I can’t say that I was thrilled to spin Clarissa, or, the History of a Young Lady by Samuel Richardson for the Classics Club spin 44. It’s a long book, over 500 pages and when I realised that my copy had been abridged, my heart sank – I couldn’t read and submit a review on an abridged copy of a book for The Classics Club, could I?
It turns out that I could. A quick Google search showed me that the full book is over 1,500 pages long or just under one million words, the longest novel in the English canon.
The version I read was edited by George Sherburn. If parts of the story were missing, I couldn’t tell. Sherburn included notes in at least some of the sections he’d cut, summarising the contents and saying why he’d left these out.
I’d previously read Pamela, Richardson’s story of a pretty young woman relentlessly chased by an admirer, also told in epistolary form, and thought I knew what to expect from Clarissa – a long-winded story with an annoying heroine that I might or might not finish (Pamela was a DNF for me).
Turns out, I was right and wrong. I was right because even the abridged version of the book is an extraordinarily long story that took me ages to read, but wrong because the heroine, the young and beautiful Clarissa Harlowe wasn’t annoying, even though she poured her heart out in her very, very long letters, relaying pages and pages and pages of conversations word for word to her best friend. I hadn’t expected to become fully invested early in the story and want to see it through.
The most important thing I took from this, in the words of the ongoing public awareness campaigns across the world for sexual consent is that, ‘No means no.’
If Clarissa parents, siblings or would-be lover had respected her lack of consent there wouldn’t even have been a story. But back in 1748 when Samuel Richardson wrote this book, young women really didn’t have a voice.
The problem began when Clarissa’s older brother James fell out with a fellow student, Robert Lovelace and was humiliated by him in a duel. Things might have blown over when Lovelace began toying with Arabella, Clarissa and James’ sister, but she turned down his proposal (possibly expecting him to keep chasing her) and he turned his attention to Clarissa. When their grandfather left his estate to Clarissa, Arabella and James ganged up against Clarissa with the dual intention of making her share the inheritance with them and shutting down any romance between her and Lovelace.
Clarissa was the most virtuous girl alive and wasn’t the least bit interested in Lovelace, whose reputation as a libertine was well-known. However, her family, who were very wealthy, listened to James and Arabella’s insinuations and insisted that Clarissa marry a rich but nasty man, Mr Solmes. When she refused, her parents locked Clarissa in her room and forbade her from writing letters to her dear friend Anna or to Lovelace, whom she’d been corresponding with to prevent him from provoking another duel with her brother.
Eventually, things came to a head and Clarissa agreed to elope with Lovelace so that she wouldn’t be forced to marry the monstrous Solmes – this all sounds a little dramatic for a modern reader but please understand, the celebrant had been booked and Clarissa was running out of options. Clarissa changed her mind a few days before the elopement, but was tricked by Lovelace into running away with him. Clarissa’s intention wasn’t to marry Lovelace, whom she didn’t particularly respect; instead her plan was to find a way to live independently and in time, reconcile with her family. Lovelace, however, took Clarissa to a brothel, incarcerating her there and telling her that the members of the household were reputable people, before spending the next month or so trying to seduce her. Eventually, Lovelace lost patience with Clarissa’s consistent refusals of him so drugged and raped her, with tragic consequences for Clarissa – and who would have thought that what is currently called date rape would have been existed when this was written?
This wasn’t even close to being the end of the story, though, with a lot more pages and plenty of twists and turns before it finally ended.
I can well imagine this story being the soap opera of its day. Readers must have hung on Richardson’s every word, wondering what was going to happen to the heroine next. I’m sure those readers would also have taken sides against Clarissa’s spiteful, jealous and greedy siblings, against her tyrannical and unforgiving parents, aunts and uncles, against Solmes, who planned to brutalise Clarissa the moment they were married, and against Lovelace himself, whose only intention was to ruin his victim for his own and his fellow libertine’s amusement.
For anyone else who intends to read Clarissa, I would advise you to read this book as fast as you can to keep up the momentum. The letters are comprehensive without being repetitive but they are long and there are a lot of them. When something actually happens, such as Clarissa running away with Lovelace it’s exciting, but most of the time the letter-writers are faithfully relaying their long, long conversations. Clarissa writes to Anna, Lovelace, occasionally to her family members and to other members of her circle. Lovelace’s intentions and recaps of these same events are also seen through his letters, which are mostly written to a friend of his, a fellow libertine who later became Clarissa’s supporter.
So, will I eventually read the entire book? Maybe. Not right away, but I’m not going to rule it out for the future. I can’t exactly say that I enjoyed Clarissa but I’m reasonably certain that I’ll remember it, which is my personal definition of a good book.
Clarissa was book thirty-one of my second Classics Club challenge to read 50 classics before my challenge end date of September 22, 2028.































































































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