia's website says nothing about him except why he paints wildlife.  However 
The paint remains on the canvas as if struggling.
As if no longer certain it can remain.
It thins, surrenders to the light.
And the bodies of the animals approach the edges, dissolve.
As if suspended — between appearing and disappearing.
It’s a moment.
The moment before the end.
And perhaps, also,a last gesture.
A last attempt to hold them back.
Before they vanish completely.

Overall Runner Up 

Prizes are
  • £1,000 cash prize and
  • a £1,000 conservation donation made in the runner-up's name.


Alberto Duvivier Tembo - Extincts

Thursday, September 10, 2026

Another Excellent "Wildlife Artist of the Year" Exhibition (2026)

I've attended - and reviewed - many Wildlife Artist of the Year (WAY) exhibitions, organised by the David Shepherd Wildlife Foundation and held  at the Mall Galleries each year. 

There's lots to read below of interest to all aspiring and established wildlife artists.
  • Why visit this exhibition
  • Note for aspiring and participating artists
  • How to view the exhibition - in person and online
  • Some facts about the exhibition
  • How to view the exhibition - including links to my past reviews of this exhibition going back to 2008
TOMORROW I'm publishing a post about the Category winners.

Feature Wall in WAY 2026

However I deliberately missed the PV on Tuesday and visited on Wednesday. I found out from those who were there that it was, as I expected, absolutely packed out with people who love wildlife and wildlife art and were keen to buy good art - and it was very hot! Which is why I tend to duck PVs these days as my internal thermostat is out of whack at the moment.

The view from the stairs - lots and lots of visitors

When I got there on Wednesday morning, apart from an awful lot of red dots, I also saw an awful lot of people who were studying the artwork with enthusiasm. 

As well they might as there was lots of excellent artwork to look at.

I took a lot of photos - of all the artwork - and have uploaded most of these to an album on my Facebook Page - Wildlife Artist of the Year 2026

Below is a review of the exhibition

If I can work out the category winners I'll do another post about those. (If somebody at DSWF can send me the details that would be much appreciated. I'd assumed they'd be on the website.)

Why visit this exhibition?

The end wall
- it took a long time for me to get a clear view of this
because of the number of visitors!

For me, what is unique about this exhibition is that very many of the wildlife artists selected for the exhibition tend to be those who have "gone the extra mile" in terms of capturing innate characteristics of their subject 

Cat Crawl 
Pastel, 47cm x 40cm
Lisa Gleim AAPLF, AFC, ASMA, AWAM, CGA, IAPS/MC, PSA, SAA, SPSM

This one for example, positively jumped off the wall at me, given the acute observation of primal cat behaviour when it comes to hunting - as every domestic cat owner will recognise. That and the fact I love pastel artwork!

and/or finding a new way to convey the essence of their subject.

Three oil paintings by Stefano Zagaglia
Winner of WAY 2026
(the winning painting is on the right)
Scale: all the paintings are 100 cm x 100 cm
note the plugs bottom left for scale

I think I probably see more innovation and novel ways of representing subject matter at this exhibition than any other. It just happens to be wildlife.

Monday, August 31, 2026

Portrait Award 2026: The 10 portraits I liked the most

This is a post about the ten portraits I like the best in the Herbert Smith Freehills Kramer Portrait Award 2026 at the National Portrait Gallery. 

At the end I say which portrait will, I think, win the Visitors' Choice Award.

Portraits hanging in the HSFK Portrait Award competition
at the National Portrait Galllery

The Ten Portrait Paintings I liked the best


I've been reviewing the Portrait Award at the NPG since 2008 (see end) - which means I've looked at a lot of top quality portraits over the last 18 years.
  • After my first impression on the Awards Night Viewing, I generally know which portraits have made a big impression on me 
    • Interestingly they are not necessarily the winner or even the winners.
    • It's something to do with being able to see the portraits in the context of an exhibition - and next to one another
  • The next morning I get to see them all over again at the Press View morning - which enables me to check out whether I still think the same
  • I then get to think about the portraits again while writing about the Artists with their Paintings (which used to be one very long post (eg Portrait Award 2025 - Artists with their paintings) but this year turned into five! (See the end for links to my blog posts). This always depends on whether the artist turned up AND wore their badge so I could spot them! (Some artists have not yet worked out yet that the buttons they are given to wear can generate them publicity!)
So what follows are:
  • the portraits which stuck in my head
  • the portraits which made me look more closely at them
  • portraits which include some clever composition and design
  • the ones with interesting sitters
  • the ones which generated an emotional response
  • a complete absence of prizewinners - except for one which I could not exclude
I should also mention that this list excludes some very good paintings which include things I really do NOT like - my classic example being tattoos - and hence got excluded simply because of that (given the title of this post!).

I've also noticed that a lot are by women artists - which is interesting. That's not why they were chosen though.


The Ten Portrait Paintings I liked the best


There is no rationale about the order in which they are listed - except I have ordered them by size - after the one which once seen can never be forgotten

The One which stuck in my head the most

Friday, August 28, 2026

Is your framer still in business?

I'm writing this post because several notable fine art picture framing businesses and associated manufacturing plants have recently closed or entered administration due to high business rates, rising material costs, and economic pressures.

This post covers
  • why framers are going out of business and closing
  • how to protect your interests as an artist
  • how to find a decent framer for artwork

A bit of a shocker


My tulip wood frames from Picture Frames of Shaftesbury

I was casually looking through my Memories on my personal FB account  yesterday - and the above pic came up in the context of an exhibition I was submitting artwork to in September - 12 years ago in 2014.

I idly put the name of the people "Picture Frames of Shaftesburywho did an excellent job of my online ordered frames into Google - and nothing came up. Which I thought was a bit weird.

So I kept looking - and came across the announcement that they had closed down in 2025 and been dissolved (following voluntary liquidation) on 17 June 2026.

Being an accountant by profession, I went to Companies House and read the winding up documents and it was a very sad tale.

Then today I asked Google "framers going out of business" and they came straight back with yet more names and the reasons why

Google identified General Industry Pressures i.e. 
Independent framers across the UK report that escalating business rates, minimum order thresholds for materials, and the cost-of-living crisis are making traditional high-street shops unsustainable.
plus highlighted...

Recent Picture Framer Closures

  • Picture Frames of Shaftesbury permanently closed in July 2025, resulting in six redundancies and the formal dissolution of the company on June 17, 2026.
The sudden closure left clients without their regular framing service and displaced local staff.
  • Darbyshire Ltd: Closed on May 8, 2026, after 34 years of operating as a prominent fine art framer for major artists and galleries.
  • Alec Drew Picture Frames Limited: This was a long-running specialist fine art framing business on Chelsea Green in London that closed and went into administration in June 2026 after 50 years in business.


""Well that's all folks" After 50 years Alec Drew Picture Frames has closed"
Some like this chap have retired. Although his business had disappeared.

An extract from the Statement of Administrator's Proposal (i.e. the people who wind up the business under the Insolvency Act)
The Company is a long-established bespoke picture-framing business specialising in high quality custom framing, including conservation and museum-standard framing services. The Company built a reputation within the fine-art and framing sector for specialist craftsmanship, and its customer base spanned private individuals, collectors, artists and others seeking premium framing services.

Chelsea has experienced changes in recent decades, including rising property prices, changing retail patterns and increasing numbers of properties held as investment assets rather than occupied full-time residences. It is believed that these factors have contributed to reduced footfall for the business.

In addition, changing preferences toward digital photography and digital art display may have reduced the long-term demand for traditional picture-framing services compared with previous generations.

Macro-economic factors including uncertainty, inflation and pressure on household incomes can result in customers postponing non-essential purchases such as custom framing. Ever increasing costs for staffing, utilities and raw materials has resulted in tighter margins.

My recommendation

Tuesday, August 25, 2026

Final Call for Online Entries: RMS Annual Exhibition 2026

The deadline for ONLINE ENTRIES for the 2026 Annual Exhibition of the Royal Society of Miniature Artists, Sculptors and Gravers is Friday 28th August 6pm (GMT)

The Royal Society of Miniature Artists, Sculptors and Gravers is the world’s foremost organisation dedicated to the centuries-old tradition of miniature art. 


What is Miniature Art


Although miniature art was considerably bigger when the society was first created, the current state of play is highlighted in this introduction to the art form by Anthony Lester (which comes from one of my earlier blog posts).
With a maximum size of 6 x 4 inches (15.24 x 10.16 cm), the painting of miniatures demands self-discipline, for where large pictures give some latitude in composition, miniatures are unforgiving of the least mistake; a tolerance of even a millimetre is hardly permitted. 

The Gold Bowl Award winning work in 2025
plus the "Honourable Mentions"
which I had the honour of judging 
with London art critic Tabish Khan
(bottom row second from left came home with me and now hangs in my hall!)

RMS Annual Exhibition 2026

Below is a quick summary of arrangements for

  • the exhibition
  • online entries
  • submission of selected artwork by non-members