Showing posts with label The Cars. Show all posts
Showing posts with label The Cars. Show all posts

Monday, June 17, 2024

Day After Day #166: (Wearing Down) Like a Wheel

Day After Day is an ambitious attempt to write about a song every day in 2024 (starting on Jan. 4).

(Wearing Down) Like a Wheel (1985)

Every rock band has its unsung members, the ones who are essential to the group's sound but don't get much of the limelight. In the case of the Cars, Ric Ocasek and Ben Orr got most of the attention because they sang the songs, but a guy who was a huge part of that band was guitarist Elliot Easton, who played perfectly concise and ripping solos. 

The Cars had just come off their biggest album, 1984's Heartbeat City; in fact, singles were still being released from it in 1985 when Easton's first solo album Change No Change came out on Elektra. I can't find the exact release date, but I remember seeing the video for "(Wearing Down) Like a Wheel" on V66, the Boston music video channel, and hearing it on local radio during my senior year of high school in the first half of 1985. 

Easton wasn't the first Car to go solo. Ocasek and keyboardist Greg Hawkes both released solo albums earlier in the '80s and Orr and Ocasek both released albums in 1986 that Easton played on. Easton provided lead guitar and backing vocals on every Cars album, but he had zero writing credits with the group. For Change No Change, he worked with songwriter Jules Shear and co-wrote all 10 songs. The album starts out strong with quality power pop, but has a few missteps, including "I Want You," which features Easton half-rapping over a funky beat. No bueno. 

But the lead single, "(Wearing Down) Like a Wheel" is the real prize here. The song chugs out of the gate with a pissed-off Easton singing about a relationship going bad.

"Oh what can be done about you?/You look so at home in blue/It's easy to see what we're coming through/Now you say you want to be alone/And you talk in a funny tone/But the humor escapes/Oh I see us wearing down like a wheel/Do you think it's time to stop?/And I can promise your friends don't know how this feels/I don't care the way they talk."

I didn't realize it at the time, but the song reuses a riff from the deep cut "Getting Through" off the Cars' Panorama album. Hey, if you're gonna steal something, might as well as steal from yourself. And it's much fully realized on the solo Easton song.

Easton's vocals were surprisingly decent, especially on the more rocking songs.

"So believe the life that you hated/With your wheel alleviated/Resigned that your life was so faded/How could you hold back from me?/And how could you act to me?/And how many times/Oh I see us wearing down like a wheel/Do you think it's time to stop?/And I can promise your friends don't know how this feels/I don't care, the way they talk." 

As you would expect, Easton delivers a brilliant guitar solo that fits the psychedelic power pop feel of the song. It's a punchy slice of excellence. Unfortunately, he wasn't able to maintain that level throughout the album, but I think it still has some gems, including "Tools of Your Labor," "Change" and "Shayla." 

The album didn't chart, but it did get some love in New England, where the Cars hailed from. Easton played a short tour for the album and then returned to the Cars, who released their sixth album Door to Door in 1987. Surprisingly, the album was a dud and the group split up in 1988. Easton produced and played on the first two albums by Amy Rigby in the mid-'90s. In 1995, Easton teamed up with bassist Stu Cook and drummer Doug "Cosmo" Clifford of Creedence Clearwater Revival to form the CCR covers band Creedence Clearwater Revisited. They played nearly 200 shows in their first year before CCR frontman John Fogerty sued them, claiming the name was confusing to fans who might think Fogerty was involved. A court agreed and issued an injunction preventing the use of the Creedence Clearwater Revisited name, so the band changed their name to Cosmo's Factory. But after an appeal, the U.S. Ninth Court of Appeals overturned the injunction and the band immediately changed its name back to Creedence Clearwater Revisited. Easton played with the group until 2004.

In 2005, Easton and Hawkes formed the New Cars along with Todd Rundgren, bassist Kasim Sulton and drummer Prairie Prince. By this point, Ben Orr had passed away in 2000 after a battle with cancer and Cars drummer David Robinson declined to participate; Ocasek gave his blessing to the endeavor. The group played Cars songs and selections from Rundgren's career and released a new single along with a live album in 2006. In 2010, the four surviving original Cars reunited for a new album and tour. 

Since then, Easton released an album as Elliot Easton's Tiki Gods in 2013 and has played with the Empty Hearts since that year, releasing two albums. The group includes Clem Burke of Blondie, Wally Palmar of the Romantics and Ian McLagan of the Faces (until his death in 2014). 

The Cars were inducted into the Rock and Roll Hall of Fame in 2018, playing a short set with Weezer's Scott Shriner on bass. Ocasek died in September 2019. 


Thursday, February 01, 2024

Day After Day #29: Candy-O

Day After Day is an ambitious attempt to write about a song every day in 2024 (starting on Jan. 4).

Candy-O (1979)

How do you follow up an essentially perfect debut album? That was the quandary facing the Cars in 1979. Their 1978 self-titled debut was a masterpiece that came out of nowhere and was jam-packed with great songs. Formed in Boston two years earlier, the band's members had all been playing in bands for years; the best-known was drummer David Robinson, who was in the Modern Lovers previously. The album had three singles ("Just What I Needed," "My Best Friend's Girl" and "Good Times Roll"), but all nine songs have been received radio airplay. The band's synth-heavy sound was futuristic sounding at the time, resulting in the Cars getting the "new wave" tag from critics. 

Flush with accolades and a multiplatinum record, the band went back in the studio with producer Roy Thomas Baker and came up with Candy-O, which was released in June 1979. The first single, "Let's Go," was an immediate hit, getting up to #14 on the Hot 100 chart (11-year-old me bought the 45). There were two other singles: "It's All I Can Do" (which reached #41) and "Double Life" (which didn't chart). The album peaked at #3 on the Billboard album chart but ultimately didn't do as well as its predecessor. 

But FM radio was kinder to the Cars, playing all three singles as well as "Dangerous Type" and the title track early and often. The song "Candy-O" was my favorite. Written by Ric Ocasek and sung by bassist Benjamin Orr, the song highlights the brilliant work of guitarist Elliot Easton. An economical player who had already proven on the first album that he can deliver terrific but concise solos, Easton gets room to stretch out on "Candy-O." The brief chorus ("Candy-O/I need you so") gives more weight to Easton and Robinson, and the solo sees Easton tearing into some speedy runs before it jumps into the next verse. 

The song is heavier and darker sounding than most Cars songs and it's only 2:36, but it packs a punch. Orr uses a more sinister delivery to the song, which Ocasek said was not about a specific person. "Different ways to see you through/All the same in the end/Peculiar star, that's who you are/Do you have to win?"

The Cars continued on an album a year pace for the next few years, releasing the experimental Panorama in 1980 and the more commercial Shake It Up in '81. After a break, they came back with Heartbeat City in 1984, which was a monster hit with six singles released and major MTV airplay for the "You Might Think," "Magic" and "Drive" videos. Ocasek married supermodel Paulina Porizkova and the band was never bigger. But by the time they released Door to Door in 1987, the public wasn't picking up what the band was putting down. The album stiffed and the Cars broke up in early '88. 

The members pursued solo endeavors, with Ocasek becoming an in-demand producer. Orr passed away in 2000 from pancreatic cancer. The surviving members reunited for an album and tour in 2010 and were inducted into the Rock and Roll Hall of Fame in 2018. Ocasek died of natural causes the following year.

Their success was packed into a short time, but the Cars left behind a ton of great songs.



Monday, December 21, 2020

Completely Conspicuous 549: Just What I Needed

I'm joined by guest Phil Stacey as we discuss our favorite albums of 1978. Listen to the episode below or download directly (right click and "save as").

Show notes:

- Recorded via Zoom

- Jay turned 11, Phil turned 9 in '78

- Big festivals, including Texxas Jam

- Lots of disco on the singles chart

- Phil's favorite non-top 5 albums: Ramones, Blondie, The Who, The Clash, Elvis Costello, Jerry Garcia Band, Bob Marley, Rolling Stones, The Jam, Devo, Bob Seger, AC/DC, Tom Petty, Little Feat, Big Star, Marvin Gaye, Springsteen, Warren Zevon, Cheap Trick

- WKRP in Cincinnati on DVD and music licensing (UPDATE: Turns out a bunch of the music was restored on a recent DVD set)

- Cheap Trick At Budokan is one of the greatest live albums ever

- Jay's favorite bubbling under albums: The Police, Rush, Dire Straits, The Who, Peter Gabriel

- Phil's #5: Neil Young revisits the laid-back sound of Harvest

- Phil's #4 and Jay's #4: Talking Heads explore a more danceable sound

- Phil's #3: Debut from The Police made a big splash

- The long journey of Andy Summers

- Jay's #3: Contrasting opinions on Some Girls, but has some great Stones songs

- Jay's #2: Elvis Costello and the Attractions with an angry classic

- Phil's #1 and Jay's #5: Debut from The Cars has no bad songs

- Phil's #2 and Jay's #1: A revolutionary debut from Van Halen

- Favorite songs: "You're All I've Got Tonight" (Phil), "Running With the Devil" (Jay)

Completely Conspicuous is available through Apple Podcasts. Subscribe and write a review!

The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

Thursday, August 08, 2013

Through the Past Dorkily: Hello Again

Editor's note: Through the Past Dorkily is a recurring feature that looks back at the embarrassingly dorky diary I kept as a 16-year-old in 1984.


Thursday, July 26, 1984

MICK JAGGER'S BIRTHDAY
Song of the day: We Rock - Dio


Today wasn't that great. I slept til 10. I had a great dream about going out with [hot chick from school]. Mmm.


Mom got us hooked up to some stupid phone thing where you can only make 30 calls a month for 5 minutes at a time. Now that sucks.


I had to work. Fun.


- The Barbarian


Saturday, July 28, 1984

Song of the day: Back for More - Ratt


Another dud of a day. Next week I work tomorrow 1-6, Thurs, Fri and Sat 3-10.


Uncle Peter and Auntie Gini got here around 4.


- The Barbarian


Sunday, July 29, 1984

Song of the day: Run with the Money - Lita Ford


Another exercise in monotony. I worked from 1-6, came home, had dinner at 9 and went to bed.


The Olympics started today.


The Blue Jays finally won a game after losing 6 straight.


- The Barbarian


Tuesday, July 31, 1984

Song of the day: The Girl Gets Around - Sammy Hagar


Top 5 at Five
1. The Warrior - Scandal
2. We're Not Gonna Take It - Twisted Sister
3. Sunglasses at Night - Corey Hart
4. Bobbie Jean - Bruce Springsteen
5. I'll Wait - Van Halen

I went to the beach with Jeremy at 9:30. I forgot to take a towel. I only had $2, but Auntie Gini slipped me a fiver when Mom wasn't looking. It wasn't too crowded, and the weather was almost perfect. The girls were pretty awesome, too. We saw [cute girls from school] and some others there. A good beach day.


Aunt [redacted] is supposed to come on Thursday.


- The Barbarian


Wednesday, August 1, 1984

Song of the day: Gotta Let Go - Lita Ford


Top 5 at Five
1. The Warrior - Scandal
2. Missing You - John Waite
3. Back Where I Started - Box of Frogs
4. So. Central Rain - R.E.M.
5. We're Not Gonna Take It - Twisted Sister

 I didn't do much all day. I laid out front on a lounge chair listening to my Walkman. Good deal, eh?


- The Barbarian


Thursday, August 2, 1984

Song of the day: If This is It - Huey Lewis and the News


Today wasn't bad. The weather held up. Last night I finally got my chain back.


Auntie [redacted] came while I was at work.


When I got to work, [supervisor] asked me if I wanted to work night crew. I said sure. I'm starting next week.


My paycheck was $58.90. I put $50 in the bank. I've got $240 and change.


- The Barbarian


Friday, August 3, 1984

Song of the day: New Girl Now - Honeymoon Suite


After taking Mom to work, I stopped at Carriage Towne Plaza to get some milk. I also got the new Guitar Player, Circus and International Musician mags. Then I took [Aunt Redacted] and JP through Hampton Beach and the Methuen Mall. She gave me $10 and I bought "Condition Critical" by Quiet Riot. Good album. Then I went to work.


- The Barbarian


Saturday, August 4, 1984

Song of the day: I'll Fall in Love Again - Sammy Hagar


What a lousy day. I drove JP and [Aunt Redacted] to the Hampton Cinemas at 1:30. But we took a wrong turn and went to Portsmouth instead. We turned around. I got home at 2:50 and I was 5 minutes late for work. Then I find out that [supervisor], the jerk, didn't put me on night crew next week! I"m working Sun 1-6, Tues 3-10, Thurs (I think) 3-10 and Sat 3-10.


I gave [guitar dude] a ride home.


- The Barbarian


Sunday, August 5, 1984

Song of the day: Midnight Maniac - Krokus


I went to work at 1. I had to clean the washrooms because there were only 3 sackers. [Supervisor] got his red jacket finally. Correction: I'm working on Friday, not Thursday like I thought before.


I got home at 7, and we went to Rye to have dinner. We got back at 11.


- The Barbarian


Monday, August 6, 1984

Song of the day: Rockin' Every Night - Gary Moore


Top 5 at Five
1. The Warrior - Scandal
2. Cover Me - Bruce Springsteen
3. Two Sides of Love - Sammy Hagar
4. New Girl Now - Honeymoon Suite
5. Hello Again - The Cars

Good Monday for a change. We went to Methuen Mall (me, JP, Gini, Redacted) at 1. Auntie Gini gave me a $20 bill. I bought "Rockin'  Every Night," the live import from Gary Moore ($14.98). Then I had to pick Mom up from work at 2. I got 5 bucks from her and I went back and bought "Victims of the Future" by Gary Moore. I also met [dude from school] there. We left at 4.


Uncle Peter gave me a $20 bill to "keep things oiled." Alright!


- The Barbarian


Tuesday, August 7, 1984

Song of the day: Still Life - Iron Maiden


Today was alright. I didn't wake up in time to see Uncle Peter and Auntie Gini go, though. I just bummed around till 3, when I went to work.


I was working with [metalhead co-worker]. We were talking about heavy metal and he said he was going to the Dio/TS concert on the 24th. Tickets go on sale tomorrow morning. He said his parents are taking him and said he'd take me. I gave him $20 and he said he'd give me my ticket on Friday (when I work next). Now I have to talk Mom and Dad into letting me go. I think they will, since his parents are taking us. I hope so!


Then I was talking to [another co-worker] and he said he was going to see Billy Squier and Ratt on Sept. 22. He said he'd take me to that. Wow.


- The Barbarian


Wednesday, August 8, 1984

Song of the day: Love Ain't No Stranger - Whitesnake


Top 5 at Five
1. Cold Shot - Stevie Ray Vaughan
2. Bobbie Jean - Bruce Springsteen
3. The Warrior - Scandal
4. Love Ain't No Stranger - Whitesnake
5. Walking on a Thin Line - Huey Lewis and the News

Not much doing today. We all went to the hospital for lunch and then to Shaw's in Exeter to go shopping. Then I came home and vegged.

- The Barbarian

Postscript: One thing I from my teen years that is but a distant memory is the amount of sleep I used to get. Okay, that extended into my early 30s (basically, BK: Before Kids), but I really could sleep forever when I was in high school, and it wasn't even because I had been out drinking all night. So I had to laugh reading about I slept right through our guests leaving. Those guests weren't actually my uncle and aunt, but really close family friends from Toronto who would visit us at least once a year (and who we'd go visit as well). Peter was English and his wife was Indian and they were really cool; they're both dead now but the other "aunt" is still alive, hence the redacted info. 

The Cars were never bigger than they were in '84, but I don't really remember seeing this video. Of course, I didn't have MTV so I had to rely on other, much more limited sources:

    

Sunday, August 22, 2010

This is My House, This is My Home

Seems like every time I turn around these days, there's a milestone happening. Part of getting older, I guess. This milestone isn't too shocking: We're coming up on the 10-year anniversary of buying this house. We actually officially moved into the house in late September 2000, but we spent much of the previous month finalizing the sale and signing reams of paperwork and moving boxes and boxes of stuff in. Funny thing is, before moving in here, I was practically a vagabond.

I've moved around a lot my whole life. As a small child in Toronto, I lived in three different high-rise apartment buildings before I turned 7. In January 1975, we bought a house in the 'burbs, where we lived for nearly seven years before we followed my dad to Washington state. We lived in three more homes there in the 19 months we were in Richland, and then it was off to Kingston, NH in June 1983. We were in that house until the summer of 1989, when my parents sold it and moved to Brentwood. I had already moved down to Massachusetts to start my career, but I still had to spend many hours helping pack up all the crap that had accumulated in the Kingston house.

The subsequent decade was a whirlwind of schlepping around the North Shore of Boston:

  • Magnolia, June-September 1989: As I documented in the most recent installment of Mixology, I rented a room in a boarding house in Magnolia. It was a great spot located near the beach and a nice way to spend the summer. The Cher movie Mermaids was filmed not far from where I lived.
  • Wenham, September 1989-July 1990: One of the editors at the paper took his family on a mission trip to China for a year and entrusted his Wenham home to my fellow reporter and buddy Eric. One of the guys who was living there moved out after a few months, so Eric offered me the room. It was a lot closer to the office and a pretty sweet house, although we had to deal with the wacky lady who was renting the basement apartment. We threw some absolute kickass parties in that place. Another friend and fellow reporter moved in a few months after I did. The family returned and we had to find another place to live.
  • Beverly, July 1990-July 1991: My buddy Bryan and I found an apartment on Butman Street in Beverly, right across from a cemetery. It was a converted attic and pretty tiny, but for two single guys in their early 20s, it was good enough.
  • Beverly, July 1991-April 1992: My girlfriend Kelley and I decided to move in together. She had been renting a nice studio apartment in Hamilton above the garage of an MIT professor, but it wasn't really big enough for two people. We found an apartment in an old Victorian on Essex Street in Beverly. It was pretty roomy, but not very well insulated. A lot of little things started getting on our nerves, so we started looking for another place.
  • Beverly, April 1992-June 1993: After checking out a few places, we found a nice apartment on Roosevelt Avenue in Beverly. And if you know me at all, you already know that it's the downstairs apartment in the very house I own now. Everything was hunky dory at first, but by March 1993, things between Kelly and me weren't going so well. We were working completely opposite shifts at the paper and just sort of drifting apart. We agreed to split up, but she let me stay here until I could find a new place. It was a struggle, especially considering I didn't have ton of dough to pony up for a nice place. Eventually, I found one. Not that nice, but it was an apartment.
  • Middleton, June 1993-February 1994: I rented a room in a house in Middleton, which meant my commute would be a little longer (25 minutes). This also coincided with my taking a design editor position at the paper that required me to be at the office at 5 a.m. It was a lonely time out there. The house was owed by a guy in his late 20s who also lived there, but he wasn't around much. The house was in the middle of a big field, fairly isolated. There was another house near the road, but we were essentially on our own. Our house had two floors and four bedrooms; we shared a kitchen and bathroom. Another young guy, Chris, lived above me. He was pretty cool. We hung out a bit. After a few months, a divorced guy in his 60s moved in. Nice enough, but I didn't need to see him walking around in his boxers all damn day. I spent a lot of time in my room; it was like being in high school again in some respects. Plus I was in the mopey stages of being out of a relationship after four years. Not a lot of fun to be around.
  • Beverly, March 1994-March 1996: I was pretty depressed while I was in Middleton and I think my early morning gig was giving me an ulcer. I was swilling antacid like was going out of style. But things turned around when I ended up renting a room in the apartment shared by my co-workers Sue and Gail and Sue's friend Deb. I'd known all of them for years, especially Sue, with whom I went to high school and college. The place was on Essex Street in Beverly, but the other end from where I'd lived before, near the downtown. The joke behind the whole thing was I was moving with three cute girls, but there were all engaged or about to be. But they were all really cool and I had a blast living in that apartment, even though we would freeze in the winters and bake in the summers. Man, I really had some crappy landlords. Anyway, we actually had two more roommates that first summer when Deb's sister and friend moved in for a few months; the rent was super-cheap ($165 a month). By the spring of '95, however, the girls had all gotten married and moved out. My buddy Eric moved in and later my co-worker John joined us. He was a neat freak in the office, not so much at home. But it was all good.
  • Salem, April 1996-April 1997: I really liked living in that Beverly apartment, but by the spring of '97, I was getting annoyed by my roomies and was plotting to get my own place. A friend of mine told me there was a open apartment in the Salem house where she was renting; it was a basement apartment, but it was 10 minutes from my new gig in Marblehead. Plus, early '96 was a tough time. I had gotten dumped by my girlfriend and then my dad died, literally on the day I was moving out of the Beverly place. I was ready for some alone time. The Salem place was kinda cave-like, with only a few tiny windows. Ultimately, I had a lot of fun that summer, but by the following spring, it was getting a little expensive having to foot all the bills on my own.
  • Beverly, May 1997-October 1999: I had been hanging out with my buddy Mike a lot over the past few years, playing softball, golf and just going out drinking. I had been bitching about my apartment when he mentioned that one of his roommates was about to move out. He and his brother had been renting half a house on Sturtevant Street in Beverly in a pretty nice neighborhood. It was cheaper than the Salem place, a lot nicer and back in Beverly, where I preferred living. We had a lot of fun in that house, including some major blowout parties like the one for my 30th birthday. Not long after moving in, I started dating Deb.
  • Beverly, October 1999-September 2000: Things were growing progressively more serious between Deb and I and in July 1999, I finally proposed. We agreed to get married the following summer and decided to get an apartment together. We found a nice place on Lovett Street in Beverly, right upstairs from the place my friends Eric and Bryan lived for a while earlier in the decade. It was near the ocean and an easy walk to the train, which was good because I had started working at Webnoize that same month. The company moved from Stoneham to Cambridge in early 2000, so I began taking the commuter rail into the city. This also worked out well because my car was totaled by a giant tree branch during a storm in June 2000. We had planned to stay in that apartment for a while and save some money to get a house eventually, but things changed when Deb's mom was looking for a place and proposed getting a two-family house together. So Deb and her mom started looking at houses and one day Deb called me to say that the house I lived in on Roosevelt Avenue was on the market. It was a little weird at first, especially when we first took a tour of the house, but that was fleeting. We got it for a good price and Deb and I took the upstairs apartment, which I'd never been in before.
We don't have any plans on moving any time soon. Both Deb and I moved around a fair amount as kids and we don't want to do that to the girls. Besides, all that moving is enough to take the wanderlust out of your system.

House a Home:


Moving in Stereo:

Friday, February 12, 2010

Mixology: Rockin' the Hiz-zouse!!

Mixology is a recurring feature in which I take a look at one of the many mix tapes I made over the years. Some are better than others, but all of them are fun to revisit.

Rockin' the Hiz-zouse!! (6/17/98)

This is one of the few mix tapes I have that was actually made by someone else, namely my good buddy Phil. I had forgotten I even had it until last week when I found it among a bunch of other tapes.

He loves music as much as I do and it shows in this tape, which is an excellent combination of classic rock and newer (at the time) stuff. He even threw some Coltrane on the second side, which was an inspired choice.

I own most of the music on this tape, but there's a few songs I don't have, like the ones by Tori Amos, Dead Milkmen and Jerry Harrison. All things considered, a good collection that I was glad to rediscover.

Side A
What a Life - Juliana Hatfield
Daughters of the KAOS - Luscious Jackson
Treasure (Whatever Happened to Pete the Chop) - U2
What She Said - The Smiths
Smells Like Teen Spirit - Tori Amos
If 6 was 9 - Jimi Hendrix
Fillet of Sole - Dead Milkmen
Monkey Man - The Rolling Stones
Mesmerizing - Liz Phair
Dandelion - Tracy Bonham
Grew Up Fast - Tom Petty
The Loner/Cinnamon Girl/Down By the River - Crosby, Stills, Nash and Young

Side B
Giant Steps - John Coltrane
Happiness is a Warm Gun - The Breeders
Dusted - Belly
Voice of Harold - R.E.M.
Cruiser - The Cars
Crosseyed and Painless - Talking Heads
Bittersweet - Hoodoo Gurus
Bloom - Gigolo Aunts
Man With a Gun - Jerry Harrison
Sister Disco - The Who
How Many More Times - Led Zeppelin




KAOS:



Cruiser:

Videodrone #26: Knives Out

Videodrone is a weekly(ish) feature looking at music videos from the last half century.   Knives Out (2001) The music world was a-changing i...