Showing posts with label Dinosaur Jr.. Show all posts
Showing posts with label Dinosaur Jr.. Show all posts

Monday, May 20, 2024

Day After Day #138: Start Choppin'

Day After Day is an ambitious attempt to write about a song every day in 2024 (starting on Jan. 4).

Start Choppin' (1993)

When I first started getting into the rock music in the late '70s, guitar hero was a lofty title only granted to luminaries like Jimi Hendrix, Jimmy Page, Eddie Van Halen and the like. Then in the '80s, it became a free-for-all with Yngwie Malmsteen and George Lynch and many of their poodle-haired compatriots competing for who could shred the fastest. 

I was into it for a while until I heard the Vinnie Vincent Invasion, which was possibly the dumbest music I'd ever listened to; Vincent briefly played with KISS in the early '80s but when he started his own glam metal band, he felt the need to prove he was the fastest guitarist around. He packed so many notes into every solo, while out-Spinal Tapping Spinal Tap with songs like "Boyz Are Gonna Rock." I was embarrassed to have even heard it and started turning my back on the flash metal guitar boyz. (Meanwhile, Vincent's own backing band got sick of him and ditched him after two albums to start the band Slaughter, which was somewhat less dumb.)

I was already listening to a lot of so-called alternative rock, artists like U2, R.E.M. and Peter Gabriel, so it wasn't much of an effort to leave metal behind. Then in the early '90s after Nirvana hit it big, the metal bands all kinda faded from view. I watched a lot of MTV's 120 Minutes and one night in early '93, I saw a video for Dinosaur Jr.'s "Start Choppin'." I knew of the band but wasn't familiar with any of their previously released music, but I really dug the guitar sound that J Mascis got on the new song. Plus his vocals sort of reminded me of Neil Young, who was a favorite of mine. 

The band was formed as Dinosaur in Amherst, Mass., in 1984 by Mascis (guitar, vocals), Lou Barlow (bass, vocals) and Murph (drums). Mascis and Barlow had played in the hardcore punk band Deep Wound in high school. They caught the attention of Homestead Records and released their first album in 1985 and then You're Living All Over Me in 1987 on SST. The band's sound combined Mascis' nasally but melodic vocals and heavily distorted guitars.

The band changed its name to Dinosaur Jr. after a group called Dinosaurs (featuring former members of the Grateful Dead, Country Joe and the Fish, Quicksilver Messenger Service and Jefferson Airplane) sued over the name, paving the way for plenty of terrific Dinosaurs albums (well, one album in 1988 before breaking up the next year).

Meanwhile, Dino Jr. was developing a following among college students and underground rock fans. Their third album, Bug, came out in 1988 and was a hit in the U.K., with the lead single "Freak Scene" going to #4 on the U.K. independent chart and the album reaching #1 on the independent albums chart. A cover of the Cure's "Just Like Heaven" also hit the U.K. Singles chart. But the band was falling apart, as Mascis and Barlow clashed over Mascis' control over the Dino Jr. sound. After the Bug tour ended in 1989, Barlow was kicked out of the band; he turned his attention to his project Sebadoh.

Dino Jr. signed with Sire Records in 1990 and released their major label debut Green Mind in 1991. Mascis played most of the instruments on the album, with Murph only drumming on a few songs. The album is a strong one, featuring "The Wagon" and "Puke + Cry" and getting the band some notice on MTV. Bassist Mike Johnson joined the band for the tour and the next album, 1993's Where You Been.

By this time, alternative rock was peaking thanks to Nirvana's breakthrough. Guitar-driven albums by longhaired dudes was in vogue and Mascis delivered a masterpiece. Where You Been had plenty of guitar heroics, but also featured Mascis writing more personal lyrics and catchy riffs. There are a number of standout tracks, but "Start Choppin'" leads the way.

"There's no going back to that/I'm so numb, can't even react/Didn't say it's not okay/But we aren't dealing the same way/I ain't tellin' you a secret/I ain't tellin' you goodbye."

Mascis said he came up with the title as he was cutting tape to put different versions together and said "Start chopping," which fits well with the song's starts and stops. 

"When you call it's just not fair/It's the last thing you should share/I can't deal, I'll let you know/Still I wish you'd let it go/I ain't tellin' you a secret/I ain't tellin' you goodbye/I'm telling you for one last time/It's not just you, the problem's mine to hide/I waited as long as I could/If you need it, sure I would, that's fine."

The solo is epic and really whets your appetite for the rest of the album, which features similarly awesome lead work and riffage.

"Start Choppin'" hit #3 on Billboard's Modern Rock Tracks chart and #20 on the U.K. Singles chart, while the album made it to #50 on the Billboard 200.

Murph left the band after the Where You Been tour. Mascis and Johnson recorded 1994's Without a Sound, which had another rock radio and MTV hit with "Feel the Pain." There was one last Dino Jr. album in 1997, Hand It Over, before Mascis retired the band name; the band's last live appearance was on the Jenny Jones Show.

Mascis released a few solo albums under the name J Mascis and the Fog in the early 2000s. Mascis and Barlow eventually reconciled and in 2005, the original three Dino Jr. albums were reissued on Merge. Mascis, Barlow and Murph played on The Late Late Show with Craig Ferguson in April 2005 and then toured Europe that summer. The reunited Dino Jr. released Beyond in 2007 and put out four more studio albums since then, with extensive touring in between other projects (Mascis has released a few solo albums and Barlow has released Sebadoh and Folk Implosion albums). I saw Dino on the Where You Been tour and have seen the reunited original lineup several times over the last 15 years. They still rip. Meanwhile, Vinnie Vincent is nowhere to be found and I'm OK with that.


Tuesday, April 30, 2024

Day After Day #118: Rebound

Day After Day is an ambitious attempt to write about a song every day in 2024 (starting on Jan. 4).

Rebound (1994)

When you're talking about the lo-fi indie rock boom of the early to mid-'90s, you've got to include artists like Guided By Voices, Pavement and Beck, but you also should make sure that Sebadoh is part of that conversation. The band actually dates way back to 1986, when Lou Barlow and Eric Gaffney teamed up in Northampton, Mass. Barlow was playing bass in Dinosaur Jr. at the time but seeing J. Mascis take over the creative direction of that band, so Barlow needed an outlet for the songs he was writing. 

The band kept things lo-fi by using four-track cassette machines to record and began releasing tapes in 1987. After getting kicked out of Dino Jr. in 1989, Barlow devoted all his attention to Sebadoh, adding Jason Loewenstein to the band. The first album with Loewenstein was Sebadoh III, released on Homestead Records in 1991, which featured songs from all three members that ran the gamut from folky rock to freaky hardcore. The band signed to Sub Pop and released Bubble & Scrape in 1993, after which Gaffney left. 

Bob Fay stepped in as drummer for 1994's Bakesale, although Gaffney plays drums on four tracks and Tara Jane O'Neil was on three. Barlow and Loewenstein wrote most of the songs, which were more polished and fully formed than on the previous three albums. 

The first single was "Rebound," which features a chiming guitar intro and a decent amount of thump even as Barlow sings about the aftermath of being dumped.

"Heartbroken and attractive/A sad, sloppy mess/Looking for approval/And easily impressed/Beware they say/But why would I listen?/I need to know what I've been missin'/I'm no one you can trust/All little boy lonely with curious lust/Confusion turns me upside down/Lost as quickly as I'm found/But soon enough it turns around/On the rebound."

Rebounding is often doomed to failure, but you don't realize or care until it's too late.

"Call it fate or true love/Never forced romance/Fall into a new love/Maybe perfect love by chance/Beware they say/But why would I listen/When it feels this good?/No one lives their life/Doing all the things they say they should/Confusion turns me upside down/Lost as quickly as I'm found/But soon enough it turns around/On the rebound."

The song got some play on MTV's 120 Minutes as well as alternative stations like WFNX, thanks to its pop catchiness. Bakesale didn't chart in the U.S., but it did hit #40 on the U.K. Albums Chart. Before Sebadoh's next album, Harmacy, was released in 1996, Barlow scored a top 40 hit with his side project The Folk Implosion with the song "Natural One," which was on the Kids soundtrack. Sebadoh released The Sebadoh in '99 and the Folk Implosion released One Part Lullaby. 

Sebadoh went on hiatus until 2007, when Barlow, Loewenstein and Gaffney reunited to tour, coinciding with the reissue of Sebadoh III, The Freed Man and Bubble & Scrape. Bob D'Amico took over on drums for a 2011 tour and the band released albums in 2013 and 2019. Meanwhile, Barlow reunited with Mascis in 2005 to reform the original lineup of Dino Jr. and they've managed to get along ever since, releasing five albums and touring in between other projects. Speaking as a fan of all Mascis and Barlow projects, it's been the best of all worlds.


Saturday, January 08, 2022

Came Down Different: My Favorite Albums of 2021

Editor's note: Check out my podcast discussion with Jay Breitling about our favorite music of '21 on Completely Conspicuous (here's parts 1 and 2). 

Well, it wasn't 2020, but 2021 still didn't mark the return to normalcy we were hoping for. Sure, concerts came back, but so did COVID in different forms and ultimately, we're sitting here at the end of the year seeing things shut down again. The big difference is a lot of us are vaccinated, so hopefully things will get under control at some point soon. 


 

All that said, it was still a good year for indie rock. Not as politically charged as 2020 was, but there were some fine releases that kept us rocking even with masks on. Here are my top 15.

15. Bachelor - Doomin’ Sun: Palehound’s Ellen Kempner and Jay Som’s Melina Duterte team up to deliver a collection of intensely personal relationship songs. Recommended: “Stay in the Car,” “Sand Angel,” “Back of My Hand”

 

 

14. Chubby and the Gang - The Mutt’s Nuts: London punk act introduces some new dimensions to their sound, working in some slower songs that add some dynamics to the all-out rippers. Recommended: “Getting Beat Again,” “The Mutt’s Nuts,” “Overachiever”


 

 

13. Courtney Barnett - Things Take Time, Take Time: On her third full-length release, Barnett keeps things low key but always interesting. No barn-burning guitar rippers here, but an introspective set of songs focused on vulnerability, both hers and that of loved ones. The instrumentation is sparser here, as her regular backing musicians are absent. It’s a quieter album from Barnett, but an effective one. Recommended: “Rae Street,” “Sunfair Sundown,” “Take It Day by Day”

 

 

12. Mdou Moctar - Afrique Victime: This one came out of left field for me, having never heard of the Tuareg guitarist based in Niger. Moctar sings in the Tamasheq language, but his volcanic guitarwork transcends any language barrier. Signed to Matador, Moctar and his band churn through soaring psychedelic rock songs that decry violence in Niger and other issues affecting his people there. Recommended: “Chismiten,” “Taliat,” “Asdikte Akal”

 

 

 

11. Ducks Ltd. - Modern Fiction: The Toronto-based duo followed up the re-release of their debut EP Get Bleak with a full-length later in the year, embracing the jangle-pop ethos with a rollicking collection. Definite echoes of Rolling Blackouts Coastal Fever, who they’ve toured with previously. Hooky and bright, with uneasy and reflective lyrics, Ducks Ltd. is walking an entertaining tightrope. Recommended: “Old Times,” “18 Cigarettes,” “Fit to Burst” 

 

 

 

10. Juliana Hatfield - Blood: Twenty-nine years into her solo career (after five years of playing with Blake Babies and Lemonheads), Juliana Hatfield is showing no signs of slowing down. She followed up her excellent 2019 album of Police covers with this angry, gutsy release. Hatfield plays almost every instrument and revels in a lacerating series of songs that focus on personal and political violence, spilling plenty of theoretical blood. Recommended: “The Shame of Love,” Suck It Up,” “Mouthful of Blood” 

 

 

 

9. IDLES - Crawler: Band follows up last year’s Ultra Mono with a more varied set of songs: Slow burners like “The Beachland Ballroom,” and they dial back on the sloganeering to introduce a little more variety. Live, they’re still pretty goddamn intense, though. Recommended: “The Beachland Ballroom,” “Car Crash,” “Meds” 

 

 

 

8. Ovlov - Buds: A Steve Hartlett band that supposedly called it quits in ‘19, Ovlov returns with a short but sweet (25 mins) epic filled with hot solos, but also melodic and poppy embellishments that fill out the sound. Recommended: “Land of Steve-O,” “Cheer Up, Chihiro!,” “Feel the Pain” 

 

 

 

7. St. Vincent - Daddy’s Home: St. Vincent goes for a late ‘70s NYC vibe, steeped in Bowie. Musical chameleon Annie Clark has already had an incredible career, proving herself to be a terrific guitarist, bouncing from persona to persona, and collaborating with the likes of David Byrne, Dua Lipa and the surviving members of Nirvana. On this album, she puts aside the electro-pop of 2017’s Masseduction and goes back to the sound of ‘70s rock as she deals with personal issues like her father’s incarceration, her romantic struggles, and not wanting to have kids. Super compelling and always interesting. Recommended: “Pay Your Way In Pain,” “Down and Out Downtown,” “At the Holiday Party” 

 

 

 

6. The War On Drugs - I Don’t Live Here Anymore: Adam Granduciel keeps doing his thing, pushing the synths more to the front over the guitar and steeping everything in a mid-80s rock sound. He gets criticized as Mr. Mister v. 2.0, but dammit, it works. The War on Drugs has gone from a small indie act to a bona fide arena band in the last several years and their sound has definitely evolved. Recommended: “Wasted,” “I Don’t Wanna Wait,” “Victim” 

 

 

 

5. Turnstile - Glow On: On their fourth album, the Baltimore hardcore act busts through, mixing in power pop, dance, and other elements in with monster riffs. Produced by Mike Elizondo (previously worked with Eminem, 50 Cent), the album expands the band’s sound palate with a lot of interesting percussion, synths and other embellishments. Dev Hynes of Blood Oranges makes a few appearances. But ultimately, Glow On is about the bangers and it delivers emphatically. If this is the future of hardcore, sign me up. Recommended: “Holiday,” “Blackout,” “Lonely Dezires” 

 

 

 

4. Kiwi Jr. - Cooler Returns: The Canadian Pavement? This is the Toronto act's Sub Pop debut and second album. They embrace the '90s slacker vibe with playful, sarcastic lyrics, but musically things stay bright and breezy. A breath of fresh air from the Great White North. They’re not Pavement, but they’re pretty damn good. Recommended: “Undecided Voters,” “Tyler,” “Domino”

 

 

 

3. Parquet Courts - Sympathy for Life: One of the most consistently satisfying bands of the last decade, PQ continues to deliver the goods, embracing a Talking Heads vibe with some dance and world sounds incorporated into their post-punk mix. The album has a real NYC feel to it, from the upbeat "Walking at a Downtown Pace" to the call for social change in "Marathon of Anger." Recommended: “Walking at a Downtown Pace,” “Marathon of Anger,” “Black Widow Spider” 

 

 

 

2. Dinosaur Jr. - Sweep It Into Space: Now five albums and 16 years after reuniting their original lineup, Dinosaur Jr. returns with another reliably excellent album. With some help from Kurt Vile, the band sounds as powerful as ever but incorporates some different melodic touches into the piledriver Dino approach, including a couple of excellent Lou Barlow tunes. Still, the album delivers the common Dino Jr. denominator: it's full of J. Mascis ripping sweet solos and crunchy riffs, which is never a bad thing. Recommended: “I Ran Away,” “Garden,” “N Say”

 

 

 

1. Pardoner - Came Down Different: Took me a while to pick up on this release from the Bay Area act, but I consistently ended up playing it throughout the year. Brash, Pavement vibe with catchy songs and big riffage. The slack rock was strong with this record, but with a harder edge than, say, Kiwi Jr.  Just a fun ripper of an album that doesn't let up from beginning to end. Recommended: “Donna Said,” “Totally Evil Powers,” “Bunny’s Taxi”

 

 

 

Honorable mention:

Goodbye Honolulu - s/t

Jeff Rosenstock - Ska Dream

TV Priest - Uppers

Sleaford Mods - Spare Ribs

Shame - Drunk Tank Pink

Tragically Hip - Saskadelphia

Chime School - s/t

Mac McCaughan - The Sound of Yourself

The Bevis Frond - Little Eden

Colleen Green - Cool

Quicksand - Distant Populations

Ty Segall - Harmonizer

Piroshka - Love Drips & Gathers

Split Single - Amplificado

Sleater-Kinney - Path of Wellness

Pom Pom Squad - Death of a Cheerleader

Islands - Islomania

Fiddlehead - Between the Richness

Dry Cleaning - New Long Leg: 

Black Country, New Road - For the first time

Adult Books - Grecian Urn

Guardian Singles - s/t

Squid - Bright Green Field

Nick Cave & Warren Ellis - Carnage

Mogwai - As the Love Continues

Guided By Voices - Earth Man Blues

Teenage Fanclub - Endless Arcade

Iceage - Seek Shelter

Lou Barlow - Reason to Live

McCartney - McCartney III and McCartney III Reimagined

Fake Fruit - s/t

Death From Above 1979 - Is 4 Lovers

The Dirty Nil - Fuck Art

TUNS - Duly Noted

Fridge Poetry - Half the Battle

The Reds, Pinks and Purples - Uncommon Weather

Glitterer - Life Is Not a Lesson

Cloud Nothings - The Shadow I Remember

The Hold Steady - Open Door Policy

Ex-Hyena - Artificial Pulse

Paul Jacobs - Pink Dogs on the Green Grass

The Natvral - Tethers

Matthew Sweet - Catspaw

  

Tuesday, July 06, 2021

Completely Conspicuous 569: Smash Your Head on the Post-Punk

Part 3 of my in-person conversation with guest Jay Breitling as we discuss our favorite music of 2021 so far. Listen to the episode below or download directly (right click and "save as").

Show notes:

- Recorded at CompCon World HQ

- Still with the fan noise

- Kumar's #7: Sleaford Mods with perennially pissed off minimalist post-punk

- Breitling's #6: Multi-instrumentalist Colleen with hypnotic ambient album

- Kumar's #6: More IDLES-y post-punk from across the pond with TV Priest

- Breitling's #4: More Slumberland bedroom pop goodness from the Reds, Pinks and Purples

- Kumar's #5: St. Vincent goes for a late '70s Bowie vibe

- Kumar's #4: Jeff Rosenstock revisits his ska-punk roots with a remake of his 2020 album No Dream

- Breitling's #3: Blue Ocean with release combining two EPs of shoegaze

- Kumar's #3: Excellent guitar-heavy ripper from Juliana Hatfield

- Breitling's #2: Pardoner with a hot rock release reminiscent of Pavement and Parquet Courts

- Kumar's #1 and Breitling's #5: Kiwi Jr.'s second release of sardonic slacker rock

- Breitling's #1 and Kumar's #2: Dinosaur Jr. with a great collection of songs

- Let's go see rock shows!

Completely Conspicuous is available through the Apple Podcasts directory. Subscribe and write a review!

The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

Friday, August 02, 2013

Completely Conspicuous 289: We Want the Airwaves

Part 1 of my conversation with guest Amanda Guest as we discuss the new online radio station she's launching. Listen to the episode below or download it directly (right click and "save as").


Show notes:
- Recorded via Skype
- Amanda was last on CompCon in October 2010
- Moved to San Francisco a year ago
- Launching her own radio station, BFF.fm
- Did a radio show at WMWM at Salem State
- Found studio space to rent at The Secret Alley
- Adventures in Console Purchasing
- Have 4-5 DJs lined up to do shows
- Possible launch date is Sept. 1, but you can listen to music there now
- Best Frequencies Forever
- Using word of mouth
- Partnering with San Francisco venues and brands
- Possible remote broadcasts with DJs from around the world
- Focused on underground music
- DJs "pay to play" in SF
- Hoping to get sponsorships
- Still working full-time while getting BFF going
- Lifelong dream to start a radio station
- SF is a lot more optimistic
- Bonehead of the Week


Music:
Black Rebel Motorcycle Club - Hate the Taste (live)

Quicksand - Fazer (live)
Rocket from the Crypt - Born in '69 (live)
Dinosaur Jr. - The Only Other Way
Completely Conspicuous is available through the iTunes podcast directory. Subscribe and write a review!

The Black Rebel Motorcycle Club, Quicksand and Rocket from the Crypt songs are on the Converse Represent San Francisco live EP, available for free at Soundcloud.
The Dinosaur Jr. song is an unreleased track available for free download at SkullCandy.
 
The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Find out more about Senor Breitling at his fine music blog Clicky Clicky. Voiceover work is courtesy of James Gralian.

Wednesday, April 17, 2013

Completely Conspicuous 274: Business as Usual

Part 1 of my conversation with guest James Gralian about the post-lockout NHL. Listen to the episode below or download directly (right click and "save as").


Show notes:
- Recorded last weekend via Skype
- Last spoke in October before NHL lockout began
- Season relaunched in mid-January and is wrapping up in next few weeks
- Definitely some bitterness when the NHL came back
- James' many online efforts include The Avs Hockey Podcast and Jerseys and Hockey Love
- JG: Playing hockey has deepened my appreciation for the sport
- NHL teams sign plenty of undrafted college players
- Georges Vezina was known as the Chicoutimi Cucumber
- Jack Falla wrote some great hockey books
- JK: I was mad at both sides after the lockout
- Ended up getting satellite package and following the Leafs anyway
- Greed is a given in pro sports
- The Leafs fired their GM right before season started
- Now they're on the verge of making playoffs for first time in 9 years
- JK remembers the Leafs' 1993 playoff run
- JK: Not a fan of the shootout
- Rough year for James' favorite team, Colorado
- JG: The Avs need to clean house
- To be continued
- Bonehead of the Week


Music:
Beck - Halo of Gold

Buffalo Tom - Mineral
Dinosaur Jr. - Freak Scene
Titus Andronicus - Titus Andronicus Forever

Completely Conspicuous is available through the iTunes podcast directory. Subscribe and write a review!

The Beck song is the B-side to the single "Tropicalia" from the album Mutations. Download the song for free at Epitonic.
The Buffalo Tom song is on the album Let Me Come Over on Beggars Banquet. Download the song for free at Epitonic.
The Dinosaur Jr. song is on the album Bug on SST. Download the song for free at Epitonic.
The Titus Andronicus song is on the album The Monitor on XL Recordings. Download the song for free at Epitonic.
The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. 
Find out more about Senor Breitling at his fine music blog Clicky Clicky. Voiceover work is courtesy of James Gralian; check out his blog PodGeek.

Monday, March 25, 2013

Completely Conspicuous 271: The Best of the Rest

Part 3 of my conversation with guest Brian Salvatore as we wrap up the CompCon Awards. Listen to the episode below or download it directly (right click and "save as").

Show notes:
- Recorded via Skype
- Worst Album by Best Band
- Mid-'90s Van Halen was really bad
- George Harrison had some questionable releases in early '80s
- The Clash's Cut the Crap was like a parody of the band
- Best Album by Worst Band
- The Strokes: One-hit-album wonder?
- Jay: Give the band Live credit for somehow having a career
- Best Non-Guitar Solo
- Jay: Looked at instruments other than drums
- Plenty of great bass solos over the years
- Best Live Album
- Stones played faster on Get Yer Ya-Ya's Out
- J. Geils Band were an amazing live act
- Sore Thumb Award for song that doesn't fit on album it's on
- What's the deal with skits on hip-hop albums?
- Best Moustache in Rock
- Jeff "Skunk" Baxter had a classic 'stache
- Zappa was defined by his 'stache
- Bonehead of the Week

Music:
Magnolia Electric Co. - The Dark Don't Hide It

Dinosaur Jr. - Entertainment
Kurt Vile - Never Run Away
Dump - Superpowerless
Completely Conspicuous is available through the iTunes podcast directory. Subscribe and write a review!
The Magnolia Electric Co. song is on the album What Comes After the Blues on Secretly Canadian. Download it for free at Chromewaves.
The Dinosaur Jr. song is a cover of a Phoenix track and is available for free download at Chromewaves.
The Kurt Vile song is on the album Walkin' on a Pretty Daze on Matador Records. Download the song for free at Matador.
The Dump song is on reissue of the album Superpowerless on Morr Music. Download the song for free at Chromewaves.
The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Find out more about Senor Breitling at his fine music blog Clicky Clicky. Voiceover work is courtesy of James Gralian.

Videodrone #26: Knives Out

Videodrone is a weekly(ish) feature looking at music videos from the last half century.   Knives Out (2001) The music world was a-changing i...