Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Sunday, 16 December 2012

The BrokenTV End Of Year Video Extravaganza Part One: The 20 Best Songs Of 2012

Inarguably so. Having spent every single minute of the last month listening to every single song recorded in 2012 (with no sleep, often listening to six or seven songs simultaneously in order to get through them all), we've whittled them down to the twenty greatest songs pumped out into the world since 1 January 2012. And here they are, presented to you in the form of a badly-edited video that hopefully won't be removed as soon as we upload it. Enjoy. And probably grumble about how there aren't enough guitars, but shush.

View in full YouTube-o-vision here. Hover over the oblongs on the bottom-right of the video window when each song is played to leap to full versions of each song.

And yes, we do know the intro to that video goes on for too long. We’ll try harder next year.

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Tuesday, 17 July 2012

Nozin’ Aroun’ USA

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LITTLE KNOWN FACT: You know the infamous Nozin’ Aroun’ show-within-a-show from The Young Ones? With a young Ben Elton telling us how it’ll be looking at the issues facing YOUNG ADULTS in the modern crazy world of 1982? Well, it was actually based on a Chicago public access show called ‘Teen Talk’ where “the teens get to do the talking, and the adults get to listen”.

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Here’s a sample clip from it, with the particular episode in question being about the new craze of ‘punk rock’.

OR

It’s a promo video for the songs ‘Burrow and Bomb’ and ‘I Got News For You’ by California hardcore punk supergroup Off!, starring Dave Foley and lots of brilliant riffs on American television  from the early early 1980s.

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YOU DECIDE.

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Actually, no, you don’t get to decide. It’s the second one of those two things. Quite clearly. It is quite expertly put together, though.

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ENJOY.

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Saturday, 5 November 2011

Belated Musical Justice Corner #1: World of Science

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In news that’ll surely turn out to be terrible for our bank account, we’ve discovered the majesty of Soma.fm’s radio station Poptron. It’s a donation-funded internet radio station that plays nothing but “electropop and indie dance rock with sparkle and pop”. Speaking as the kind of infuriating hipster twots who can’t get enough of bands like Cut Copy, Datarock, MGMT, Hot Chip, Metric, Chromeo, Passion Pit, LCD Soundsystem, Royksopp, Yacht, Crystal Castles, Fischerspooner, New Young Pony Club, Au Revoir Simone and lots of other similar bands we could mention here in order to try and incrementally nudge up our Google search rankings for such terms, it’s proved to be a bit of an aural honey pot for our collective ears.

So, upon hearing it play a wonderful song by a band going by the excellent moniker of World of Science earlier this evening, we nimbly scampered over to the office PC to see if the song could be purchased without having to give any money to bloody sodding Apple. Luckily, it turns out that we could, but the story doesn’t end there (otherwise it’d be a really rubbish story) (Actually, it probably still will be.) (Remember when we used to be any good? Ages ago, wasn’t it?).

We discovered that by going to World of Science’s own website, anyone can currently buy an MP3 download of their debut (and sadly since the website hasn’t been updated since 2008, presumably only) album Makeout Songs for just FOUR DOLLARS AMERICAN. That’s just £2.49 of your actual Queen’s British Pounds. Go click on the ‘merch’ link of their website if you’d like to do so.

It’s so cheap you probably won’t even mind that the person making the songs available couldn’t be frigging well bothered ID3 tagging them remotely properly, or embedding album artwork in them so you’ll chuffing well have to re-tag them all yourself and then manually add the album artwork to them all from the image we helpfully paste just below! (Feel free to use that as a review quote if you’re reading this, guys.)

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Reader’s Voice; "But BrokenTV, much as we’re sure you’re correct in ordering us to do so, what with you being best at liking music and everything, is there any real reason we should be doing so?

As well you may ask, gentle viewer. Well, first up: our research suggests that World of Science are a hugely excellent band who quite staggeringly only have a meagre total of 760 listeners on Last.fm right now. This in a universe where Justin bloodycocking Bieber has around eleventy squillion followers on Twitter. Clearly, there is no God, but there is almost definitely a Satan.

Secondly, well… here’s a YouTube video of the marvellous album opener “You’re So Handsome”. Even though we had to just flippin’ well upload it ourselves to YouTube, as it wasn’t there already.

MUST WE BE RELIED ON TO FIX THE INTERNET EVERY TIME?

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Wednesday, 21 September 2011

R.E.M.R.I.P.– A Chartblast Infographic

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Saturday, 11 December 2010

Exciting Free Gift For All Readers Inside

Way back in 2008, we ran a little contest over on the BeEx forum called Song Wars (no relation to the Adam & Joe thing of the same name). The rules were too complicated to run through in detail here, but it was basically a World Cup Of Liking Music – with group stages and a knockout phase and a prize and everything. Basically, each ‘player’ picked one song per week, often based on a theme, sometimes not. The songs from each group were listed, with no clue as to which player had picked which song, and everyone else got to vote for their favourites, with identities revealed and points allocated at the end of each week. It was fun, and we should have really carried on with it.

Anyway, the first song-card we decided to play was the We Are Terrorists remix of Revolte’s ‘Ironical Sexism’. Problem was, we couldn’t find a streaming version of it anywhere, so we uploaded it to YouTube after designing a quick ‘cover’, and used that. It did well, too, narrowing missing first place thanks to someone else picking the even better MacArthur Park by Richard Harris.

And here it is. It’s still thunderingly brilliant, by the way.

A few years later, after we’d long forgotten it, we received a YouTube private message from French electropopsters WAT themselves (their name since shortened, possibly just so they could get their stuff through airports without having to hear the sound of a customs guy snapping on a body cavity search glove). Was it a polite bollocking about us trampling all over their copyright by uploading it without their permission? Well, nope. It was them thanking us for promoting their work – the YouTube upload was nudging 10,000 hits at the time of the message – and offering us a free copy of their debut album. What with us not being as stupid as we look, we gratefully accepted their offer, and got a free copy of something we were almost certainly going to buy anyway. Hurrah, eh?

And, as luck would have it, the debut album from WAT is something we’d classify as Really Rather Bloody Brilliant Actually. If you’re a fan of the genre the band themselves call ‘positivelectrorocknewwavediscotecawithahiphoptwist’, you’ll love this album. If you’re not a fan of positiveelectrorocketc, you should prepare to have your expectations elbowed sharply in the ribs, because you’ll probably find you love it anyway. That’s how good it is.

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But don’t take our inelegantly phrased words for it. We’ve asked nicely, and we’ve got a medley of songs from the album, specially mixed into excellence by DaTraxer, to share with you all. Yes, it’s a promo track that we could probably have just made available without even asking permission anyway, but shush. We’re polite like that.  It works as a pretty damn good song in it’s own right if you’re asking us, and gives you a pretty good idea of the joyous jumpiness contained within the album proper. Download, listen, enjoy.

WAT - Wonder (Teddy-Beer's Millenium Flocon Teaser By DaTraxer)

Because it’s Christmas (well, early mid-December), here’s another freebie of a WAT song not on the album. It’s a remix of the theme to Knight Rider, which is a television programme, which means this whole blog update is still on topic. Yay!

We Are Terrorists - Kangou 2000 (Remix Of Knight Rider Theme)

You can buy Wonder from iTunes, buy the CD direct from Boxon Records, or digitally from 7Digital. Oh, and here’s Soundcloud link to their next single, which is splendid.

 

COMPANIES! Would YOU like to offer us a free copy of things we would probably have gone out and bought anyway in return for us being nice about it here? Feel free to contact us on Twitter. (We’ll be extra nice about whatever if you throw in some cash, too.)
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Sunday, 14 June 2009

The Mighty PWEI versus Gay Byrne

If there’s something we love seeing, it’s when mainstream television plays host to completely unsuitable guests. For example, in the early 1990s Bill Hicks was once a guest on Pebble Mill at One. Bill Hicks! Sadly, there isn’t a clip of that on YouTube, but there is this. Promoting their album Dos Dedos Mes Amigos, Pop Will Eat Itself made an appearance on sedate Irish chat show The Late Late Show.  Carnage ensued:

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Tuesday, 21 April 2009

Let’s Have A Cack Celebration

This week sees the release of Depeche Mode’s one hundredth studio album, Sounds Of The Universe. Despite our disappointment with pretty much everything they’ve done since Ultra, we’ve just bought it. In preparation for the new offering, to rekindle our affection for Basildon’s finest noisesmiths we’ve spent much of the last week chasing down as many DM remix bootlegs as we can find.

As one might expect by their very definition – albums containing unofficial remixes compiled by people with no access to the original components of each track – they’re generally a mixed bunch, but there’s one thing many of them have in common: really bad cover art. With this in mind, we present to you -

THE TOP SIX BAD ALBUM COVERS FROM UNOFFICIAL DEPECHE MODE BOOTLEG REMIX COMPILATIONS

This may seem a little harsh. After all, the intent behind each compilation was to collect together rare, exciting and exclusive cuts from the Dep’s back catalogue. “That may well be,” say we, “but a lot of these were sold through record shops and eBay, so a bit of care when it came to the artwork wouldn’t have gone amiss, now would it?”

“Oh yeah, and I suppose you can do better, bignose?” You may well be saying at this point. Well, taking about five minutes, including the time it took to load Photoshop and type a query into Google Images, we cobbled together the following:

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Yep, rubbish. But hey, literally five minutes work. So, let’s see some designs worse than that one. With sarcastic comments as if we’re Mark fecking Farrow or someone*.

(*Mark Farrow is one of our favourite designers of album art and packaging, and not someone who routinely slags other people’s work off, like we’re about to. We should probably point that out. We could just have made a joke about us being the Piers Morgan of album art criticism, but that’d just make us look schtoopid after that previous update.)

6. Bloodlines

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An image taken by typing “leaf” into Google Image Search. A Photoshop filter that dicks around with a few colours. A vaguely gothic freeware font. Thirty seconds work. Job done.

5. Only When I Lose Myself

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So, you’ve got a folder full of freeware Photoshop filters. Why not try applying them all at once?

4. We Create A Monster

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The band name is copy-pasted from the Ultra artwork, meaning this cover was designed some time since 1998. That just makes the background a little bit baffling, as it’s seemingly the result of the demo mode of some public domain artwork generator given away free on a coverdisk from CU Amiga circa 1993. Add on some clip-art and some Word Art from Microsoft Word 97, and you’ve got an album cover. Of sorts.

3. Apologize 4.0

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Yeah, you probably ought to.

2. The Butterfly Effect

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The image itself could have worked, but when it comes to the lettering… ach. We’ve just tried looking in our ‘fonts’ folder to try and find out the name of that horrid typeface, but come up short because – despite it being a Windows default – we’ve long deleted it. And to compound matters: it’s in pink. Look, if you’re going for ‘dark and moody’, steer clear of pink lettering in a rubbish font. Really. We’re not being needlessly sarcastic when we say that when it come down to this album cover, presumably it’s only a coin-toss that saved us from seeing Comic Sans here.

1. Sounds Of The Universe

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Really, now this takes the biscuit. The typeface used for the album title and the ‘epeche ode’ part of the band name is quite nice, but just look at the rest of it! Let your kid sister have a play on MS Paint, did you!? Jeepers H Crackers. Of all the hamfisted stabs at putting together an album cover for your crappy bootleg mix of tracks you’ve copied from other Dep Mode bootleg albums, this is by far the… [checks iTunes ‘Now Playing’ window more closely] ah. Erm. Yeah.

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Thursday, 16 April 2009

You Are No Longer Here: Huge Pictorial Update

"The colour of infinity inside an empty glass / It's for this experimental film / Which nobody knows about / And which I'm still figuring out / What's going to go in my experimental film?"

So sang They Might Be Giants on their track “Experimental Film”, the album opener for their underrated 2004 opus ‘The Spine’. Sadly, TMBG have never actually made a film along those lines. But luckily, a British pop duo with a similar sense of longevity have.

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It’s generally regarded that The Monkee’s ‘Head’ is by far the strangest movie starring a pop band ever made. However, there is a challenger for the crown: 1988 saw the release of It Couldn’t Happen Here (dir. Jack Bond), a frankly deranged outing for Neil Tennant and Chris Lowe.

We were a sprightly fourteen years old by the time we finally got to see the film, after having to wait for the video release due to being slightly too young to catch the limited cinema release (it was rated ‘15’). Before then, like most viewers of Top of the Pops, No Limits and The Chart Show, we’d seen the trailer-cum-pop-video for the movie umpteen times, used as it was for promoting the Pettoes' 1987 Christmas number one, their majestic cover of ‘Always On My Mind’. Basically, it looked like the best gosh-darned film ever.


Look at all that stuff going on. Joss Ackland playing a Stephen Wright-quoting serial killer. Neil dressed as Elvis. Glitzy London nightspots playing host to altercations with a trio of rappers. Babs Windsor on the phone to Neil. A giggling dummy in an air traffic control tower holding a gun. A biplane. Chris chucking a huge breakfast over Barbara Windsor. Gareth Hunt and a plastic chicken. Loads of other shenanigans. How could it possibly be anything other than a rip-roaring caper comedy to rival the Italian Job and It’s A Mad Mad World?

Then we finally saw it, and found out that all of the events in the promo aren’t actually connected. They’re just a bunch of stuff that happens, with little rhyme or reason attached to their place in the plot, such as it was. The basic story is this. Neil and Chris buy a car, and go off somewhere. Along the way, things happen, many of which make little sense, especially to a fourteen-year-old who doesn’t feel quite so grown up all of a sudden. But, surely when we grew up, we’d know exactly what was going on in this film. We were just too young to ‘get’ it, that's all. Surely.

Twenty years pass. We purchase a VHS copy of It Couldn’t Happen Here from a car boot sale for the princely sum of One British Pound. Earlier on today, we connected up our old VCR, and put the tape on. At long last, with the worldly ways we’ve picked up in the interim, this is all finally going to slide into some sort of coherent…. nope, it’s still utterly bewildering.

There are a few things we did notice upon watching the film, which we are about to outline in bullet point form, because it’s easier than putting them into proper paragraphs, and because then you’d all be expecting ‘context’ and ‘reasoning’ and shit.

* It’s not really a very good film. It is however quite interesting, not to mention oddly compelling. The sort of film that should be watched at least once by everyone who is into this sort of thing (either surreal British films, the Pet Shop Boys, or former Carry On actresses being pelted with fried eggs).

* Throughout the entire film, where Neil and Chris meet up then go off and have adventures on the way to somewhere, they never actually speak to each other. Not even once. For reasons we can’t quite put into place, this is an excellent thing.

* Watching this film proves just how brilliant the album Actually really is. We’d forgotten just how good, which is quite shocking as it was the first album we ever bought with our own money. At Our Price records in Wrexham, in 1987, for £5.99, on vinyl, if you were wondering.

* The overall experience of watching the film can be explained quite well by putting together snapshots of several choice moments from it, and then trying our best to explain what’s going on. If you haven’t got a copy of it, this might well be as close as you’ll get to seeing it, seeing as it’s now been removed from Google Video (mainly because Google Video doesn’t exist any more), it has long since been deleted on VHS, and there are no plans for it to be released on DVD.

SIX MAJESTICALLY DEMENTED BITS FROM ‘IT COULDN’T HAPPEN HERE.’

1.

The intro to the tremendous Disco Mix of It’s A Sin swells in the background. Eerie blank-faced men in hats, overcoats and brightly coloured wigs clamour around What The Butler Saw machines, near the seafront of Clacton-on-sea.

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One of the machines is being inspected by a youthful Neil and Chris, who have sneaked away from the blind Catholic priest who has taken their class to the seaside. The camera cuts to what is being played on said machine. A maid (played by Babs Windsor) is dusting.

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A butler (played by Neil Tennant) mischievously sneaks behind and tweaks her bottom. The maid giggles, and butler Tennant gives her a peck on the cheek. RELEVANT INFO. in the film, Babs Windsor plays Neil Tennant’s mother.

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The master of the house (played by Chris Lowe) appears, holding a riding crop. The butler scarpers, as the master proceeds to chase playfully after the giggling maid, practicing the swing of his crop as he goes. Suddenly, the maid grabs hold of the riding crop, and the tables are turned. Master Lowe slips, and falls on a chaise longue. The maid jumps on top of him, and they embrace.

The camera cuts back to the exterior of the machine. Young Tennant/Lowe are nearly spotted by Fr Joss Ackland (well, smelt – he is blind, after all), and they run off. With them departed, Fr Ackland tries looking at the machine, only to declare it isn’t working.

2.

In the scene immediately following, the boys are in a different part of the funfair. They are standing next to a ferris wheel that Blind Father Ackland has stumbled onto.

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Occupying the other compartments of the ferris wheel are:

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A plump woman in her underwear eating a big cake,

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Two members of a motorcycle gang getting drunk,

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A pair of mud wrestlers,

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Dracula and an unsuspecting maiden,

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And a man doing horse.

3.

The bit everyone know about. Neil and Chris stop to pick up a lady hitch-hiker, only for serial killer Joss Ackland to jump her (off-camera), and nip into the car instead. As they drive, Neil sings ‘Always On My Mind’, while Joss Ackland reels off a load of gags stolen from Stephen Wright.

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Unlike the ‘Always…’ video (as embedded above), the scene in the film stays with the interior of the car. However, this remains interesting thanks to the cavalcade of wonderful facial expressions Ackland treats us to as Neil sings. If you do get a copy of this film, keep your gaze fixed on Ackland’s fizzog throughout the song. It’s a visual treat that keeps on giving.

4.

A brilliant scene in an all-night cafe. Neil and Chris have just ordered an opulent feast from the waitress (“…and the Chateau La Fete 1942”), when a fastidious ventriloquist (played wonderfully by Gareth Hunt) enters, and sits down at the adjoining table.

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His actions cause Neil and Chris to giggle themselves silly, as he very deliberately reels off his order to the waitress in his very best Shakespearean voice (“egg… beans… and chips. Two sausages… one large… one small…” – look, it’s funny when you see it, okay?).

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Before his meal is served, his dummy demands to be let out of his suitcase. The ventriloquist relents, and as he scoffs his meal, the dummy trots out an existentialist dialogue on the very concept of time, and whether teacups actually exist. While all this is going on, a biplane pilot (played by Neil Dickson, pretty much reprising his role from Biggles: Adventures in Time) sits in the background, repeatedly trying to calculate two divided by zero on a Speak & Math machine.

5.

After getting annoyed with the expensive feast enjoyed by the Boys in the all-night cafeteria, the ventriloquist’s dummy has now employed the biplane pilot, and tasked him with killing Neil and Chris.

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As the pilot reads a book on existentialism (written by the dummy), his wooden paymaster’s voice plays out over a public address system. Sinister Dummy repeats the details of the meal ordered by the boys (“Oysters… finger bowls… on a silver platter…”) with scornful derision. Wowed by the philosophical musings on the subject of chronology, the pilot hops in a plane, and sets out to shoot the Boys’ 1952 Ford Zephyr off the road.

This he does, only doing enough to halt their car in it’s tracks, leaving Neil and Chris alive, but very much hampered in their quest to reach Wherever It Is They’re Going To. This pleases the pilot, who laughs manically, as does the dummy, watching from a nearby control tower.

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6.

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In an earlier scene, Neil mentions to his mum (played, of course, by Peggy Mitchell, meaning Neil is at least step-brother to Grant and Phil) how “Dad used to leave the house in a flaming temper”. After the Boys fail to get their car fixed (by letting a load of skinheads bang out a tune on the engine with spanners, just after they’ve finished kicking the shit out of a telephone box), we see a scene where a much younger Neil’s Mum (played by someone who isn’t Babs Windsor) looks forlornly across the street to a neighbour snipping off a buttonhole for her husband. She looks down at her husband leaving the house, and thinks to herself why a similar floral accoutrement wouldn’t really work for him:

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Yes, Neil’s dad would leave the house in what was – quite literally – a flaming temper. Well, a flaming suit anyway.

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Real fire, mind. British CGI at the time could barely make it beyond the odd Quantel spinny box. A man hangs a 'brickwork’ poster on top of an advertising billboard, as Neil’s Dad walks to his car.

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The car is, of course, similarly aflame.

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Anyway, Neil and Chris get the train instead, which contains a menagerie. But going into more detail with that would involve listing another scene, so you’ll just have to track down a copy of the film if you want to see any more.

In summary: A wholly interesting (if not, as we said earlier, actually that good) little curio, all cobbled together to appease fans after Neil and Chris declined to go on tour. Now, why can’t Girls Aloud do something like this?


[update]
EXCLUSIVE BREAKING NEWS: Thrillingly, we've been contacted on Twitter by Chris Lowe (blimey), who tells us "Very interesting. There are plans to release it on DVD." You heard it here first, assuming that isn't already mentioned elsewhere.
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Saturday, 21 March 2009

It's BrokenTV's Magical Music Machine

Now BrokenTV has it's very own radio station. Well, non-collaborative Spotify playlist. Fans of bands beginning with each letter of the alphabet, from Annie, to Biz Markie, to Cake, to Dan le Sac vs Scroobius Pip, to Earl Brutus, to Francoise Hardy, to Grandmaster Flash, to Helen Love, to Interpol, to Jackson 5, to Kimya Dawson, to Ladyhawke, to M83, to Nancy Sinatra, to OK Go, to Pavement, to Quannum MCs, to Royksopp, to Stereo Total, to t.A.T.u, to Ultravox, to Vive La Fete, to Whale, to X-Ray Spex, to Yelle, to Z-Trip are all catered for. There are currently around 200 tracks on there, but expect more to be added as we uncover them.

Here is the link to it. And here is a link to Spotify, in the unlikely event you haven't already got it.

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